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Artists’ stories

Editorially commissioned features on significant and emerging artists, includes artists’ firsthand experiences alongside interview-based profiles.

Sabrina Cant, ‘A day in the life of colour-scape’, glass, 86x45cm, 2004. [enlarge]  

Sabrina Cant

By Susan Jones

Susan Jones looks at the practice of Sabrina Cant, who works with glass, including her commission for Bookham United Reform Church. Read on...

Angela Carter-Rhodes, ‘Development of colour and form 1’, photograph on MDF, 2003. [enlarge]  

Angela Carter-Rhodes

By Angela Carter

When I learnt I had a place on a residency at Phoenix Gallery, during the Brighton festival I was delighted. Read on...

Rachel Cattle, ‘Burning House’, wall drawing, 2005.from 'The Darkness' exhibition [enlarge]  

Rachel Cattle

By Rachel Cattle

Chapter one. Into the woods. Read on...

, ‘Decoy’. Photo: Suki Chan.installation with light, phosphorescent paint, movement sensor and electronics [enlarge]  

Suki Chan

By Sonya Dyer

Sonya Dyer on the development of Suki Chan's practice. Read on...

Chien-Wei Chang, ‘One After Another’, silver, found objects, ebony (base), 2007. Photo: Andra Nelki. [enlarge]  

Chien-Wei Chang

By Frances Lord

Frances Lord explores the practice of Chien-Wei Chang, his route into making and how his cultural background is reflected in his work. Read on...

Samantha Clark, ‘Cloud Chamber’, polyfibre filling, nylon thread, variable, 2004. [enlarge]  

Samantha Clark

By Samantha Clark

Last year I did a residency at the IAAB, an international artists exchange programme in Basel, Switzerland. Read on...

David Clarke, ‘You Bermondsey Beauty’, precious white metal and fake Chinese cherries. Photo: Sussie Ahlburg. [enlarge]  

David Clarke and Simone ten Hompel

By David Clarke

It has been a phenomenal time for us. Read on...

Ruth Claxton, ‘I thought I was the audience and then I looked at you’, mixed media, dimensions variable, 2002-04. [enlarge]  

Ruth Claxton

By Ruth Claxton

I thought I was the audience and then I looked at you began by accident. Read on...

Sue Cohen, ‘Gilda’, acrylic paint and readymade, 2007. [enlarge]  

Sue Cohen

By Lee Simmons

Lee Simmons on Sue Cohen's practice as an artist/curator and her focus on bringing art into the public sphere. Read on...

Susan Collis, ‘The Oyster's Our World’, wooden stool, precious and semi-precious stones, 2004. [enlarge]  

Susan Collis

By Susan Collis

I’m drawn towards work that offers two opposing features or truths. Read on...

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