http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Cheile Tue, 14 Feb 2012 18:25:02 +0000 a-n rss generator a-n The Artists Information Company and contributors edit@a-n.co.uk technical@a-n.co.uk http://www.a-n.co.uk/img/logo.gif http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 ...after a successful exhibition at Riverbank Arts Centre, Newbridge ,Ireland "Twinned" printmakers are now collecting their thoughts ...watch this space! ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 We have been exploring ideas of the land, language, memory, habitation…Le Cheile means “together” in Irish.  One of the Welsh-speaking artists suggested “Cyswllt” as a Welsh title - i.e. “connection”.  The project started off with Intereg (cross border) backing, and has been a real intercultural affair.  We are Irish, Welsh, English and Australian; we have English as a common language (most of the time!) and some have Welsh or Irish as their first language.   Our exhibition in the Riverbank Arts Centre, Newbridge, County Kildare showed work in progress and was a chance to reflect on our progress so far and to prepare ourselves for the next stages of the collaboration.  We are grateful to n.a.n. for the “go and see” grant which enabled some of us to travel to Ireland to participate in the exhibition, meet up with our twins and join in discussions and networking.   Why don't we go to Ireland more often?  Dublin's closer than London (closer than Cardiff too)AC  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Oh dear - we seem to have been a bit reluctant to take to this blogging business.  Are we too old?  Surely not.  My excuse is my lousy internet connection - I'm too mean to get Broadband.anyway...... back to the project.  We had a meeting last night and talked about where we are (in the pub in Betws y Coed) and where we might go - lots of ideas following on from Andrew & Veronica's recent trip to Ireland.  We feel we should open the project up a bit, and not just be twinned rigidly to one individual (sounds a bit bizarre - can you have a rigid twin?  Actually, it's more like being a conjoined twin, joined at the waist. ) I've been really lucky and found a good working method with my twin: sending work and a sketchbook backwards & forwards.    the sketchbook in particular is full of ideas, drawings & bits and pieces.  I'm hoping to get down to making some prints this week...A.C. ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Report on visit to Dublin 6/7th September 2008Le Chéile Cystyllt Exchange Project The purpose of the visit was for Veronica Calarco and Andrew Smith to meet with Monica de Bath, Pamela De Bri, Eileen Keane in Ireland.  Summary of visit 6th September 2008  Veronica and I travelled on Friday night and we were able to have a substantial discussion about collaboration and how this project could develop but also wider issues about exchange and residencies. This in turn led to focusing on the group idea, forming a membership for developing projects and new ideas. This was a very useful brainstorming time and Veronica has made substantial links with Celtica, The Port Celtic Festival 2008, Port Adelaide and Country Arts SA.   Celtica, organised by Suzanne Laslett has previously not had a visual art element and participation by Le Chéile Cystyllt would be the first presentation with other artists. It would take place in various centres (up to eight) around/close to the festival site in Port Adelaide during December 2008. Country Arts SA (contact Rob Johnston) is a substantial touring exhibition programme taking visual art to regional and remote areas of South Australia. Exhibitions tour for over 18 months. There would be a requirement for artists to attend this event throughout its duration and there is some funding for this. At the time of writing Le Chéile Cystyllt has been provisionally selected for this programme so this is tremendous news. Thanks to Veronica for making very good progress in developing the project here. ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128  PART TWO Summary of visit 7th September  On Saturday over coffee Pamela, Eileen, Veronica and Andrew discussed the project to date and the way forward. It was generally felt that the conclusion of the project might involve making a consolidated set of prints around the themes and from work produced, rather than continuing with the exchange process but that this was by no means proscriptive. Pamela talked of ‘finishing the project’ and both Pamela and Eileen were conscious of the Graphic Studio Dublin exhibition that might require editioned prints.  Everyone was positive for the Celtica festival that Veronica outlined. We also discussed the idea of a residency in the west of Ireland following previous discussions with Monica de Bath and suggestions on location by Margaret Becker. This could be a way of furthering the project in a different way, by creating a residency or meeting for a week when members could meet, discuss ideas and make work. Cill Rialaig, Kerry was considered to be very good but there could also be possible venues for this in Wales. Holyhead was discussed as Andrew had already talked with Ucheldre Arts Centre for possibly taking the Le Chéile Cystyllt exhibition. A possible time for this was discussed, either February when the Cill Rialaig would probably be more likely to be available or ideally in spring, April/May when the weather is better.In addition the exhibition in Rhyl Library for January 2010 was outlined as another confirmed venue for the exchange exhibition. New work could be available for this exhibition. The Graphic Studio Dublin exhibition is scheduled for November 2009.We left after a very positive meeting with Pamela and Eileen and headed toward Clane to meet with Monica de Bath. We visited Monica ‘s studio close to the Bog, vibrant colour in the studio and at various points on the industrial site that houses Monica’s studio, painted on metal sheets some from the engines that used to collect peat now defunct, scrapped and superseded by tractors. Veronica again discussed the outlined proposals and Monica was very positive about the developments in Australia. We discussed new members taking part in the project. Monica felt the Cill Rialaig, Kerry for a residency was a very good location, perhaps the location may be difficult because of the popularity of the venue and that we should consider alternatives as well. We left at 5.30pm to head for Dún Laoghaire for the ferry to Holyhead.  Conclusion   Very positive responses to further manifestations in Celtica, Country Arts SA, Rhyl Library, Graphic Studio Dublin and Cill Rialaig, Kerry with members keen to further collaboration in new forms. Connections Country Arts South Australia www.countryarts.org.au          Graphic Studio Dublin www.graphicstudiodublin.com   Andrew Smith 6th October 2008 ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Although you might not believe it from the gap since the last posting, the project continues.  Some of us have sent work off to Veronica in South Australia for the Celtic Roots exhibition in Port Adelaide.  This seems to be a "dispersed gallery" show, a bit like the Ruthin Focal a couple of years back, involving hotels, pubs & shops to show work in informal settings.I had an awayday in London at half term (travelled by train - just a touch crowded - had to sit on the floor) to meet Deirdre, my working "twin", at the British Museum.  We went mainly to look at the Mold Cape, having been impressed with the wonderful Celtic artefacts at the National Museum of Ireland in Dublin.  The Mold Cape was discovered in the mid 1800s near Mold (there's a surprise...) which is near Wrexham, which is where the Regional Print Centre is...  The "cape" is a wearable thingy, covering shoulders and upper arms, and beaten from a single sheet of gold: it's difficult to imagine a culture where something of this value could be buried with its' wearer.  It raises all sorts of issues about "value" and ideas of status and afterlife.  There's lots more to see of course, and we have lots of ideas and preliminary drawings for our next lot of work. ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 I hope this is the first of many posts from the Irish collaborators!We now have some information on the next stage of the project which is an exhibition to be held in the Graphic Studio in Dublin next March, (specific dates to be confirmed)The Graphic Studio committee of Brian Lalor, Catherine O'Riordan and Robert Russell, request that the images of finished work are sent to them in jpeg format on a cd by the 3rd week in January.  There can be as many images as each artist wants from which the committee will select the required number.  All work must be print and must be influenced by the collaboration. It has been suggested that  we aim to have an edition of at least 6 although monoprints have not been ruled out.  The size is not an issue. The Graphic take 48% which needs to be factored in when pricing. The issue of framing has yet to be decided.  At this stage it may be an idea for 'twins'/collaborators to link up and discuss the prints for this exhibition and decide whether they will be individual or joint prints. Pamela de Brí ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Update December:With regard to the exhibition in the Graphic Studio in Dublin, contrary to what is written on an earlier blog, the exhibition is scheduled for next March (2009). Also the number of prints per person has been reduced. The Graphic Studio Board wish to view jpegs of finished prints mid-January.  We suggest that each artist submits two prints influenced by the collaboration, as well as two prints from each collaborating pair of artists.  If we have about 14 artists altogether that would be 28 individual prints and in theory 14 'collaborative' prints. That would be a total of 42 prints. This will allow room for those with and without partners to participate. We can fine-tune later and also change the guidelines for other exhibitions,Pamela ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 New Boy on the Block!I took and posted these photographs of our meeting yesterday and am taking advantage of the blog to introduce myself. My name is don braisby - I'm the new boy on the project from Wales. some of my work can be seen at:www.donbraisby.co.ukwww.a-n.co.uk/artists_talking/projects/single/5024... www.a-n.co.uk/artists_talking/projects/single/4890... ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 More of the prints that Eirian shared with us... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Yesterday's Meeting at the Regional Print Centre at Yale Wrexham ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Thanks, Don – have we really not put anything on this blog since December?! The project is still going on, and we are busy getting stuff together for the exhibition in the Graphic Studio Gallery in Dublin.  The post is a bit erratic at the moment to say the least – the postman did manage to get up to my house yesterday for the first time in days, but he gave up this morning.  Fortunately I met him in the village and he gave me an “express” package from Ireland with prints to sign and return for the exhibition. The opening is on March 12th. (two days before the deadline for submission of jpegs to Australia for the next show) We had a good meeting yesterday, discussed lots* and enjoyed looking at Eirian's atmospheric & evocative etchings which almost breathe a sense of place. *perhaps someone else will blog about this??... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 ....WELCOME DON  and big thanks for getting those posts and images onto the blog  ...thanks too to Eirian for sharing those lovely new prints with us...Linda... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 We have been busy sending prints to the Graphic Studio for their show in March/April, and sending CDs of images to Veronica in Australia for selection for their show…(the deadline has been brought forward to Feb. 24th).  Veronica has been enduring the heatwave in South Australia but was OK the last time she emailed.  My next task is to think of something to say at the opening of the Graphic Studio exhibition.  Pamela and Liam are speaking – I know Pamela speaks Irish, and suspect Liam may do so too, so I shall have to practice my Welsh ,which is a bit basic to say the least. Dydwy ddim yn ymarfer (I don't practice....) Alison ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Hi Guys,Sorry but being new I'm not sure what the protocole is? I've got a couple of images that might be suitable for the Australian tour but I wanted to check them out with you all first and see if anybody wanted to do ay further work with me on them?don ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Hi Veronica these are the images all named impression, if you can email me with the number of the one that was selected I can get back to you with the size and story etcetera.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Just heard that we're highlighted on the nan e-bulletin this month! It’s been really hectic this week – not least because I’m still on dialup and it took an hour and a half to download all my emails on Monday.  I still haven’t seen the pdf of the invite for the Graphic Studio because my internet connection timed out. We are being featured in the Irish and Welsh language media: IMEALL, the Arts programme on the Irish language station tg4, is broadcasting a panel discussion including Pamela de Bri on March 11th at 11.15pm.  It can be viewed on the web – no link I’m afraid.   The Welsh media magazine Golwg is running a feature on the project; off to the printers tomorrow I think.  I’m sorry my Welsh wasn’t up to it, but Diana and Eirian have given interviews. (Mae’n ddrwg gen i, Non!)  Sioe Gelf, on the S4C/Welsh TV channel 4, know about us although they can’t run anything at the moment as there is some other Irish-Welsh art around currently.     My next job is to get the editions done for Australia, which means ordering the paper first…and then I'm going to get Broadband.   Thanks very much for the images, Don.  As the next stage of the project unfolds I would be very interested in working with/on some of your images (as well as with Deirdre, if she’s going to continue)AC  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Four prints on their way to Aus. Am now sat in an hotel in Dublin looking forward to visiting IMOMA tomorrow morning and attending the opening of Le Cheilé in the evening.don ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 The problem of not using the available technology appropriately was highlighted for me by the difficulties that Veronica was having collecting images from people for the travelling exhibition. Some of these problems could have been ameliorated by having a dedicated site to which images could be uploaded. This would have  advantages over the sending of individual e-mails containing images in that the images would be in one place selectors wouldn't have to go through a number of e-mails containing images of varying format and sizes, the selection process would also be more transparent. The site could also be used by people working collaboratively on an image or images. The a-n site could be used for both these process there are limitations created by the limited size of the images on this site and it lacks a facility to download images for others to work on but I'm not sure that the limitations are such that we need to set up an alternative. Judging by the amount of traffic on the Le Cheile a-n blog site not many of the members are comfortable or are aware of the advantages of using the technology. My preference is to continue with exploring the limits of the a-n blog. It's probably more a case of encouraging others to use it rather than setting up something new.don ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 For a report on our recent visit to Dublin for the opening of Le Cheile at the Graphic Studio follow this link: http://steffanjoneshughes.wordpress.com/2009/03/15... Also my parcel of prints has finally made it to Australia...but Veronica was out!SJH ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Linda and Alison visited the Welsh Language Centre at Nant Gwtheyrn on the Lleyn Peninsula today, to meet Jim O’Rourke the Director.   Jim kindly showed us round the site, which dates from the 1860s when a Liverpool company opened a stone quarry to provide setts for the streets of British cities.   Nowadays, visitors to Y Nant come to learn Welsh, walk the coastal path and enjoy the spectacular scenery.  The quarry chapel has been converted to a beautiful sunlit space where workshops may be held.  Locally, there are hills and forests, beaches and mountains, and ancient historical sites to explore http://nantgwrtheyrn.org     We are looking staying at the Centre as a group so that artists involved in Le Cheile can meet to make work over several days in stimulating and congenial surroundings.  Now we just have to arrange it all……..!! AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Now all the work has been selected for our Australian exhibition we are looking to refocus and possibly regroup.  We have some new members, and new potential members as well.  Watch this space for developments!AC ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 By Pamela de Brí, Irish co-coordinator This project is a cross-cultural project involving two Celtic countries with the same roots and similar traditions and using verbal three languages: Irish, Welsh and English. "Le Chéile" project recognises the importance of sharing and accepting cultural diversity between the two countries while dealing with the limitations of verbal communication. The spoken word can often lead to misinterpretations, whereas visual language crosses these boundaries. What makes this collaboration especially different is the fact that the artists are not working in the same physical space and therefore the work is produced sequentially. There is no face-to-face communication, no interruptions of dialogue, no discussion, and no immediate response. The collaborating artist responds to the work in front of him/her. The work develops at a distance, slowly. Therefore, because of this delayed response, the project is a long term one which is now entering its next phase. New participants have come on board in Ireland, in Wales and now in Australia. This next phase, while encouraging continued collaborations between established partners, consists of opening up the project to elicit response to any image by any of the artists, thus encouraging visual dialogue between any two, three or group of participants. (précis by AC, with permission)   Le Chéile - comh-thionscadal Breathnach-Éireannach - cumarsáid trí dhéanamh priontaí.   D'eascair an tionscadal seo ó chuntas a thug John Berger ar a chumarsáid le Marisa Camino trí mheán na líníochta. Ba chabhair dóibh nach raibh teanga chomónta ar bith acu.   Tar éis nasc a dhéanamh le páirtí Breathnach, thosaigh gach duine againn ar agallamh den chineál céanna, cuid againn, Éireannaigh nó Breathnaigh, ag iarraidh cumarsáid a dhéanamh trí mheán na híomhá amháin, ach bhraitheamar deacrachtaí anseo toisc go bhfuil an Béarla mar theanga chomónta againn go léir.   Tháinig téamaí ar nós talamh, teanga agus áit chun cinn mar thús-phointí don amharc-chumarsáid. As sin, agus muid ag obair le priontaí agus líníochtaí, thosaigh colláisí agus ríomh-phostanna ag ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128   Veronica is in Wales at the moment, studying Welsh on an intensive four week course in Aberystwyth.  She managed a day off to see some of us, and Pamela came over especially from Ireland to join in.  (Our thanks to Andrew for his hospitality).  We had a really good session together over several cups of tea, chocolate biscuits and bara brith. Although things have been rather quiet with Le Chéile over the last few months in the Northern hemisphere, our Australian exhibition is touring the State of South Australia, and has attracted considerable attention.  Veronica has worked incredibly hard, and deserves our thanks and several medals.  (I hope she will post on the blog if she gets the time).  It was great to hear her account of the Celtica festival, which is going from strength to strength - and it was fascinating to hear about her residency at Grindells Hut  http://www.portaugusta.sa.gov.au/site/page.cfm?u=935   Pamela has recruited two more Irish artists, and has hopes of some more; Veronica will be head-hunting in Australia; Nant Gwtheyrn is on the horizon; the Anglesey gallery Oriel Môn is interested in showing the work in 2013.  Pamela is planning on setting up a group website to facilitate future applications for exhibitions etc. Le Chéile certainly has "legs", and looks as though it will run for a good while yet. AC  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 and then.....after the meeting in Harlech yesterday afternoon, Pamela and Alison headed rapidly eastwards over the mountains towards Bala and the last evening of the Eisteddfod Genedlaethol. The logistics of the day's travelling meant we didn't get there until most of the exhibitors had shut up shop, but by great good fortune the first tent we came to was the Art & Craft tent, and the first person we met therein was Diana Williams, one of the Le Chéile artists.  She had had such a successful week that she had almost completely lost her voice.  Nearby, some of Steffan's work was still in the Cornel Celf a Chrefft. http://www.achrefft.co.uk/amdanom_ni_about_us.html We managed to get into the Art & Craft Pavilion (diolch yn fawr iawn, Robyn Tomos) where - another piece of luck - I was able to introduce Pamela to Sean Harris, collagraph printmaker & animator extraordinaire.  There isn't enough room in this slot to give a critique of the work in the Pavilion: suffice it to say that it was very diverse in subject and execution, and I agree with Steffan that "Hadau" was the most atmospheric piece, even though we missed the performance and just saw the installation. http://www.bbc.co.uk/wales/northwest/sites/eistedd... Finally we attended the closing concert in the main Pavilion, along with 3,000 other happy Eisteddfod visitors.  The atmosphere in the Pavilion is always terrific, and the performers (Cwmni Theatr Maldwyn - a youth music theatre) put on a great show. Pamela - an Irish speaker - found it exciting and intriguing to be surrounded by people of all ages speaking Welsh. This morning Ian Williams, another member of the group, came over for coffee before Pamela went to take the ferry home.  So, more chat and exchange of ideas and stories. Ian & Pamela recounted the tale of Rhys and Meinir, which was new to me.  Meinir is trapped in an oak tree on her wedding day, Rhys and his faithful dog search for her in vain, and then both expire when a storm splits the oak and reveals her body. The setting of the legend is Nant Gwtheyrn, where the language centre is now.  Layers of meaning within the story, within the landscape. Ideal stuff for printmaking.   AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Lots of activity now after an apparently fallow period.  The bookings for Nant Gwtheyrn are underway.  Kim Dewsbury, Arts Officer for Denbighshire, phoned this morning about images for the new programme, and to ask if we would be exhibiting any 3D or audio work. Thinking aloud, she wondered whether we could have some music in the background.     This has set me thinking, because Pamela was trying to record the voices of the crowd at the Eisteddfod on her camera.  I didn't realise that my digital camera had a microphone, or I could have had a go myself.  Perhaps we could have a sound piece of speech in the languages spoken by participants?  (I would need to find someone with proper recording equipment and mixing facilities - I have  a couple of ideas there - will pursue this, I think.) AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Stop Press:  our exhibition at Oriel Ynys Môn is now going to be in September 2011.  It is hoped that an education programme will accompany the exhibition - details to be arranged. http://www.croesomon.co.uk/oriel_ynys_mn-22.aspx  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 I went back to Nant Gwtheyrn for another look around yesterday, and took some photographs - as the ones we were sent by the Director were probably copyrighted, and I didn't feel I could post them on this blog.  The smart new café block is finished (although it was closed to the public) - the café is called after Meinir, the heroine/ victim of the legend of the bride in the oak tree. It turned out to be a really fine day after what feels like weeks of non-stop rain, and I walked along the beach with a friend.  Hard going, as it's coarse shingle with the odd dead sheep, but the outgoing tide revealed a gently shelving sandy area.  We walked back along the Llyn Coastal path, which involved a stiff climb up the cliff and a gentle walk back through wind-stunted oak and hazel woodland.    Remnants of Y Nant's industrial past are everywhere, stone and iron like totem poles defying the elements.  There are lots of things here to inspire the printmaker, so I hope we'll have a really useful few days. AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Nant Gwtheyrn images - Traeth y Nant   AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 We are making the final preparations for our stay at Y Nant in a fortnight's time - ferries being booked, portable equipment being gathered together, weather forecasts being scrutinised.  I'm not losing sleep over it all.....yet.  But I will do shortly.  What is the worst that could happen?  High winds, cataracts and hurricano(e)s cancelling the Irish Sea ferries; outbreak of World War III and all ferries commandeered for evacuation of Dunkirk; other baroque and even more unlikely scenarios leading to complete disaster. Actually, since the accommodation is booked and the food is provided on site, providing some of us can get there with a sketchbook and a couple of pencils apiece we can have a good time whatever happens.  After all, you can make interesting drawings in torrential rain and high winds even when the ink runs and the paper half blows away.  And then escape indoors and do some printing. So, let's hope for calm seas and a good and productive three days' work. Alison.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 The Personalised Surface, New Approaches to Digital Printmaking. As part of contextualising the work and looking closely at process you might like to know that the digital print I made for Le Cheile (collaborative with Eilish McCann) has featured as a case study with the Fine Art Digital Environment Research Project, Personailsed Surface. See http://www.faderesearch.com/digitalsurface/case-studies/links/ I have noticed that some images are missing and in case they are not repaired the images for my case study are included on this post. There is an excellent dvd of the whole research project available from FADE. Andrew Smith  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Chéile at Nant Gwrtheyrn, part one. Our three day stay at Y Nant has been a great success,  generating a huge amount of enthusiasm and a remarkable amount of work.  We created a working print studio from scratch, relying entirely upon the generosity and goodwill of participants - and the tolerance of the Centre Director and his staff.  We were blessed with good weather, despite a miserable forecast, and although it rained heavily on occasion we were able to enjoy our surroundings.  Drawing, painting, printmaking, talking (and eating and drinking!); we immersed ourselves in our work and generated a real buzz of collaboration. "The creative concentration was palpable in the studio (heritage centre at Nant Gwrtheyrn) with everyone collectively working and finding ways through the collaboration to new areas. There was plenty of discussion and talking ideas, very much part of collaboration. Combined with so much work going on, prints, drawings and books the process of working on a plate, then drawing, then paint makes for fluid output. Such concentration!" Andrew Smith http://picasaweb.google.com/andrewsmithstudio/Nant... "The remoteness and spectacular nature of the environment supported and set the scene for our collaborative work. Creatives usually work in isolation, if they do work together it's with a common goal in mind. The goals appeared to emerge from the conversations we had and the work we started to produce, initially as individuals and later as collaborators. The collaborations arose out of our responses to each others work. The individual pieces of work determined the agenda and our direction as a group. On the final evening a piece of work emerged that was from the whole group." Don Braisby  http://www.a-n.co.uk/artists_talking/projects/single/502449 "I thoroughly enjoyed the two days I spent there- an ideal environment for total immersion in creative printmaking without any outside distractions (not even a mobile signal!). The group got on very well and the conversation and convivial atmosphere were as important inmaking it a success as the printmaking itself." Ian Williamshttp://www.ian-williams.co.uk/ A.C.  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Chéile at Nant Gwrtheyrn, part two. As well as the exhilarating creative atmosphere we experienced at Nant Gwrtheyrn, one of the best things (I thought) was the saline sulphate etch, kindly provided by Don B.  With a little ingenuity, the etching bath was established in the bracken outside the Heritage Centre, and prints were hung to dry on pegs in the glass-fronted area overlooking the sea. We were able to work into and onto each other's aluminium plates, combining images and ideas; etching and re-etching; printing and working into the resulting images.  Motifs combined and multiplied to generate a dizzying quantity of experimental prints reflecting the themes of Le Chéile enhanced by the environment at Nant Gwrtheyrn: land, language, memory, history, cohesion, separation. As part of the creative process, we also undertook some collaborative drawings; both A1 size (see right), and on a small scale as entries for the Vault Gallery's forthcoming exhibition And, on the first night, a "round robin"  drawing session; passing drawings round the group for each artist to contribute their own marks to each drawing. http://picasaweb.google.co.uk/lecheile09/NantGwrth... AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 For more photos, and more feedback, see http://www.facebook.com/video/video.php?v=19830391... AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Chéile in Australia.   Veronica has kindly sent these photographs of the touring exhibition, taken in Bordertown, South Australia. It looks good, and shows what a lot of work was involved in setting it up. AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 After our residency at Nant Gwtheyrn I asked Alison if I could do some work with one of her lino cut plates that I really liked and felt inspired by. If Alison agrees I think we could work towards making an Artist Book. If anybody from the Le Cheile group wants to join us that would be great.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Thanks Don - your digital images are a great improvement on my original! I think your idea of a collaborative book is a good one.  Here are my first efforts, (layered from a photograph of the dead brown bracken on the hillside, a monoprint of Welsh fields and your image).... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Hi Pam and everyone The website is looking great and it's great to have it up and running. Well, I thought I had better send an update on what is happening here. We have had three exhibitions in Elliston, Jamestown and Bordertown. We are getting really good reviews and four more galleries have approached Countryarts to have it there. Rob is currently working out dates and seeing whether it can fit in between other exhibitions, or be tacked on to the end. I will let you know. Sadly Roxby Downs - where it is meant to be now - postponed it. They got in a new coordinator who agreed to another exhibition without realising he was committed to ours and it was too late to organise another venue by the time the mistake was realised. But Rob is going to try to sort out another date with them also. Celtica is going full steam ahead with the program getting bigger by the day. The opening for Le Chéile is the 27 November and we have booked a band "Blind Mary" (celtic jigs etc) for the opening. Rob is organising the head of the UniSA print department to open it. There will also be exhibitions in the cafés and pubs as last year and also three other galleries are now having shows. One is a new gallery - Zelim which will have its opening on the 2/12 and for entertainment is having a guy playing bagpipes (Alison and Pam will be having work in that show). The next gallery is Gaff whose opening is on the 29 November. And lastly the Axis Gallery which is having its opening on the 9/12 and has a Pict dancing group doing a performance in a theatre which goes off from the gallery. This exhibition is works by Andrew Smith, Gareth Wyn Jones, Suzanne Laslett (Celtica organiser) and myself. Andrew Smith is coming out for all these festivities - and as the schedule gets fuller will then head back to Wales in total need of the long that nights you will be enjoying by then!  After a very unusual and cold winter it is finally warming up here - but we are not complaining as for the first time in six years are dams are full! - and so hopefully the weather will be great for the festival.  I have also been in touch with a contact of Steffan's in Perth, WA and we are looking at what might happen in the future, so we shall see where that might go.Pob hwyl pawb Veronica... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Hi All, I think the three attached works by Alison and I are still very much works in progress. As we are both Welsh artists it would be good to have some Irish input. I can put them up on my mobileme site  and send out the address where they can be downloaded from later on today. If you have elements you want to add and don't have the computer skills I can add them for you. Titles are a major problem for me but that is the subject of another blog! Talk soon, don www.donbraisby.co.uk... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 We are beginning to get organised for our next exhibition: Rhyl Library Arts Centre. January 9th. to February 13th. 2010. We are planning to show work which will demonstrate the narrative inherent in a collaborative process, including sketchbooks, work in progress and collaborative drawings.  The logistics of getting the work to Wales from Ireland may be interesting, given that the show is being hung in the first week of January.  The logistics of getting the work to Rhyl from other parts of North Wales may also be interesting if it doesn't stop raining soon. http://www.denbighshire.gov.uk/en-gb/dnap-7ncfwr?o... AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 PART 2 The exhibition has shown in Elliston Community Hall, Jamestown Belalie Art Gallery, Bordertown Civic Centre Walkway Gallery and will continue to Roxby Downs Regional Gallery and continues its tour well into 2010 throughout South Australia. I was able to visit the Riddoch Art Gallery in Mount Gambier with Rob Johnston and Katinka Gleim whilst installing another show Parallel at Mellicent Art Gallery, both towns located toward the Victoria Border in the South East of the State. The Riddoch Art Gallery is run by Lucia Pichler, SA South East Director and Lucia gave a tour of the gallery and the Gooch collection of Aboriginal art from Utopia (aboriginal country near Alice Springs). The collection consists of 2D and 3D work by, mainly, living and recent contemporary aboriginal artists and is a rich and diverse collection. The Riddoch also has a national collection of contemporary art making a comprehensive selection of Australian art with artists such as Ian Abdullah and Ann Newmarch. The photograph features Lucia Pichler and myself in front of a large triptych by John Beard (painter born Wales 1945) one of the paintings in the collection. Le Chéile will be touring to the Riddoch when it reopens after rebuilding later 2010.   With the touring programme organised by Country Arts SA Le Chéile is reaching a wide audience as it travels throughout South Australia. The exposure in this substantial exhibition form adds to the central theme of the project, that of distant communication through printmaking; ideas flow between art work and exhibition viewer as individual and cultural connections are discovered and reinvented. The exhibition has been reviewed in Imprint, December 2009 edition.   There are plenty of visitors to Port Adelaide throughout the week and at weekends, particularly during festivals. The Celtica festival has attracted a large audience over this weekend (5 and 6th December). Organised by Suzanne Laslett it showcases performers with Celtic heritage and association, musicians on two stages, numerous stalls, Scotland focus, Welsh and Irish language classes, food stalls, traditional dancing, demonstrations of musical instruments and an impressive line up of bands including Rickety Bridge and Bric a Brac, the Melbourne based band with strong Brittany connections. The visual art element of Celtica was comandingly inaugurated by bagpipes leading all from the Gaff gallery to the . The exhibitions include Wales and Ireland Le Chéile participants.   Thanks must go to Veronica Calarco for instigating the Australian participation in Le Chéile and putting together the proposal for exhibition; Rob Johnston and Katinka Gleim for selecting and organising the touring exhibition and Suzanne Laslett for organising the Celtica festival with visual art element (coordinated again by Veronica) creating a strong Wales/Ireland art presence in Port Adelaide at the moment.   There are numerous further adventures to report from my three week visit to Australia so please see more at http://energystations.blogspot.com/ to be loaded over the coming days.   Andrew Smith 6th (Adelaide) and 11th December (Sydney) 2009... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Report from Australia: Le Chéile at the New Land Gallery, Port Adelaide as part of the South Australia touring exhibition organised by Counrty Arts, South Australia and Visual Art in Celtica Festival Port Adelaide   Le Chéile looks excellent in the New Land Gallery, Port Adelaide. It is the premier art space in Port Adelaide, a short drive from the city. The streets of Port Adelaide are wide and spacious leading to the harbour and waterfront where the New Land Gallery is located.   The gallery has a high ceiling with good lighting, a foyer space with the exhibition title Le Chéile written high up as visitors enter the building and print works leading into the main space. 123 works are showing by 17 participants from the start of the project and includes recent new participants. The selection process by Veronica Calarco, Rob Johnson (Visual Arts Manager, Country Arts SA) and Katinka Gleim (Visual Arts Officer) has really worked in creating a consolidated exhibition out of the many the different collaborations, ideas and processes. Additional work by each artist is presented in a highly visible print browser. At the time of writing there are two sales from the exhibition (Steffan and Veronica). The exhibition’s coherency is helped by the combination of several works in large frames; often, but not always collaborative partners are framed together creating a substantial wall presence. Other works, mostly the larger prints are also in individual frames. The artists books and folios are displayed clearly in cases, with one sketchbook accessible to touch. The private view was well attended. Vicky Reynolds, Head of Printmaking at TAFE School of Arts opened the show talking about process and printmaking with a musical performance by Irish band Blind Mary. Further photos of the show are at http://picasaweb.google.com/andrewsmithstudio/LeCh... continued PART 2....... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 This week sees the start of our exhibition at Rhyl Library & Arts Centre.  If any blog followers happen to be in the area on Friday 8th. January between 6 and 8p.m., please come along to our opening evening.  There will be live music, and talks from members of the project (weather permitting).  Work on show includes some pieces from our exhibition at the Graphic Gallery, Dublin; new work from our Nant Gwrtheyrn residential sessions and some work from individual artists as well.  An exhibition of work from artists on the Professional Printmakers course at the Regional Print Centre, Wrexham is on display in the Community Gallery of Rhyl Arts Centre from January 9th - February 6th. I am assured that, although the weather forecast is poor, there is little snow or ice on the North Wales coast.  That's nice to know, as I'm under several inches of snow & ice, a mere 10 miles inland.  For directions to Rhyl Library & Arts Centre, search on the postcode: LL18 3AA AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 I spoke too soon about the weather.  A blizzard hit North Wales while we were in Rhyl Arts Centre this afternoon. Over 9 inches of snow fell inland, and even the coast roads were badly affected.  Several people struggled to get in to Rhyl and some couldn't travel at all.  Getting home again was even more difficult, and the Denbighshire Arts Officer has had to spend the night in a hotel.  However, all the work is in and should be hung tomorrow, provided that the Team can get in to do it. AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Last night's opening of Le Chéile in Rhyl was perforce a relatively quiet occasion, given the appalling weather affecting most of the country, apart from a few square miles on Anglesey.  Jan, Ian, Andrew, Diana, Eirian and Alison managed to get to the show and join the few other hardy souls who had ventured out to support us. We also managed to get home (as far as I know!) despite subzero temperatures: minus five degrees in Rhyl, on the promenade just yards from the sea. Thanks to all le Chéile artists who put work into the exhibition, several of whom managed to get in to Rhyl to deliver it this week despite the snow.  Thanks also to Kim Dewsbury and her team at the Denbighshire Arts Service for their professional skills in hanging the work.  Especial thanks to Don for his invaluable help during the week, and for putting together a "slide show" of images for the DVD player. No photographs of the actual opening I'm afraid, as I forgot to take any (too busy catching up on people's snow stories), but a few "installation" shots are shown at right.  Apologies to our Irish speakers, as the formating won't allow for the foda. AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 More slightly wonky shots of the le Chéile exhibition in Rhyl.  AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Another link to another blog: http://printaustralia.blogspot.com/2009/12/le-chei... and a video/slideshow of work and artists by Don Braisby: http://www.youtube.com/watch?v=YmDGJKi4mWI   and also, as of January 22nd http://www.youtube.com/watch?v=s5OMPRg--kc... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 The Rhyl exhibition has closed, and the work is going into store for the time being.  Steffan Jones-Hughes will be selecting a "core exhibition" to form the basis of a touring show.  Our next venue is in Bangor later this year. In the meantime, we continue to develop our partnerships and our printmaking.  More information about Le Chéile artists can be found at Le Chéile: Le Chéile Background   AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Chéile at Printfest 2010 Thanks to the kind offices of Steffan Jones-Hughes, prints from le Chéile will be on display at Printfest 2010 in Ulverston on May 1st & 2nd. Further details, including opening times, are on http://www.printfest.org.uk  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Update on the project, Summer 2010. Steffan Jones-Hughes has left the Regional Print Centre for Yorkshire, where he has gone to work for the Arts Council.  We are sorry to lose him but wish him well in his exciting new job.  Without his hard work le Chéile would never have got off the ground - diolch yn fawr iawn, iawn Steffan, a phob hwyl yn y dyfodol. Le Chéile Publication. Published by the Regional Print Centre, Wrexham, text by Steffan Jones-Hughes.  Three copiously illustrated booklets, one in each of our three languages (Welsh, Irish & English). A limited edition of 500.  Further details from the Regional Print Centre. Cill Rialaig, October - November 2010. We are looking forward to our next face-to-face print workshops, this time in Ireland at the Cill Rialaig Artists' Retreat.  AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 For interest:  a link to Fiona Robinson's blog about the West of Ireland, including Cill Rialaig http://blankspacebooks.wordpress.com... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 A quiet session in the Regional Print Centre due to illhealth & other commitments among would-be participants - but we got some work done!  Please note that a parcel of unfinished work from the Nant Gwrtheyrn sessions is now available at the RPC.  Le Chéile artists are welcome to help themselves to any pieces which take their fancy, and use them as an inspiration for further development. A.C.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Our meeting at the Cill Rialaig artists' retreat in the far west of Ireland has been a great success.  The retreat is based in a village of restored houses in the far south-west of County Kerry.  The whole area is a popular holiday destination, but by the end of October most of the visitors have gone home and the countryside is waiting for winter.  Seven le Chéile artists stayed together here over a 10-day period, soaking up the atmosphere, working and talking.  As with our visit to Nant Gwrtheyrn last year, a great creative "buzz" developed during the stay.  The Cill Rialaig Project runs a fully equipped print studio in the nearby village of Ballinskelligs, and we managed a considerable amount of printmaking there and in our mobile temporary print studio at Cill Rialaig itself. Thanks very much to Margaret Becker for arranging our stay, and to Noelle Campbell-Sharpe, the founder of the project.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 The time at Cill Rialaig was inspirational. The setting is fantastic.Having individual studio space within a community of friends and colleagues, sharing work, techniques and ideas was energising and creative. Initially LeCheile was about working in collaboration in making work. For me the group feel to have moved on from this to a more communal approach. There is still some working together on shared plates but there is a developing and deeper sharing of culture and ideas that has enriched the work of the group.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Views from an Irish perspective on the "Le Chéile" project: The recent sojourn at Cill Rialaig has further consolidated the project but on a different level. As we get to know each other better I think that we are becoming more adventurous in the collaboration, appropriating each others images and plates. There has been a slow build up of trust between the artists and a genuine exchange of ideas and work. The group structured the residency very well with initially an exchange of ideas and a presentation of each artist's work. This was followed by several 'show and tell' sessions where we shared our concepts, drawings, progress in platemaking and ultimately first proofs. There was a free exchange of information on techniques and processes as well as an exchange of proofs and plates. While most of us were quite familiar with each other after Nant Gwrtheyrn, it was a great opportunity to get to work with and to know Veronica better. If we can manage to maintain the momentum we may well be into the most interesting stage of the project to date.   ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 I don't have a lot to add to what Pamela and Don have already said (Nov. 11th. posts):  Cill Rialaig has a unique atmosphere, which fed directly and indirectly into our work.  Paradoxically, while most artists come to the Retreat to work in solitude, we came with the deliberate intention of living and working in close proximity to each other.  Although collaborative working remains a challenge, it's an enjoyable one, and we are establishing new ways of co-operation as we get to know each other better. AC.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Pamela brought some Bluestone which is the agricultural form of copper sulphate to Cill Railaig. We mixed the copper sulphate with an equal amount of table salt (1K of each and about 8L of water). The saline sulphate mix is a much less toxic mordant than those traditionally use. It meant that we could make etched plates even in the isolated environment of Cill Railaig.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Exhibition Slide Show... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 This is a new collaborative piece by Tracey Sweeney and Don Braisby. We have decided that Tracey provides the urban edge and I provide the rural idyl to our images. As Tracey lives in Stockholm and I live in North Wales we mostly communicate via e-mail. The Mac mobile me program is a really useful way to share images. Although this image is made up of an aluminium saline sulphate etch from me and a collograph from Tracey. ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Rough Seas... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 More photographs from Cill Rialaig, October/November 2009 courtesy of Linda Davies. Don and his outdoor copper sulphate etch.                       Group crits. in the evenings... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Chéile in Wales - some installation shots of our exhibition in Llyfrgell Bae Colwyn/Colwyn Bay Library.  The work on show has been selected from the core touring exhibition by Sian Hughes, Conwy County Arts Officer. The exhibition runs intil March 5th.  Colwyn Bay Library is an Edwardian building, with a pleasant foyer - complete with elaborate tiles - which doubles as exhibition space.  More details on the web page http://www.conwy.gov.uk/doc.asp?cat=6579&doc=24085  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 A fruitful meeting yesterday at the Open Access session in the Regional Print Centre - prints shared and re-worked using a variety of technique, including some very experimental screen printing!  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Field Trip to Oriel Mon (Anglesey) Tara, Linda and Alison visited Oriel Mon to get a feel of the main gallery.  This was a good move, as we had become a bit intimidated by the idea of the big space:  it certainly is big, but it's not intimidating.  At a guess, it's probably about 50% larger than the gallery space at Rhyl Arts Centre.  We can fill it.... It was very helpful to meet Nicola Gibson, who is no longer just a voice on the phone, or a signature to an email.  She was reassuring, and full of good ideas. We will have cabinets for 3D work and artists' books, and there's space to hang 3D stuff away from the walls, subject to negotiation. Our exhibition (24th. September to November 6th.) coincides with the Big Draw, so it seems like a good idea to run a Big Print/Small Print event in the gallery at the same time.  This would be an excellent chance to work with professional printmakers and to bring printmaking to the wider public.  A lot of preparation to do:  what medium/media to use? where to source l a r g e pieces of paper? who will sponsor us?  etc. etc. etc.   AC      ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Neither dead nor resting..... We have been preparing for our exhibition at Urban Retreat in Dublin. Riding on the wave of interest generated by the Queen's visit to Ireland, and a serendipitous purchase of one of Veronica Calarco's prints by himself, the British Ambassador has agreed to open the exhibition. The show continues until August 12th. http://urbanretreatgallery.blogspot.com... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 An exhibition of 12 artists from the Le Chéile Project opened in Urban Retreat Gallery (at Hanover Quay, Dublin 2) on Tuesday, 12th July. The exhibition, entitled "Printmakers in Residence, Le Chéile at Cill Rialaig", was opened by His Excellency Mr. Julian King, British Ambassador to Ireland. A huge crowd celebrated the opening hosted by Noelle Campbell-Sharpe, the owner of the gallery. The exhibition continues until 12th August after which the gallery will close for a fortnight's holiday. It will then re-open in September for a further two weeks.  Participating artists: Veronica Calarco, Linda Davies, Sylvia Hemmingway, Pamela de Brí, Margaret Becker, Don Braisby, Eileen Keane, Alison Craig, Diana Williams, Deirdre Shanley, Bethan Hodgson and Rebecca Homfray.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Le Chéile at Oriel Ynys Môn   Our next exhibition opens on Saturday, 24th. September in the main gallery at Oriel Ynys Môn, Llangefni, Anglesey.  The gallery is holding a “Meet and Greet” between 12midday and 2p.m. on the Saturday – all welcome.  The exhibition runs until November 6th.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 A good day's work in Oriel Ynys Mon, sorting out work for the exhibition on Saturday.  Jim Creed, our curator,  has selected a representative body of work, which will look really good on the walls.  Diolch yn fawr iawn i bawb.... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Our new exhibition opened on Saturday 24th with a "meet and greet" between 12 & 2 p.m. - no speeches, just lots of people taking a serious look at the prints and other artworks.   The show provides an excellent overview of work from the beginning of the project up to the present.  (continues until Novemeber 6th.  The venue is well signposted from the A55 on Anglesey.) More images to follow (we hope)... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 Alison, Tara and Frances ran a children's draw and print workshop at Oriel Ynys Mon. This was part of the Big Draw project. After a slow start it was a great success with 13 children in the morning and 12 in the afternoon. We used the portable press from The Yale Printcentre which they loved. They drew from the work in the gallery and made a print based on that drawing.   Children's gallery at https://picasaweb.google.com/stiwdiopenrallt/BigDr...  ... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128 http://www.a-n.co.uk/artists_talking/projects/single/432128 All good things must come to an end, and le Chéile is one such.  It has far outlived its' intended lifespan, and has evolved to accommodate new members and new ideas.  There have been high profile exhibitions in Eire and in Wales, and the project has been featured in the Gaelic- and Welsh-speaking media. Participants in le Chéile have forged professional and personal friendships, and have learned much about printmaking and about each others' cultural heritage. The "list of credits" is long, but without Steffan Jones-Hughes (previously of the Regional Print Centre, Wrexham) and Margaret Becker of Leinster Printmaking Studio, le Chéile would never have happened.  Lucina Russell, Arts Officer, County Kildare facilitated the initial contacts;  Monica de Báth co-ordinated the Irish side of the first phase of the project; Pamela de Brí took over from her and saw things through to their final conclusion.  Alison Craig assisted Steffan at the beginning and later took over the organisation of the Wales-based artists.  Veronica Calarco worked tirelessly in Australia with great results.  Geraldine O'Reilly (Eire) and Jim Creed (Wales) acted as curators at various times. (And, of course, thanks to all our sponsors, and apologies to anyone I've missed) A changing cast of artists took part - "without whom" etc....... - more about them on http://lecheileprintproject.blogspot.com and the Print Studios on: http://www.yale-wrexham.ac.uk/facilities/regional-... http://www.leinsterprintstudio.com/   Thanks very much to everyone for so much hard work. AC... Thu, 01 Jan 1970 00:00:00 +0000 http://www.a-n.co.uk/artists_talking/projects/single/432128