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Pitching up: where is the place for art?

Conrad Atkinson, 'Critical Mats', coir, rubber mats, 1986

Conrad Atkinson, 'Critical Mats', coir, rubber mats, 1986

Published today on The Guardian’s Culture professionals blog.

06.01.12 -  Susan Jones' asks the question: are traditional arts organisations the best vehicles for meaningful participation or should we be looking elsewhere? Read the full article and post your comments on The Guardian's Culture professionals blog »

First published: January 2012

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