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By: Graham Swain
An exploration into creativity...wanting to give and share an unique experience...already, slightly concerned. Feedback is always welcome.
'Graham's response to landscape is contemplative. Creation becomes a challenge as every mark is considered as the aesthetic process unravels towards sublime resolution. Graham's preoccupations are undoubtedly formal, but his technique relies on more than simply a conscious arrangement of shape and colour. Graham aims to intuitively distil the essence of his visual experience in a much more unlimited way. Landscape provides the ideal motif; unrestricted by figures or buildings, an exploration is permitted which ultimately pervades pure creation.' Sally-Ann Schilling. MA History of Art, The Courtauld Institute of Art, Art Historian and former Lecturer Tate Modern, London
# 85 [1 February 2011]
Just read a few of my past posts and know I've been wasting my time...maybe the exercise has been cathartic and important for me to keep this online diary of trivia going occasionally...but where on earth did I find the time to write when I should have/could have been in my studio creating?
My aim is to write less and create more. I am a painter...not a blogger or a tweeter or a waste of timer.
This platform has helped me to understand a few things and I have enjoyed experimenting in the art of writing...but trivia in all the blogs I read, ultimately wins over subtantive content. I've slightly fooled myself in the misguided view that this blog would further my...career...
In conclusion, blogging does not define me. Painting is who I am.
www.artswain.com
http://www.saatchionline.com/profiles/index/id/53975
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# 84 [2 December 2010]
snow...SNOW!!! quick quick? NO!
0O0o0oooo00000OO000OOO00000OOO
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Smartie is always a happy little thing...
# 83 [18 November 2010]
These are extraordinary times...no work, no money, no hope...no...not no hope...it's the hope that keeps me going...
www.artswain.com
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Hi Rob...she's a wilful little 4 year old girl who knows what she likes. Smartie's a Sealyham terrier, sadly, the 3rd most endangered British breed. Cosmo's a cutie-beauty too. I'll be using Smartie as my hot water bottle tonight...she stays warm and saves me filling up a kettle. This link may work, or cut and paste it: http://www.eartharchitecture.co.uk/slideshow.php?room=smartie
posted on 2010-11-18 by Graham Swain
Is Smartie a 'Doodle'....like Cosmo?
posted on 2010-11-18 by Rob Turner
# 82 [8 November 2010]
With a massive weather low and inclement weather all-over-the-shop...I'm going into my studio in 5 minutes to paint.
We're restoring a neglected garden tomorrow and the weather will not have improved...but hey...I'm living now for the moment...
www.artswain.com
www.eartharchitecture.co.uk
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# 81 [28 October 2010]
A lesson in perspective.
I was invited to a 1000 acre private estate yesterday morning...the owner's personal wealth is over 100 million pounds.
He came across in our chat as a thoroughly decent chap and I came away feeling slightly overwhelmed by the extraordinary wealth of just one person. How on earth does one cope with such responsibilities?
...he seemed to manage OK...
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# 80 [28 September 2010]
Looking forward to a few days in France...putting plants in our meadow etc. and painting etc. The phone hasn't really rung for about 10 weeks...the recession has hit my small garden business hard...we built a small pond and that's about it. I placed an ad in the local paper for restoring neglected gardens then fended off time-wasting clients who thought a days skilled work is worth about £20...that's Portsmouth for you. Work is now coming in...
Press night at Yes, Prime Minister in The West End last evening helped me put things into perspective...and Adam Venus, friend, actor etc. gave me his family business details...small world...www.jacksonsart.com
Anyway life is good...no money...but time to think about what really matters.
www.artswain.com
www.eartharchitecture.co.uk
www.ourlovelyhomeinfrance.com
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# 79 [18 August 2010]
Into The Woods...superb. We were fortunate to have the best seats for the Press night at Regents Park open air theatre on Monday. With the remnants of man-flu, parked the car and took the train from Weybridge thinking it wouldn't rain...met up with Emily at Baker Street and had a voucher meal for two for £10 sitting outside for a delicious Italian...then an easy relaxed walk through the park.
I do feel inspired to paint because the performance and the natural stage set...trees...took us into another world. The bar was packed at the interval so despite the dark chilled air I stopped hugging Emily for warmth and bought us ice cream which helped to raise my temperature a little. I kicked something on the concrete floor and found a rather nice brooch. Alison Steadman, the actress, returned to her seat next to me and was very grateful as the brooch was a special gift to her from many years ago.
The evening was rainless and magical.
We left the private party early to catch the last train and were in bed just after 1am and up again at 6am to give Emily a lift to the station...I was knackere* but Emily does this every day...unbelievable. She's working on Crapp's last tapes with Michael Gambon and other plays...and I'm digging a pond through concrete for a client...oh the glamour...painting will have to wait.
I'm not placing new work on my website...it's been a while since I last updated the artwork...and that is so not important to me. I don't feel I'm depriving anyone of anything...I'm just creating for me.
I'm striking a balance and it seems to be working...
www.artswain.com
www.eartharchitecture.co.uk
www.ourlovelyhomeinfrance.com
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Graham Swain, Watercolour and oil pastel on paper.
# 78 [21 July 2010]
...working towards an exhibition but I do not know which gallery to approach. The Salzburg gallery approached me and I think this is always the best way. So many galleries are up their own *rses...it's a little frustrating...I have total respect for a gallery when they lower themselves to approach an artist to exhibit...because they actually like the work and think we can work together.
I recently asked the Salzburg gallery owner a direct question after she promised me so much and has so far delivered so little, 'Should I stop painting?' Her reply was very encouraging but I do feel I have been taken for a ride. The experience of driving to Austria with Emily and Smartie, our Sealyham terrier, was a beautiful experience and made it all worthwhile. We stayed with a number of friends and met some wonderful artists, including my cousins' friend whose studio was in the same road as the gallery...incredible and one of endless and constant coincidencies.
I paint and create because this is where my heart is...exhibiting and selling has never been important...but having sold 2 pictures recently to people who love what I do is encouraging...it helps tp pay the bills.
Seeing galleries full of *rap is a concern. I spoke with a fellow artist the other day and was told something that made me sit up and realise how fortunate I am.
Galleries are constantly closing or taking higher and higher commission. I just don't want to exhibit because it's all weighted away from the artist. I've wasted so much time in the past exhibiting in galleries when I could have been painting instead. The whole gallery set up is wrong...it's for salesmen or saleswomen and this is anathema to me. Things change however...it's not all bad...in fact, it's all good.
www.artswain.com
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Comments on this post
Thanks Rob...I like what you say and I like what you do.
posted on 2010-07-21 by Graham Swain
You sound disullusioned with the whole thing, but comfortable in your disullusionment. Your experience kind of confirms what I read by Robert Hughes I think it was, dont quote me on that, some high profile art critic anyway who is saying contemporary art is a product invented not by artists to generate hudge amounts of money. Its not about any skill or sincerity within the art at all Graham. It comes 10apenny and rises to thousands upon thousands as it skillfully moves about in the hands of dealers, curators, business corporations, collectors etc, A synical view I realise that, but that description seemed to describe the situation certainly when I left college. I am sure with on line publishing and digital revolution type stuff the control and power shifts much more in favour of the creator now. All I can say is my art is public not private! Glad you had a nice time away.
posted on 2010-07-21 by Rob Turner
# 77 [4 February 2010]
I was in a train crash yesterday at the front of the front carriage...everyone was shaken up and no one was hurt. The car the train ran over on the tracks at speed almost derailed the train.
I'd spent 3 days in front of 3 computers updating my 3 websites with the webmaster. I'm so fortunate to have been able to make the decision to pursue painting and designing gardens. Computers are so cold!
The whole day was bizarre...the taxi driver from Afghanistan gave me a subjective insight into his country...30 years of war (3 generations) trapped politically between Russia and The West with internal tribal battles...the CIA having trained the Taliban originally and the Americans giving support to a tribe who are known for being lazy and untrustworthy...the 'answer' it seems is communication...put down all weapons, say sorry and move on to understanding their cultures...simples...
The muslim taxi driver was ashamed of OBL and prayed that he would convert to Christianity...WOW!
www.artswain.com updated
www.eartharchitecture.co.uk updated
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# 76 [27 January 2010]
If it takes me 10 years to complete one watercolour...it's all about quality...quality of thought...
www.artswain.com
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