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By: Rachel Howfield (Massey)
This blog is a reflective account of a year of research and development funded by Arts Council England, Yorkshire. The funding enabled me to redress the balance between having a family and being an artist.
Rachel Howfield is an installation artist based in Yorkshire.
She is the founding member of 'APT - artist parents talking', a national network for artists with main caring responsibilities for their children. for more information please go to:
www.axisweb.org/artist/rachelhowfield
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Rachel Howfield, 'the desire to be accepted is in equal proportion to the desire to rebel', 11.3.08.
# 7 [11 March 2008]
I chatted to one of the Other Mothers in the playground this morning. She asked what I’ve been up to and I told her I’m making a film for a show at Scarborough Art Gallery Coffee Lounge. She said;
‘but why would you spend all that time doing that? If it doesn’t earn you money and it doesn’t get the house tidy, I just don’t get why you do it…’
I couldn't really answer her in a way that she would understand, and got a bit embarassed. I laughed and muttered something about how I know it's quite ridiculous.
When I get home I feel angry that I undervalued my work, that I didn't defend my right to be different.
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Comments on this post
funny how people value stuff according to whether there's money involved or a practical application. i bet they don't say the same about watching a film or listening to a piece of music. in future just claim you're getting paid several thousand for it... :-) and isn't house cleaning overrated?
posted on 2008-04-02 by adrian riley
Just to keep going as a mother and an artist is inspiring in itself. I think there is so much pressure on us to conform to the 'perfect mother' ideal it is important to push those boundaries.
posted on 2008-03-14 by Tamsin Williams
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Rachel Howfield, 'drop', knitted fishing line, plastic, water, 2007.
# 6 [10 March 2008]
I cleared some boxes of junk from my in-laws garage yesterday.. old school books mainly. At the bottom of one box I found the first knitted sculpture I ever made, during my degree. I had an appalling relationship with my tutor at the time. I vividly remember how he picked it up as though it was disgusting, and tossed in the bin, saying 'what are we playing at now then Rachel?' 15 years later I plucked up the courage to start knitting again. Here's one of my recent knitted pieces.
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Rachel Howfield, 'sundries'.
# 5 [6 March 2008]
I’ve been collecting the sweepings off the kitchen floor, the dust off all the surfaces, the stuff out of the hoover, and gak out of the plug hole. It’s all in preserving jars on the kitchen window sill.
The landlady looked but didn’t mention it. I think she just blanked it out. Lots of people seem to do that.
I overheard Older Daughter say to her friend ‘I dunno – it’s probably just mum’s art.’ She watched me make it but knows better than to ask why. It could unleash a tirade about Housework, and she likes to avoid those conversations.
It’s really interesting to see who notices, who dares to ask about it, how people respond...Login to post a comment »
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Rachel Howfield, 'Self Portrait, Mother Earth'.
# 4 [3 March 2008]
The content (or Why I Do It)
I think ‘the context’ (or all the Other Stuff in my life) is a necessary but awkward part of my life as an Artist. Rachel the Artist and Rachel the Mother are not separate beings, they infect and influence each other. Yet it feels difficult to acknowledge this, in an art market that caters for artists who can sacrifice their daily life at the drop of a hat to take on a new residency or project, to the detriment of all else. It’s as if having children automatically makes you less committed to your work.
I have a fear that mentioning my personal circumstances could trigger a chain reaction of responses – I will be dismissed as a tedious feminist artist, probably making art as therapy.
I also think that if something seems to be taboo, that’s probably the best reason for talking about it, so that’s why I’ve made it a central factor in my blog. I want to open up the conflict I experience between my creative ambition and my commitment to my family.
Writing down the Other Stuff is Important for the function of the blog; it helps me Remember what I’ve done and feel comfortable and satisfied with my own achievements. It can be difficult to Remember what has actually changed when periods of studio time are erratic and disjointed.
Some days I have to have an argument with myself to get over the guilt I feel for playing/working in my studio instead of chopping vegetables for tea. .. I imagine my children with rickets and put more fruit in their lunchboxes – it comes back bruised and uneaten…
The act of writing this blog helps me to focus on the positive. I will log my progress as an artist, chart the movement of ideas and actions, and include edited images which function as my sketchbook.
Ps. Just to keep you up to date on the context - been up all night with Older Daughter while she threw up – you can probably picture the serene and satisfied vision of motherhood that I encapsulate today, only improved by the faint aroma of vomit on the carpet.
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its been great to read your blog and that of Tamsin's also on a-n and that i can leisurely browse rather than sneak a peek in the day time as my son has now started nursery. I started a blog, but would much rather have a conversation so if you would be interested in joining in Who is the Mother in Contemporary Art? and where is she? I'd like this blog to become a resource, I am interested in creating discussion/ dialogue about current practice both written and visual in a supportive but critical environment. An investigation and promotion of mothers who do create, make and show, those who are visible and those who are less so. http://missart.wordpress.com/ Can only apologise for it not being hosted by a-n.
posted on 2008-04-04 by Liv Pennington
I just wanted to say that I completely relate to the above thoughts. I always feel like I am the only artist who has children, and struggle to compete with some of my friends who are "free" to jump into the next residency or even to deliver work to galleries further afield. We are part of the wider art world, as well as part of the local mum's community of nursery and playgroup! Congrats on the ACE grant....does that make it any easier?
posted on 2008-03-07 by Amy M Sterly
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Rachel Howfield, 'Home Improvement Plan', February 2008. part of the never ending tide of chaos and mess in my home
# 3 [1 March 2008]
Vertigo
Lots of things have been happening... here's the context to the story.
We are moving from Scarborough to West Yorkshire (hopefully to a village called Honley, near Huddersfield, if we ever find a decent house to rent). This is because my partner's got a job in Dewsbury. I don't know anyone there so I am quite scared and excited.
My landlady wants me to organise appointments for estate agents, HIP assessors etc. She lives in France and wants to sell the house. I wish I hadn't been so generous in the amount of notice I gave her about our move. She could still be blissfully unaware, and I could stay submerged in the never ending tide of mess and chaos in the house.
My partner is in Iceland for a week and I have just spend 2 days completely housebound with my youngest daughter - she's had a stomach bug. It's made me feel quite shut down - too much time inside my own head, unable to do anything with any of my thoughts. If I get up to get something from the other side of the room, she jumps up and clings on to me, 24hours a day. I've had to cancel a meeting at Scarborough Art Gallery, after spending every spare minute preparing images and notes to show them. I've also missed the Lonely Arts Lunch - a rare opportunity to get together with other isolated creatives in the Borough.
Young Daughter (6) said 'mum, I've got a feeling and I don't know what it's for, and I don't know where the feeling is.' I couldn't put it better myself. She's getting better now; 'it's like I've jumped on 500 trampolines straight after dinner'.
I'm perpetually worried about money, and rent is more expensive in West Yorkshire. As a result I've taken on lots of work, and now it's all whirling round my head all the time. I have freelance a contract with Creative Partnerships Hull, as a Creative Agent, brokering relationships between 4 schools and various creative practitioners (artists). I've just taken on a contract with engage co-ordinating the final stages of their envision programme - it's hard picking up someone elses job half way through, but it's really interesting work. I teach short courses, 'Community Art Skills' and 'Unlock your Creativity' for University of Hull. It doesn't sound much when you see it written like that, but it feels like a lot.
I've been diagnosed with vertigo! I think it sounds almost exotic, so maybe I can sort of get to like it. I keep feeling all swimmy and wonky. Apparently it can be triggered by a virus or by stress. Apparently it should go away within six weeks.
Finally - wait for it - this is the biggee... I've just heard about my ACE bid for £10,400 for professional development I got the money - WAHOO! What a fantastic endorsement of my work, my ideas. It's all worthwhile.
So - that's the context.
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Rachel Howfield, 'the slightly depressing bottom line', wire, 27.2.08. Photo: Rachel Howfield.
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Rachel Howfield, 'too many things squashed into a small space', sketchbook , 24.2.08. Photo: Rachel Howfield.
# 2 [21 February 2008]
'Too many things squashed into a small space.'
I’ve spent an enormous amount of time trying to work out what is the right Question to ask. I feel like I need a clear line of enquiry, to really distil what I want to say. I've Thought about it hard for two weeks. Or, at least, it's churned round in my head for two weeks, squeezing it's way in between the hundreds of tedious daily tasks that occupy most of my time. Proper Thoughts get squashed out during school holidays, by squabbling, shrieking, questioning children, piles of washing, toys, preparing meals and organising outings. But the Thoughts lurk around the edges of my mind, biding their time until they can get a proper hold of me. Chewing away at the problem.
I’m feeling dejected because now I realise the only Question I can come up with so far, is the same question that all the Other Mothers bang on about constantly. How can I fit all my jobs into one day, the days just aren’t long enough etc. Got to go now - youngest daughter crying. This is the fairly uninspiring bottom line.
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Rachel Howfield, 'My partner says I'm fickle', ink, paper, 2005. Photo: Rachel Howfield. A3 drawing
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Rachel Howfield, 'defining moment', paper, ink, charcoal, 2007. Photo: Rachel Howfield.
# 1 [4 February 2008]
Things I get into character for.
I am sure I remember a time when I was just comfortable being An Artist, and it felt quite natural. I don’t think it was ever easy, but it was what I was happy Being. But memory is a funny thing – memories of how I Felt at any one time seem to change depending on any number of variables. I hope that makes me Interesting not fickle. I think one of the main qualities in An Artist is finding things Interesting. I am especially interested in Memory at the moment. Memories are unstable, unreliable and messy.Login to post a comment »