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Breaking Ground

By: Judith Alder and Roz Cran: Breaking Ground

Breaking Ground has been an experimental collaborative project including five short residencies: "Two Artists in Residence on an Allotment" including "ALLOTMENTA", an open day; a printmaking residency at the University of Brighton; "OUTSIDE IN", at Phoenix Arts, Brighton; "UNDER GROUND" at The Pine Gallery, Hastings, and GONE TO EARTH at Crate, Margate.

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Judith Alder, ‘Incubate 2004’

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Judith Alder, ‘Incubate 2004’

# 31 [1 July 2007]

Judith Alder - Finding Her Way

Part 4

Revealing the inside on the outside is a theme Judith began during her early art training when she started to investigate the human body. In Body Texts she wrote people’s inner thoughts on the outer skin of a body; she made paper casts of body parts onto which inner juices appeared to seep out. She made books in which she displayed collected secrets and ‘things not said’. The Spectacular Bodies exhibition at Hayward Gallery, London 2000 was of great interest and influence. In the catalogue from this show I look at the raw emotion shown in Bernini’s Anima Dannata (Condemned Soul) 17th Century and in Marc Quinn’s Emotional Detox from the Seven Deadly Sins 1994/5 and although Judith’s work is less openly emotional, I sense her search for the source of feelings via her body explorations and her experiments.

After completing her Honours Degree in 2003 Judith set up Blue Monkey Studio with 3 other graduates. Her first project 'Short Lives' was intensely personal. Both her parents had died in the previous two years. She chose to continue to experiment with and to document the growing of beans and peas in petrie dishes. She told me she wishes to give time to make sense of the death of her parents and to mark their loss. The opportunity to display this work at Stroud House Gallery, Gloucestershire brought this work to a successful conclusion.

Judith is continuing her investigation of outer and inner spaces and she has been reading the journal of Christopher Columbus. She sees herself as an explorer, walking unknown lands. She makes fictional journeys through real and created landscapes in order to explore the territory both outside and inside our worlds. I wonder what she will discover.

My own investigation of Judith’s work, a journey through her years as an artist, shows me that Judith is well on her way, walking purposefully down the roads she chooses. She opens to what she sees around her, sometimes decides to branch out and try a new path. Clearly she finds plenty to interest herself and us on her way.

The complete article can be downloaded from: www.roz2.co.uk/news.html

Judith Alder & Roz Cran, ‘First Prize Onion’

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Judith Alder & Roz Cran, ‘First Prize Onion’

Judith Alder & Roz Cran, ‘Award for Gooseberry’

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Judith Alder & Roz Cran, ‘Award for Gooseberry’

# 32 [13 July 2007]

AWARD FOR GOOSEBERRY

Mr. Worthy, my primary school headmaster, loved initiative. He used to make us spell the word. This is the spirit in which the Allotment Residency has been developed. I have taken the initiative again to create an Award Scheme for Vegetables and Fruit on the allotment.
Gooseberries did extremely well this year. Many have gone into pies and fool. This gooseberry stands in for the others. It has been awarded Second Prize.

First Prize went to the onions which were early, fat and juicy.

We will be spending a preparation day on the allotment this week.

Judith Alder & Roz Cran, ‘Commendation’

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Judith Alder & Roz Cran, ‘Commendation’

# 33 [17 July 2007]

COMMENDATION

Raspberries had two weeks of being top fruit and filled, along with strawberries and redcurrants, three delicious Summer Puddings. They have been HIGHLY COMMENDED. The last few berries have been rotting on the canes or devoured by snails.

Strawberries and redcurrants did well and are over too until next Summer. One goes with the seasons on the allotment.

 Faded chive flowers bursting with seeds

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Faded chive flowers bursting with seeds

 picked from my garden this morning

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picked from my garden this morning

 as a gift to the allotment

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as a gift to the allotment

# 34 [23 July 2007]

PREPARATION DAY

Roz & I have timetabled in three preparation days at the allotment to enable us to plan our residency. Today was the first of those days.

It’s been difficult to decide how to approach the residency – whether to arrive with completely open minds, or to have a firm plan. The point of the residency is to “explore the possibility of producing a body of new work together, based upon existing common ground and interests” and we are keen to make a space where anything could happen, but think we will need a structure which will help us to focus.

We have begun to develop a few ideas on which we can build and today we earmarked sites on the allotment where some of our activities can take place. We talked about what we think we are physically and practically capable of (…constructing a residence/shelter/shed – it seems essential if we are to work here for two weeks, but can we do it?)

The first time I visited the allotment, I took compost from my garden as a gift and the allotment gave me spinach. Today I took a bouquet of long-stemmed chive flowers packed with seeds and the allotment gave me fresh lettuce for my lunch.

 Art School

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Art School

# 35 [28 July 2007]

One of the ideas to structure the work we do on the allotment residency is Art School. I took a blackboard and chaiks to the preparation day on Monday. After changing into my mortar board and gown I wrote the date and the weather - handwriting practice. Both of us are very organised people and working to a timetable, however loose, suits us. Judith noted that we have both used childhood themes in our art. I hated school when I was there. Now it seems quite attractive. A place to learn, to experiment, to make things

# 36 [12 August 2007]

I met up with Ann Rapstoff on Friday as part of our research into collaborative work. Started a conversation about issues around working this way. Ann has worked in many combinations. We hope to arrange a meeting between Breaking Ground (Roz Cran and Judith Alder) and Kitchen Antics and Appliances (Ann Rapstoff and Barbara Dean and Hilary Kneale). There would be lots of criss crosses in such a conversation and I think many ideas may bounce from this meeting. We hope to get together in November. See www.kitchenanticsandappliances.com

 first early dug up rather late

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first early dug up rather late

# 37 [23 August 2007]

We had a progress meeting yesterday. Up for discussion were plans for our next preparation day. We hope to realise 2 pieces - filming the burial of my typewriter, which has been planned for some time; and marking out a 3D plan of the shed with string and canes. A place to work in the dry and somewhere to display work is important for the residency. We are chasing up contacts to try and find a suitable shelter.

Meanwhile normal harvesting continues. Potatoes, garlic and parsley are the crops of the day.

# 38 [4 September 2007]

Laid out the polaroids that I found on the allotment a few months ago. There are 23 - tables, chairs, chests, whatnot table and paintings. The bluish green faded colours are beautiful. I hope by handling them, placing them, scanning them that ideas will arise of how to use them. They look like doll's furniture but they are full size antiques. I will show them to Judith again tomorrow as we have a preparation day on the allotment.

# 39 [5 September 2007]

ALLOTMENT DAY-TYPEWRITER BURIAL

On Brighton beach 8 years ago when I was beginning my new life in art I found a rusty burned typewriter. It represented change and I made several pieces of work based on this typewriter. But it is ready to be buried on the Downs, ready for further change.Judith assisted with the photography and filming and we got some good shots. We went for a cuppa in the garden centre. I deleted some bad photos and inadvertently erased the whole memory card.

And we could not find the other memory card full of the best ones. However after frantic searching we found it and retook the missing pictures.

At the tail end of the day I helped Judith begin to construct a 3D shed using canes and string. She gained some useful experience and we plan to continue this next time.

 "An extra pair of hands"

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"An extra pair of hands"

 Roz's shopping trolley on the allotment.

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Roz's shopping trolley on the allotment.

# 40 [9 September 2007]

Following our second preparation day, I put aside some time to go through all the photographs I’ve taken at the allotment so far, and to begin to make up a work book in which links might begin to appear.

A couple of photographs have already prompted ideas in my mind. One seems particularly appropriate for our collaboration – “An extra pair of hands”, while a recurring theme, seen here in the image of the shopping trolley, is the constant exchange on the allotment between indoors and outdoors. This set me thinking of words which are common to both the context of cultivation and the domestic, with “beds” for growing vegetables, “carpets” of grass and “blankets” of blossom.

Still of prime importance for the residency is providing ourselves with a shelter. The weather on Wednesday was perfect, but we can’t rely on that to continue, and we will need somewhere to store and look at work as we make it. We have had an offer of help to build a shelter and will be having a meeting to discuss it next week.

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Judith Alder and Roz Cran: Breaking Ground

Judith Alder and Roz Cran are based in East Sussex. They currently work together on two projects: BMPD is a programme of professional development and networking events for artists in the Eastbourne area; Breaking Ground is a collaborative project which was initially supported by a NAN New Collaborations Bursary. Stage 2 of Breaking Ground is supported by The National Lottery through Arts Council England.

bluemonkeystudio@btinternet.com
www.bluemonkeystudio.co.uk