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Richard Taylor

Richard is an artist/writer living in Edinburgh and online editor on behalf of a-n The Artists Information Company, for the Degrees unedited and Students community sites.

www.rich-taylor.co.uk

About a-n people

As an artist living in Glasgow Richard also works freelance as an online editor for a-n The Artists Information Company, managing both Degrees unedited and Students' community sites. After gra Read on…

$'WOOD-HOLE_OIL--TAPE{colourOFwall)', media is title, April-now 2009. Photo: Richard Taylor.$

Richard Taylor, 'representational', wooden travel chess board, chess pieces, oil on board, frame made from floor boards, 2009. Courtesy: Richard Taylor

Choice blogs

Choice blogs from Artists talking, Projects unedited Read on…

Richard Taylor, 'Bell tower activities'. Photo: Gordon Taylor. Courtesy: artist.

Richard Taylor - biography

As an artist living in Glasgow I also work freelance as an online editor for a-n The Artists Information Company, managing both Degrees unedited and Students' community sites. After graduating Read on…

$'WOOD-HOLE_OIL--TAPE{colourOFwall)', media is title, April-now 2009. Photo: Richard Taylor.$

Richard Taylor, 'representational', wooden travel chess board, chess pieces, oil on board, frame made from floor boards, 2009. Courtesy: Richard Taylor

Stating/Showing

By: Richard Taylor
Go more write more do more www.rich-taylor.co.uk richttdraws.blogspot.com Read on…

Richard Taylor, 'Stating/Showing no.1', photocopied drawing and self adhesive stickers, 2008. Photo: Richard Taylor.

'Pulpit Projection ', digital projection on architectural environment, 2008. Courtesy: artist. A previous projection into space

'Untitled', digital photograph, 2008. Courtesy: artist. example of importance in electrical tape...

'From Installation [either side of passage-way]', digitally enhanced scanned image, 2009. Courtesy: artist. Here is introduced a previously realized work that includes the use of electrical tape.

'coloured tape', still from digital film, 2008. experiments in filming of tape unwinding

'coloured tape', still from digital film, 2008.

'coloured tape', still from digital film, 2008.

'coloured tape', still from digital film, 2008.

'Richard Taylor'. electrical tape as intimate object

'double sided redblue tape', digital film (still), 2009. Photo: Richard Taylor.

'preparatory drawing for light installation', digital collage, 2009. Courtesy: Richard Taylor. In order to produce this image I had to lug an extension lead up a bell tower and hang a camera off the end to simulate a pendulum: an object inherent in the nature of a church as a functional piece of architecture. The film was of the patterned altered flats with respect to the camera's movement. This is a collage of a drawing made from documentary photographs, combined to re-simulate the perspective of the camera. The pattern features the very tools that constructed the exploratory happening.

'representational ', wooden travel chess board, chess pieces, oil on board, frame made from floor boards, 2009. Photo: Clare Carter. Courtesy: Richard Taylor.

'representational ', wooden travel chess board, chess pieces, oil on board, frame made from floor boards, 2009. Courtesy: Richard Taylor.

Richard Taylor, 'representational', wooden travel chess board, chess pieces, oil on board, frame made from floor boards, 2009. Courtesy: Richard Taylor

'prelimenary drawing (left)', pencil, oil on lined card, September 2009. Courtesy: Richard Taylor.

'prelimenary drawing (middle)', ink, pencil & oil on lined card. Courtesy: Richard Taylor. This piece frames itself in the middle: there is no border.

'prelimenary drawing (right)', ink, pencil & oil on lined card, September 2009. Courtesy: Richard Taylor.

'slide picture from film 1/9', pencil on evelope, slide case & elastic band, July 2009. Courtesy: Richard Taylor.

'slide picture from film 2/9', pencil on evelope, slide case & elastic band, July 2009. Courtesy: Richard Taylor.

'slide picture from film 3/9', pencil on evelope, slide case & elastic band, July 2009. Courtesy: Richard Taylor.

'slide picture from film 4/9', pencil on evelope, slide case & elastic band, July 2009. Courtesy: Richard Taylor.

'prelimenary drawing (on top of one another)', ink, pencil & oil on lined card, September 2009. Courtesy: Richard Taylor.

$'WOOD-HOLE_OIL--TAPE{colourOFwall)', media is title, April-now 2009. Photo: Richard Taylor.$

$'WOOD-HOLE_OIL--TAPE{colourOFwall) in colour', media is title, April-now 2009. Photo: Richard Taylor.$

$'WOOD-HOLE_OIL--TAPE{colourOFwall) in colour', media is title, April-now 2009. THIS TIME IN DETAIL: A PART OF THE MASKING TAPE BEGINS TO PEAL OFF[ TITLE IS MEDIAMEDIA IS TITLE ]$

'church-floor drawing excercise', September 2009. docuONE

'CHURCHfloorPLAN', mixed-media (collage) on photocopy, October 2009.

'CHURCHfloorPLAN (detail)', mixed-media (collage) on photocopy, October 2009.

'imge in two parts'. drawing in progression

'imge in two parts -- second part'. image in reverse and progressed

'imge in two parts -- second part - detail'.

'BellTower-make-activity', October 2009.

'BellTower-make-activity detail'. Added interaction

'BellTower-make-activity'. added inteaction - performance-field

'The Wrapping', digital photograph in series, October 2009. Photo: Kimbal Quist Bumstead. The document of process, and transposing of and ideas/object -- AN IDEA-OBJECT

'FINAL DELIVERY', document of film made, October 2009. The red of the window suits the red of the jumper, the lipstick, the painted nails. The observed process of delivering idea/object

'document of transit', October 2009. Photo: Kimbal Quist Bumstead. half way down the tower, I stop for a rest

October 2009. Photo: Kimbal Quist Bumstead. in the attic, above the altar flats, contemplating twenty five metres of rope... and the lowering of the television to its final destination.

'installation shot - Day Light Saving', projection, film, table cloth (half), rope, extension leads and sound, October 2009. Photo: Richard Taylor, Helen McDonald. Courtesy: Richard Taylor.

'Catalogue page', October 2009.

'installation shot - Day Light Saving (detail)', projection, film, table cloth (half), rope, extension leads and sound, October 2009. Photo: Richard Taylor. Courtesy: Richard Taylor.

'Label(return to site:74:LS13AH) - part 2', digital print/ drawing. Courtesy: Richard Taylor.

'Label(return to site:74:LS13AH)', digital print/ drawing, November 2009. Courtesy: Richard Taylor.

'LeedsCityMuseum+DOT', photograph , September 2009. Courtesy: Richard Taylor.

'LeedsCityMuseum+anotherDOT', September 2009. Courtesy: Richard Taylor.

'Leeds City Museum', September 2009. Courtesy: Richard Taylor.

'fromsketch:book', scanned archived image, 2005/6. Courtesy: Richard Taylor.

'This is another one of me.TRANSFORMING-INTO-TELEVISION', 2009.

'Interior x 2', found photographic composition, February 2010. Courtesy: Richard Taylor.

'Interior x 3', found photographic composition, February 2010. Courtesy: Richard Taylor.

'Exterior x 1', found photographic composition (re-visited), October 2009 (February 2010). Courtesy: Richard Taylor (Archive).

'Exterior x 6', found photographic composition (re-visited), October 2009 (February 2010). Courtesy: Richard Taylor (Archive). The opposing non-colour of white is 'black' (exterior is black and interior is white =)

'Interior x 1', found photographic composition, February 2010. Courtesy: Richard Taylor. opposite of black is white

'interior / exterior composition (1/2x4)', found photographic compositions, February 2010. Courtesy: Richard Taylor (Archive). A composition of two exteriors (black dots, image surround) and two interiors (image dots and white surround) BLACK & WHITE

'photopia(found/photographic/composition)', found photographic composition and editing, February 2010. Courtesy: Richard Taylor.

'image framed from archive', found photographic composition, 2007-09. Courtesy: Richard Taylor.

're-visit, interim formation', digital photograph, 2010. Courtesy: Richard Taylor.

're-visit, interim formation 2', digital photograph, 2010. Courtesy: Richard Taylor.

'object-as-title/title:as:image', re-configured labelling system, 2009. Courtesy: Richard Taylor.

Richard Taylor, 'stating-showing(SHOWINGSTATING)', self-adhesive sticky labels on girder, 2008. Photo: Richard Taylor. Courtesy: artist.

Richard Taylor, 'affeted:found::material', found material and oil paint, 2009. Photo: Richard Taylor. Courtesy: artist.

Richard Taylor, 'affected:found::material BLACK', found material and oil paint, 2009. Photo: Richard Taylor. Courtesy: artist.

Richard Taylor, 'New museum construction', documented studio formation, found material, shadow/light, sculptural definition, 2010. Courtesy: artist.

Richard Taylor, 'New museum construction too', documented studio formation, found material, shadow/light, sculptural definition, 2010. Courtesy: artist.

Richard Taylor, 'Hidden Space', site specific documentation, 2009. Photo: Richard Taylor. Courtesy: artist.

Richard Taylor, 'Roll your sleeves up to concentrate', pen and paper and performance, 2010. Courtesy: artist.

Richard Taylor and Kimbal Bumstead, 'Bring Your Own Pencil', electrical tape drawing performance act, 2008. Photo: Sarah Green. Courtesy: artist.

Richard Taylor, 'Bell tower activities'. Photo: Gordon Taylor. Courtesy: artist.

'This looks like a tent to me'. Courtesy: artist.

'drawing corrispondence (no.1)', pencil on paper, 2010. Courtesy: artist.

'Finding lunch', 2010. Courtesy: artist.

'Racoon image', documented performance, May 2010. Photo: Richard Taylor. Courtesy: artist.

'inverse character description', video still, June 2010. Courtesy: artist.

'Found character'. Photo: Richard Taylor.

'Self versus Reverse other', installation mixed media, June 2010. Photo: Richard Taylor. Courtesy: artist.

'Self versus Reverse other (another)', installation mixed media, June 2010. Photo: Richard Taylor. Courtesy: artist.

'intallation shot'.

'Turn over off on', animation still.

'Lighter than stone is water image'. Photo: Richard Taylor.

'Whilst eating noodle-soup, near a squat'.

Richard Taylor, Kimbal Bumstead, 'self-instructed portrait', digital video still, May 2010. Courtesy: artists.

Richard Taylor, Kimbal Bumstead, 'The stage set', live performance documentation, May 2010. Photo: Maria Bojanowska. Courtesy: artists.

Richard Taylor, Kimbal Bumstead, 'The stage set (crawl)', live performance documentation, May 2010. Photo: Maria Bojanowska. Courtesy: artists.

Richard Taylor, Kimbal Bumstead. Photo: Maria Bojanowska. Courtesy: artists.

'With lanterns sequence four', mixed media with projection, June 2010. Courtesy: artist.

'With lanterns sequence four', mixed media with projection, June 2010. Courtesy: artist.

'With lanterns sequence four', mixed media with projection, June 2010. Courtesy: artist.

'With lanterns sequence four', June 2010. Courtesy: artist.

'With lanterns sequence four'.

Richard Taylor, 'towards a new museum', animation still, June 2010. Courtesy: artist.

Richard Taylor, 'towards a new museum', animation still, June 2010. Courtesy: artist.

Richard Taylor, 'towards a new museum', animation still, June 2010. Courtesy: artist.

Richard Taylor, 'towards a new museum', animation still, June 2010. Courtesy: artist.

Richard Taylor, 'Euclidean geometry race', drawing, related material, June 2010. Courtesy: artist.

Richard Taylor, 'Euclidean geometry race', drawing, related material, June 2010. Courtesy: artist.

Richard Taylor, 'Euclidean geometry race', drawing, related material, June 2010. Courtesy: artist.

Richard Taylor, 'Euclidean geometry race', June 2010. Courtesy: artist.

Richard Taylor, 'L'Aquila crane', photograph, 2008. Courtesy: artist.

Richard Taylor, 'exhibition', 2007. Courtesy: artist. The time it takes to empty, clean and re-fill a fountain and inner city pond, the time it takes to have an exhibition

Richard Taylor, '

Richard Taylor, '

Courtesy: artist.

Courtesy: artist.

Courtesy: artist.

Courtesy: artist.

Richard Taylor, 'tea cosies tables and curtain costumes', pencil on paper, July 2010. Courtesy: Richard Taylor.

Richard Taylor, 'pink red blue red orange, with red and green (after the sugar revolution and into decadent decay)', photograph, 2004. Courtesy: Richard Taylor.

Richard Taylor, 'Towards a new museum.', photograph. Courtesy: Richard Taylor.

'ungulata hoof', found photographic image, 2008. Courtesy: Richard Taylor.

Courtesy: cow.

$'Angles and Refraction', 2006. Courtesy: artist.$

'jacket me and Jack', photographic compilation with score, 2009. Courtesy: Richard Taylor.

Richard Taylor, Kimbal Bumstead, 'Interview technique', May 2010. Courtesy: artists.

Richard Taylor, Kimbal Bumstead. Courtesy: Richard Taylor, Kimbal Bumstead.

'Shiny Mongolian Teapot'.

'Character has name'. Courtesy: Jade Smith.

'social experimentation', documenting photograph, August 2010. Courtesy: the a-n team.

'South Cumbrian sky line'. Courtesy: artist.

August 2010. Courtesy: artist.

'Ubiquitous action', action documentation with objects, self and film, October 2010. Courtesy: artist.

'Ubiquitous action - box', Still from animation, October 2010. Courtesy: artist.

'Ubiquitous action -

'Ubiquitous action - collection', installation (prior performance), October 2010. Courtesy: artist.

'Ubiquitous action - collection', installation (prior performance), October 2010. Courtesy: artist.

'Museum collection', installation, December 2010. Photo: Richard Taylor. Courtesy: artist.

'Museum collection, detail', installation, December 2010. Photo: Richard Taylor. Courtesy: artist.

'Museum collection, detail', installation, December 2010. Photo: Richard Taylor. Courtesy: artist.

'Museum collection, detail'.

'Collected round objects'. Courtesy: Museum collector.

'Musuem collection (hollow halls)'.

'Land mass'.

'Soft floral axis', mixed media and paint on old address card with wrapping paper mount, 2011. Courtesy: artist.

'Periodic race winners (from Euclidian geomertry race)', pencil on paper, with magazine page mount, 2011. Courtesy: artist.

'Archive image', 2006.

'taken in the basement', January 2011. Courtesy: artist.

'park of institute'. Courtesy: artist.

'Dog ceiling (in place of lampshade)', wanderings and scribbles in note book, February 2010. Courtesy: artist.

'Upside down modernist waterfall', February 2010.

Courtesy: artist.

'house plant (gallery practice)', pencil on paper, 2011. Courtesy: artist.

'modern sculpture duster', pencil on paper, 2010. Courtesy: artist.

'house plant (explanatorium)', pencil on paper, 2011. Courtesy: artist.

'House plant (therefore ball ergo) detail', pencil on paper, March 2011. Courtesy: artist.

'Day out with simulacra', digital film still, photograph, April 2011. Courtesy: artist.

Photo: Carrie Skinner.

Richard Taylor, 'Stream and location', compiled digital image / film still, 2010/11. Courtesy: artist.

Richard Taylor, 'found lozenge (from lantern repititious)', film still and digital edit, 2010/11. Courtesy: artist.

Richard Taylor and Kimble Q Bumstead, 'awash in bell tower'. Courtesy: artists.

Richard Taylor, 'Enclosure of Lisbon affected retreat', digitally manifsted photograph, February 2011. Courtesy: artist.

Richard Taylor, 'Cammo Estate sculpture park rendition', digitally manifsted photograph, April 2011. Courtesy: artist.

Richard Taylor, 'House plant lozenge (bonsai balance)', pencil on paper, May 2011. Courtesy: artist.

Richard Taylor, 'another side of image (four sided object)', photographic collage, May 2011.

Richard Taylor, 'This photograph is orange', photographic collage, May 2011.

Richard Taylor, 'Directory image (part three)', photographic collage, May 2011.

Richard Taylor, 'not titled', study for installation, June 2011. Courtesy: artist.

Richard Taylor, 'not titled', study for installation. Courtesy: artist.

Richard Taylor, 'not titled (wall piece)', study for installation, June 2011. Courtesy: artist.

Richard Taylor, 'not titled', study for installation, June 2011. Courtesy: artist.

Richard Taylor, 'scientific fall', digitally edited photograph, June 2011. Courtesy: artists.

Richard Taylor, 'scientific fall (mirrored image)', digitally edited photograph, June 2011. Courtesy: artists.

Richard Taylor, 'stick tea cup', digitally edited photograph, June 2011. Courtesy: artists.

Richard Taylor, 'studio conversation', photograph, June 2011. Courtesy: artists.

Richard Taylor.

Richard Taylor, Sophie Frost, 'flag design printed for bunting', screen printed canvas, 2011. Courtesy: The Mutual and artists.

The Mutual artists, 'The Mutual stall at Vault art fair', installation / art-sale, 2011. Photo: Richard Taylor. Courtesy: The Mutual and artists.

Richard Taylor, Sophie Frost, 'the sea (the artist) the writer (the sea)', pamphlet artwork, 2011. Photo: Richard Taylor. Courtesy: artists.

Richard Taylor, 'Underside', wooden object, oil paint, found objects, September 2011. Courtesy: artist.

Richard Taylor, 'Drawing time'. Courtesy: artists.

Richard Taylor. Courtesy: artist.

Richard Taylor, 'From visual essay (embargoed)'. Courtesy: artist.

Richard Taylor, Sophie Frost, ''The Sea (the artist) the writer (The Sea)'', printed pamphlet, text and image, 2010/11. Courtesy: arists, The Mutual Glasgow, Vault Art Glasgow.

Richard Taylor, 'Wandering Garden series', 2011. Courtesy: artist.

Richard Taylor, 'Wandering Garden series', 2011. Courtesy: artist.

Richard Taylor, 'Wandering Garden series', 2011. Courtesy: artist.

Richard Taylor, 'Just in case you did not know', documented performance to camera, 2011. Courtesy: artist.

Richard Taylor.

Richard Taylor.

Richard Taylor, 'Whistle Blower your table shine is mine', pencil on paper, 2012. Courtesy: artist. A Drawing for GI Project and Amsterdam.

Richard Taylor, 'Still Life', lens-based collage. Courtesy: artist.

Richard Taylor, 'The Badger', found materials and oil, 2012. Courtesy: artist.

The invigilator's chair

It is important to highlight that the body of a-n is made up of artists who were once in a very similar situation to new graduates now, myself, the editor of Students community and Degrees unedit Read on…

The Mutual artists, 'The Mutual stall at Vault art fair', installation / art-sale, 2011. Photo: Richard Taylor. Courtesy: The Mutual and artists.

Richard Taylor, 'Drawing time'. Courtesy: artists.

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