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Artists’ stories

Editorially commissioned features on significant and emerging artists, includes artists’ firsthand experiences alongside interview-based profiles.

Lida Abdul, ‘White house’, Kabul, 16mm transfer to DVD, 4'58 [enlarge]  

Lida Abdul

By Kim Dhillon

Born in Kabul in 1973, Lida Abdul has returned to live there. Kim Dhillon looks at her practice, working accross various media, that fuses Western formalist traditions with numerous aesthetic influences. Read on...

Jane Adam, ‘Paisley brooches’, block printed aluminium and gold leaf print, 1987. Photo: Joël Degen. [enlarge]  

Jane Adam

By Polly Harknett

Jane Adam is a successful jewellery designer with an international reputation. Polly Harknett discusses her career and studio at Cockpit Arts and her wider role in the craft community. Read on...

'Warren Andrews 'David M. Hutchinson Drawing Device No. 436'', Mixed media, 16x23cm. Courtesy: The artist [enlarge]  

Warren Andrews

By Jack Hutchinson

Warren Andrews discusses winning the student prize, the importance of education and his future plans. Read on...

Alice Angus, ‘Sketch for animation’, 2003. Photo: Joyce Majiski. [enlarge]  

Alice Angus

By Alice Angus

In the summer of 2003 I was one of five artists resident in Ivvavik Park, North West Canada. Read on...

Anji Archer, ‘Little sister, poor soul’, 2005. [enlarge]  

Anji Archer

By Anji Archer

Anji Archer, who featured in a-n’s Degree show supplement 98 publication, reflects on her life and the part art has played in it over the past ten years. Read on...

Michael Dan Archer, ‘Fire and iron’.Woodmere Country Park, Chesterfield [enlarge]  

Michael Dan Archer

By Michael Dan Archer

Artists’ story: Michael Dan Archer Read on...

Michael Atavar, 2001.Atavar was artist-in-residence at the Guardian newspaper during Year of the Artist in 2000. [enlarge]  

Michael Atavar

By Michael Atavar

Michael Atavar talks about the ups and downs of his experience as artist-in-residence at The Guardian. Read on...

Sam Atkins, ‘Handwoven lampshade’. [enlarge]  

Sam Atkins

By Sam Atkins

Whilst sitting in my parent's garden in the summer of 1996, I became mesmerised by the patterns created on the table by the light filtering through my father's pint jug of beer. Read on...

Conrad Atkinson, ‘Excavated Mutilations’.installation shot [enlarge]  

Conrad Atkinson

By Sue Hubbard

With a solo show currently at the Courtauld Institute, Conrad Atkinson talks to Sue Hubbard about the evolution of his career – a practice rooted equally in the political and the personal. Read on...

Tanya Axford, paint cards, pins, carpet, and angle poise lamps, 1999. Photo: Alan Stott. [enlarge]  

Tanya Axford

By Paul Moss

Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice. Read on...

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