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Pitching up: where is the place for art?

Conrad Atkinson, 'Critical Mats', coir, rubber mats, 1986

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Conrad Atkinson, 'Critical Mats', coir, rubber mats, 1986

Published today on The Guardian’s Culture professionals blog.

06.01.12 -  Susan Jones' asks the question: are traditional arts organisations the best vehicles for meaningful participation or should we be looking elsewhere? Read the full article and post your comments on The Guardian's Culture professionals blog »

First published: a-n.co.uk January 2012

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