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Traces

By: Angela Kennedy

making work for a specific site and responding to that site.  A 13th century chapel, Sanctuary Art space. working with a soprano for the first time and the age of the fabric of the building to make work

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Angela Kennedy, 'Traces', mixed media, 22.10.11. Photo: Kieran Cudlip. Courtesy: the artist. 16 small rubbings in graphite on muslin

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Angela Kennedy, 'Traces', mixed media, 22.10.11. Photo: Kieran Cudlip. Courtesy: the artist. 16 small rubbings in graphite on muslin

# 2 [13 October 2011]

Processes

Thinking about my work processes and how, after setting myself the challenge to work site specifically and responsively for the last 27 months, still trying to pay attention to how I process my embodied responses to spaces, contexts, and sites, while remaining present and authentic within my own body. 

Challenges

Juggling motherhood and work still and trying to find paid work, while using this opportunity, this 'negative' positive space to develop my practice significantly and push my practice on each time I begin a new piece.

Continuing my investigation into how I can working with muslin as an ancient and sacred cloth, now in a sacred place.... 

Elements

Rain, wind and very fragile 13th sandstone dictates the quality of the 16 small rubbings of the outside of the Sanctuary space at St.Edmunds.

angela Kennedy, 'Detail', mixed media, 22.10.11. Photo: Kieran Cudlip. Courtesy: the artist. Detail of 2.5 x 1.5 metre rubibng in graphite on muslin of the church door at the Sanctuary Art Space, Gateshead

[enlarge]
angela Kennedy, 'Detail', mixed media, 22.10.11. Photo: Kieran Cudlip. Courtesy: the artist. Detail of 2.5 x 1.5 metre rubibng in graphite on muslin of the church door at the Sanctuary Art Space, Gateshead

Angela Kennedy, 'Part of 'Traces' installation', mixed media, 22.10.11. Photo: Kieran Cudlip. Courtesy: the artist. 2.5 x 1.5 metre rubbing in graphite on muslin, of the inner church door at the Sanctuary Art space, St Edmund's chapel, Gateshead

[enlarge]
Angela Kennedy, 'Part of 'Traces' installation', mixed media, 22.10.11. Photo: Kieran Cudlip. Courtesy: the artist. 2.5 x 1.5 metre rubbing in graphite on muslin, of the inner church door at the Sanctuary Art space, St Edmund's chapel, Gateshead

# 1 [12 October 2011]

Rachel Dison, Soprano, singing an excerpt from a piece by Hildegard von Bingen for the preview of 'Tres Mujeres' a group exhibition. The performnce was part of Angela Kennedy's site response to the space - commissioning Rachel to sing in the 13th Century chapel, St Edmunds, Gateshead, UK,  along side her others pieces of installation 'Traces'. 29.9.11

Rachel Dison, soprano, singing an excerpt from a piece by Hildegard von BingenGateshead, 29.9.11

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Angela Kennedy

I am multi-disciplinary artist working in installation, movement, spoken word, text, performance, dance and video, as well as painting.  My work is about process and the body.

 



www.axisweb.org/artist/angelakennedy