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Breaking Ground

By: Judith Alder and Roz Cran: Breaking Ground

Breaking Ground has been an experimental collaborative project including five short residencies: "Two Artists in Residence on an Allotment" including "ALLOTMENTA", an open day; a printmaking residency at the University of Brighton; "OUTSIDE IN", at Phoenix Arts, Brighton; "UNDER GROUND" at The Pine Gallery, Hastings, and GONE TO EARTH at Crate, Margate.

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 A wonky structure not stable enough to support a roof.

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A wonky structure not stable enough to support a roof.

 A section of the bamboo house at Eden Project

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A section of the bamboo house at Eden Project

 Wall painting by Peruvian "vegetalista" at the Eden Project

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Wall painting by Peruvian "vegetalista" at the Eden Project

# 45 [26 September 2007]

On our last preparation day 3 weeks ago, using canes lashed together with string, I tried to make a 3D drawing of the shelter we hope to build. The result was a wonky bamboo frame which wouldn't stay upright long enough to support the outline of a roof, a strong reminder of the need to develop my design and construction skills.

Last week I visited the Eden Project and was pleased to be able to take a close up look at a very solid bamboo construction together with information on various ways of using bamboo to build strong frames, walls, floors, roofs and screening panels.

Also at the Eden Project were wall paintings by two "vegetalistas" from Peru depicting the intertwined relationship between people and nature.

 sitting room

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sitting room

# 44 [24 September 2007]

Our final preparation day is on Wednesday. We will do a final survey and set up arrangements for starting the Residency proper next week - exciting. We will invite Simon over so he can see the allotment "in person". I went up last week to measure the allotment in bodylengths. This was inspired by finding out that the plots used to be measured in rods or perches or poles. All these are the same length i.e. roughly 5.5 yards. This is equivalent to 11 cubits, 5.0292 metres, 16.5 feet. 4 rods make a chain. One source says a standard allotment is 10 poles (10 x 30 yards or 9 x 27 metres). Roughly 300 square yards. But this does not add up. I must measure my allotment. Remember those old exercise books with all these measurements on the back.

# 43 [14 September 2007]

OUTSIDE BATHROOM

Judith's thoughts about bringing the inside outside made me realise we have 3 baths on the allotment, only one with taps. I went up to take a closer look at them. They are used as water butts now. Jeannie, my co-allotmenteer and I throw in comfrey as it enriches the water and helps the vegetables grow. Washing in rainwater is supposed to be good for your skin, to make your skin soft. I think I will try it.

 ‘The shed next door’This is the shed on the allotment next to ours. Although we want our shelter to serve a variety of purposes, it mustn't stand out too much or appear too contrived.

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‘The shed next door’
This is the shed on the allotment next to ours. Although we want our shelter to serve a variety of purposes, it mustn't stand out too much or appear too contrived.

# 42 [12 September 2007]

With the time we’ve set aside for the allotment residency drawing nearer, the issue of a shelter has grown more urgent. Out of the blue I received a call from Simon Barker, an architect based in Eastbourne, offering to join us to help build a shelter.

Simon has a long standing interest in the evolution of improvised buildings such as those found on allotments or developed on PlotLands. We met with Simon yesterday and talked about ways we could work together to build a structure on the allotment using found and recycled materials. We talked about what the shelter will need to provide for us, and how we can make it into something more than just a shed – could it have another function or in some way be a place of transformation, somewhere that offers “a new view”? A telescope? A cinema? A schoolroom? And we talked about the work of Folke Köbberling and Martin Kaltwasser who mount installations and interventions in urban space, building structures from found and re-appropriated materials.

Simon will visit the allotment and we will all start gathering materials ready for a weekend of building at the beginning of October.

http://www.barkershorten.com

Judith Alder & Roz Cran 1288

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 gooseberry, raspberry, strawberry

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gooseberry, raspberry, strawberry

# 41 [10 September 2007]

I love the shabbiness of allotments. Nevertheless I felt weeds and grass had got out of hand on our preparation day. Thus I took the strimmer and spade to prepare the allotment for the residency proper which starts in a few weeks' time. It looks much better for its late summer clean.

I took the opportunity for a lesson and examined the leaves of the vegetables and fruit bushes. Spent a happy hour printing from these.

 "An extra pair of hands"

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"An extra pair of hands"

 Roz's shopping trolley on the allotment.

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Roz's shopping trolley on the allotment.

# 40 [9 September 2007]

Following our second preparation day, I put aside some time to go through all the photographs I’ve taken at the allotment so far, and to begin to make up a work book in which links might begin to appear.

A couple of photographs have already prompted ideas in my mind. One seems particularly appropriate for our collaboration – “An extra pair of hands”, while a recurring theme, seen here in the image of the shopping trolley, is the constant exchange on the allotment between indoors and outdoors. This set me thinking of words which are common to both the context of cultivation and the domestic, with “beds” for growing vegetables, “carpets” of grass and “blankets” of blossom.

Still of prime importance for the residency is providing ourselves with a shelter. The weather on Wednesday was perfect, but we can’t rely on that to continue, and we will need somewhere to store and look at work as we make it. We have had an offer of help to build a shelter and will be having a meeting to discuss it next week.

# 39 [5 September 2007]

ALLOTMENT DAY-TYPEWRITER BURIAL

On Brighton beach 8 years ago when I was beginning my new life in art I found a rusty burned typewriter. It represented change and I made several pieces of work based on this typewriter. But it is ready to be buried on the Downs, ready for further change.Judith assisted with the photography and filming and we got some good shots. We went for a cuppa in the garden centre. I deleted some bad photos and inadvertently erased the whole memory card.

And we could not find the other memory card full of the best ones. However after frantic searching we found it and retook the missing pictures.

At the tail end of the day I helped Judith begin to construct a 3D shed using canes and string. She gained some useful experience and we plan to continue this next time.

# 38 [4 September 2007]

Laid out the polaroids that I found on the allotment a few months ago. There are 23 - tables, chairs, chests, whatnot table and paintings. The bluish green faded colours are beautiful. I hope by handling them, placing them, scanning them that ideas will arise of how to use them. They look like doll's furniture but they are full size antiques. I will show them to Judith again tomorrow as we have a preparation day on the allotment.

 first early dug up rather late

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first early dug up rather late

# 37 [23 August 2007]

We had a progress meeting yesterday. Up for discussion were plans for our next preparation day. We hope to realise 2 pieces - filming the burial of my typewriter, which has been planned for some time; and marking out a 3D plan of the shed with string and canes. A place to work in the dry and somewhere to display work is important for the residency. We are chasing up contacts to try and find a suitable shelter.

Meanwhile normal harvesting continues. Potatoes, garlic and parsley are the crops of the day.

# 36 [12 August 2007]

I met up with Ann Rapstoff on Friday as part of our research into collaborative work. Started a conversation about issues around working this way. Ann has worked in many combinations. We hope to arrange a meeting between Breaking Ground (Roz Cran and Judith Alder) and Kitchen Antics and Appliances (Ann Rapstoff and Barbara Dean and Hilary Kneale). There would be lots of criss crosses in such a conversation and I think many ideas may bounce from this meeting. We hope to get together in November. See www.kitchenanticsandappliances.com

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Judith Alder and Roz Cran: Breaking Ground

Judith Alder and Roz Cran are based in East Sussex. They currently work together on two projects: BMPD is a programme of professional development and networking events for artists in the Eastbourne area; Breaking Ground is a collaborative project which was initially supported by a NAN New Collaborations Bursary. Stage 2 of Breaking Ground is supported by The National Lottery through Arts Council England.

bluemonkeystudio@btinternet.com
www.bluemonkeystudio.co.uk