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Project blogs

Over 8000 images from over 3000 UK and international artists whose work has been editorially featured in any of a-n's publications or web sites since 2000.

Gavin J R

Gavin JR, 'Coins', Coins, paints, sculpture, January 2010. Photo: Gavin JR. A series of works themed around coins, British identity and the monarchy.Find out more at:www.gavin-jr.co.uk

Gavin JR, 'R(over) - Who's Next?', Car, moving sculpture, designed graphics, photography, March 2010. Photo: Gavin JR. My artistic practice explores a range of themes closely related to identity: personal, social and national. In a recent body of work I have been exploring the complexities and defining qualities of people and places in Britian.I have also designed and modified a moving sculpture (car) which has become my vehicle of artistic expression and indeed the focal point to my works that have followed.

Gavin JR, 'Oh I do like to be beside the seaside', Performance, interview, live work, digital video, April 2010. Photo: Carole Rogers. A live work at Blackpool, North Pier. Getting the British general public to explore thier nationality and traditions on camera......Find out more at:http://gavin-jr.co.uk/new/page10.html

Gavin JR, 'Oh i do like to be beside the seaside', Digital video, performance, April 2010. Photo: Gavin JR. Documentary film showing peoples opinions, traditions and thoughts on Blackpool, Britain and related interests. Be warned contains some honest opinions. Comments

Gavin J R, 'God? Save the Queen? - Close up', Mixed media, 2009-10. Photo: Gavin J R. Close up Image. The church and the monarchy seem to have become much less important in recent years, changes in cultures and politics have moved Britain into its modern age. Are these two things still important today? Gavin J R 2010

Gavin J R, 'God? Save the Queen?', Mixed media, 2009-10. Photo: Gavin J R. The church and the monarchy....in Britains past the two major beliefs and trust of the British people. Now these two areas have become less important as Britain has undergone a cultural revolution, without perhaps even realising it! Representing the declining importance of the Church and the Monarchy in Britain. Questions also Political power and the current economy in Britain. The bricks suggest a fragile dis-balance, with the coins being housed between sheets of glass.

Gavin J R, 'Red, White and Blue', Performance, live work, photography, video, 2009-10. Photo: Gavin J R. Red White and Blue.I have worn nothing else since october the 1st 2009

Jonathan Rabagliati

Jonathan Rabagliati, ‘Notes to Myself (Footnotes to the City)’.

Mary-Colleen Rabb

Mary-Colleen Rabb, ‘Charon's Vaccation’, digital print.Rabb is a member of Articulate

Caroline Race

Caroline Race, 'Upstairs at Studio', photograph, June 2009.

Caroline Race, 'Downstairs at Studio', Photograph, June 2009.

Caroline Race, 'Upstairs at studio', Photograph, June 2009.

Caroline Race, 'Downstairs at Studio', Photograph, June 2009.

'Aloness 1', mixed, January 09.

Caroline Race, 'Aloneness I, series 3', Paper Lithograph, 03/09.

Caroline Race, 'Solitary', Paper Lithograph, 01/09.

Caroline Race, 'Aloneness I', Screenprint, 03/09.

Caroline Race, 'Aloneness series 1', mixed, January 2009. Seven Artist's books

Caroline Race, 'Aloneness', Photograph, April 2009. Photo: Caroline Race.

Caroline Race, 'Elective work', Mixed, January 2009. seven artist's books, three screenprints, three paper lithographs

Caroline Race, 'Aloneness series 1', mixed media, March 2009. Artist's book

Caroline Race, 'Silence', Paper lithograph, 13 April 2009. Preperation piece

Caroline Race, 'Carcass Canyon', Paper Lithograph, 13 April 2009. practice piece

Caroline Race, 'Carcass Canyon', Paper Lithograph, 13 April 2009. Preparation piece

Caroline Race, 'Aloneness', Oil, April 2009.

Caroline Race, 'Untitled', Paper lithograph, April 2009. Artist's Books

Caroline Race, 'Untitled', Paper lithograph, April 2009. Artist's Book

Caroline Race, 'Terra Nobilis', Mixed, 7 May 2009. Photo: Caroline Race. Artist's Book

Caroline Race, 'Desert treck', Photograph, 1 May 2009. Photo: Patricia Graves.

Caroline Race, 'Bryce Canyon', Photogarph, 30 April. Photo: Caroline Race.

Caroline Race, 'Terra Nobilis', Mixed, 7 May 2009. Photo: Caroline Race. Artist's Book

Caroline Race, 'Fragile Form', Paper lithograph on Japanese tissue. images for book

Caroline Race, 'Fragile Form I', Oil on Canvas, May 2009.

Caroline Race, 'Fragile Form II', Oil on Canvas, May 2009.

Caroline Race, 'Fragile Form III', Oil on Canvas, May 2009.

Caroline Race, 'Book cover', May 2009. Cover for 'Fragile Form'

Caroline Race, 'Terra Nobilis', Artist's Book, May 2009.

Caroline Race, 'Artist's Books', Paper Lithograph and Transfer Print, May/June 2009. Death Ridge, Box Death Hollow and Carcass Canyon

Caroline Race, 'Degree Paintings', Mixed, May/June 2009.

Caroline Race, 'Degree Show', 12th June 2009.

Caroline Race, 'Fragile Form V, II and IV', Oil and Paper Lithograph on canvas, May, June 2009.

Caroline Race, 8th June 2009. All important selection of images

Caroline Race, 'Artist's Books', Paper Lithograph and Transfer prints, May/June 2009.

Anthony Boswell Rachael Griffiths

Anthony Boswell, ''Rear staircase'', Pencil on paper, 2009.

Anthony Boswell, 'Alter piece a', wood, 2009. Base for drawing

Anthony Boswell, 'Alter piece b', wood, 2009. Base for drawing.

Rachael Griffiths, 'Pinhole camera experiments', Card, 25.11.09. Pinhole cameras with different apertures and focal lengths.

Anthony Boswell, ''Doorway'', Paper, card, wood (Photgraph, inkjet print), 2009. Copyright the artist.

Anthony Boswell, ''Alter piece'', Paper, wood (Photograph, inkjet print), 2009. Copyright the artist

Anthony Boswell/Rachael Griffiths, 'Haden Hill House', Photograph, 2010. The staircase in Haden Hill House that leads up to the room that shows our exhibition.

Mikaela Rackham

Mikaela Rackham, 'Be the Balloon', 07.10.12. Photo: Mikaela Jade.

Mikaela Rackham, 'Be the Balloon', 07.10.12. Photo: Mikaela Jade.

Mikaela, 'Be the Balloon', 07.10.12. Photo: Mikaela Jade.

Mikaela Rackham, 'Be the Balloon'. Photo: Mikaela Jade.

Mikaela Rackham, 'Tree Boot', October 2012. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

mikaela rackham. Photo: mikaela jade.

Mikaela Rackham. Photo: Mikaela Jade. Studio Shot

mikaela Rackham. Photo: mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham.

Mikaela Rackham.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham.

Mikaela Rackham.

Mikaela Rackham.

Mikaela Rackham.

Mikaela Rackham, 'Blue Beauty No.1'. Photo: Mikaela Jade.

Mikaela Rackham, 'Blue Beauty No.3'. Photo: Mikaela Jade.

Mikaela Rackham, 'Blue Beauty No.3'. Photo: Mikaela Jade.

Mikaela Rackham, 'Blue Beauty No.4'. Photo: Mikaela Jade.

Mikaela Rackham.

Mikaela Rackham.

Mikaela Rackham, 'Bone Cage'. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Digital Photograph, March 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Digital Photograph, March 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Digital Photograph, March 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Digital Photograph, March 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Digital Photograph, March 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'The Masquerade', Digital Photograph, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Clocks, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Untitled', Clocks, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Tree Boot Forest', digital collage, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Have I gone round the bend? - No.1', Digital Photograph, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Have I gone round the bend? - No 2', Digital Photograph, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'Have I gone round the bend? - No.3', Digital Photograph, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'The Elegance Within.', Digital Photograph, 2013. Photo: Mikaela Jade.

Mikaela Rackham, 'The Elegance Within.', Digital Photograph, 2013. Photo: Mikaela Jade.

Ines Rae

Ines Rae, ‘Sheila Clarke, Preston 2002’, colour photograph, 40x50cm unframed.

Shelley Rae

Shelley Rae, 'Bedpost', photography, installation prop, March 2009. Photo: Shelley Rae. Courtesy: artist. video installation for Time and Time again.

'Canopy Bed', photography, installation, March 2009. Photo: Shelley Rae. Courtesy: artist. Video installation for Courtauld East Wing 8, Time and Time Again with Musician Wynton Kelly Stevenson and Ryan S. as performer.

Shelley Rae, 'Ma Vie en Rose installation', video, 2008. Photo: Shelley Rae. Courtesy: artist. video projected into cupboard and bounced with mirror through canvas of the back of a 1950's german radio at Art Claims Impulse Gallery in Berlin.

'Belle Avenue', 2011. Photo: Shelley Rae. Photograph taken of abandoned house with hole cut into doorway on the East Side of Flint Michigan.

'Iowa Avenue', 2011. Photo: Shelley Rae. House that has been stripped of siding and support (as people sell bits of abandoned houses for cash).

'Mabel Avenue', 2012. Photo: Shelley Rae. There is a problem with arsonists targeting abandoned houses, and is a danger to homeowners who still live in the neighborhood.

'Killer Cabinet House 1800-1830'. Photo: Shelley Rae. Courtesy: The V&A Museum of Childhood. Dr. John Killer had this house made for his wife and 3 daughters.

'Gait House, 1960's'. Photo: Shelley Rae. Courtesy: The V&A Museum of Childhood. This open sided dolls house was designed for play with groups of children.

'The Drew House, 1860's'. Photo: Shelley Rae. Courtesy: The V&A Museum of Childhood. This house is an early example of toys made from recycled materials.

'Untitled', 2012. Photo: Shelley Rae. Just a peek through my dolls house door

2012. Photo: Shelley Rae. Charles Matton book double spread page, with Sylvanian toy bathtub, sofa and phone placed on top.

2012. Photo: Shelley Rae. Sylvanian toy fridge

2012. Photo: Shelley Rae. Sylvanian dolls house sofa and fireplace with batteries--it really lights up!

2012. Photo: Shelley Rae. Fake grass from Modulor Material Total shop

2012. Photo: Shelley Rae. Matt Roberts Arts Gallery, photo of exhibition space

2012. Photo: Shelley Rae. Heavy paint can from Flint's Hire and Supply. Good thing I brought my suitcase to get it back home...

Photo: Shelley Rae. What dolls house will look like on inside after I finish the small touches(more plates, an oven, chairs, etc...)

Photo: Shelley Rae. Dolls house furniture scattered on the plinth, ready to put into house...

Photo: Shelley Rae. The first coat of black paint in my installation space.

Photo: Shelley Rae. Painting plinth that dolls house will sit on.

Photo: AnnaMaria Kardos. Shelley Rae's finished video installation

Michael Raedecker

Michael Raedecker, 'volume', installation view. Photo: Peter White. Courtesy: the artist and Hauser & Wirth. Hauser & Wirth London, Savile Row, 2012.

Sarah Raffel

Sarah Raffel, ‘When I grow up’.

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