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By: Andrew North

BA (Hons) Fine Art: Painting & Printmaking

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'Bunch of grapes and flowers', Digital print, March 2012.

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'Fish and cutlery', Ditial print, March 2012.

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'Mirror, fruit bowl and books', Digital print, March 2012.

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'Egyptian rug and plant', Digital print, March 2012.

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'Bar stool, cellphone and flower', Ditial print, March 2012.

# 14 [29 March 2012]

Prints from the same series.

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'Paper, pencil and pen pot', Digital print, March 2012. 118.872cm x 84.074cm

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'Ponytail palm plant, desk lamp and stabilo point 88 pen', Digital print, March 2012.

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'Speaker and sofa', Digital print, March 2012.

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'Kettle and office chair', Digital print, March 2012.

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'Toilet, urinal and ponytail palm plant', Digital print, March 2012.

# 13 [29 March 2012]

Images from a large body of digital prints. They include my paintings and objects rendered off the internet.

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'Untitled 1', Mixed media, March 2012.

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'Detial of Untitled 1', Mixed media, March 2012.

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'Untitled 2', Mixed media, March 2012.

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'Untitled 3', Mixed media, March 2012.

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'Detial of Untitled 3', Mixed media, March 2012.

# 12 [29 March 2012]

Lage scale collages, which were formed at the start of the year and then reappropriated

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'Self portrait', Mixed media, March 2012. 21cm x 14cm

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'Studio', Mixed media, March 2012. 21cm x 14cm

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'Balance', Mixed media, March 2012. 21cm x 14cm

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'Display', Mixed media, March 2012. 21cm x 14cm

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'Bananas and bottle', Mixed media, March 2012. 21cm x 14cm

# 11 [14 March 2012]

This post shows a selected few images of collages I have produced throughout the year. These act as ideas for future work, as well as document previous work by using found materials lying around my studio.

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'Auction (booklet cover)', Digital print, March 2012.

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'Auction (lot 14)', Digital print, March 2012.

# 10 [9 March 2012]

This is a fictional Auction House I created, which sells items with a questionable value.

Displayed are a few images of the auction booklet.

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'History of the chair', Digital print, March 2012.

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'Museum', Digital print, March 2012.

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'Painter studio', Digital print, March 2012.

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'Party time', Digital print, March 2012.

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'Sharing information', Digital print, March 2012.

# 9 [9 March 2012]

Here are my digital collages revisited (as seen in a previous post), with some changes made.

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'A lavish life', Oil on canvas, March 2012. Installation view

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'How I came to this', Oil on canvas, March 2012. Installation view

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'How I came to this & A lavish lifestyle', Oil on canvas, March 2012. Installation view

# 8 [3 March 2012]

A review of some of my most recent work, installed in Studio 48 at The Glasgow School of Art.

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Comments on this post

Yes, you are right. There is a great difference. When you move your work from one location to another there are many elements which can change they way a piece is viewed. One becomes much more spatially aware and able to step back, gaining a better overview of the pieces. This, in combination of the work being placed in a clear and clean exhibition room enabled an altogether clearer judgement of the pieces. It was not until I moved the paintings into an exhibition space that I became aware of how assertive they were. Certain compositions within the work are not so obvious when you are working away in your studio. Moving them into such a space, you are able to see how pieces work together, reassess them and then return to the painting with a better insight. As far a documenting the work, showing my work in such a photo enables the viewer an insight into the size of my work, as well as how it would work in a gallery space. Thank you for the comment Regards, Andrew North

posted on 2012-03-06 by Andrew North

Great images Andrew, how do you feel getting your work in to a exhibition space out with the sudio benefits the documentation and representation of your work? To me there is a strong difference between the collaged photographs in previous posts and the installation-shots published in this post. Look out for your spot on the Degrees unedited homepage this month.

posted on 2012-03-05 by Richard Taylor