ARTISTS TALKING

# 61 [15 February 2011]

More photographs from Cill Rialaig, October/November 2009 courtesy of Linda Davies.

Don and his outdoor copper sulphate etch.

Group crits. in the evenings

# 60 [11 December 2010]

Rough Seas

# 59 [8 December 2010]

This is a new collaborative piece by Tracey Sweeney and Don Braisby. We have decided that Tracey provides the urban edge and I provide the rural idyl to our images.

As Tracey lives in Stockholm and I live in North Wales we mostly communicate via e-mail. The Mac mobile me program is a really useful way to share images. Although this image is made up of an aluminium saline sulphate etch from me and a collograph from Tracey. 

# 58 [6 December 2010]

Exhibition Slide Show

# 57 [5 December 2010]

Pamela brought some Bluestone which is the agricultural form of copper sulphate to Cill Railaig. We mixed the copper sulphate with an equal amount of table salt (1K of each and about 8L of water). The saline sulphate mix is a much less toxic mordant than those traditionally use. It meant that we could make etched plates even in the isolated environment of Cill Railaig.

# 56 [15 November 2010]

I don't have a lot to add to what Pamela and Don have already said (Nov. 11th. posts):  Cill Rialaig has a unique atmosphere, which fed directly and indirectly into our work.  Paradoxically, while most artists come to the Retreat to work in solitude, we came with the deliberate intention of living and working in close proximity to each other.  Although collaborative working remains a challenge, it's an enjoyable one, and we are establishing new ways of co-operation as we get to know each other better.

AC.

# 55 [11 November 2010]

Views from an Irish perspective on the "Le Chéile" project:

The recent sojourn at Cill Rialaig has further consolidated the project but on a different level. As we get to know each other better I think that we are becoming more adventurous in the collaboration, appropriating each others images and plates. There has been a slow build up of trust between the artists and a genuine exchange of ideas and work.

The group structured the residency very well with initially an exchange of ideas and a presentation of each artist's work. This was followed by several 'show and tell' sessions where we shared our concepts, drawings, progress in platemaking and ultimately first proofs. There was a free exchange of information on techniques and processes as well as an exchange of proofs and plates.

While most of us were quite familiar with each other after Nant Gwrtheyrn, it was a great opportunity to get to work with and to know Veronica better. If we can manage to maintain the momentum we may well be into the most interesting stage of the project to date. 

# 54 [11 November 2010]

The time at Cill Rialaig was inspirational. The setting is fantastic.Having individual studio space within a community of friends and colleagues, sharing work, techniques and ideas was energising and creative.

Initially LeCheile was about working in collaboration in making work. For me the group feel to have moved on from this to a more communal approach. There is still some working together on shared plates but there is a developing and deeper sharing of culture and ideas that has enriched the work of the group.

# 53 [9 November 2010]

Our meeting at the Cill Rialaig artists' retreat in the far west of Ireland has been a great success.  The retreat is based in a village of restored houses in the far south-west of County Kerry.  The whole area is a popular holiday destination, but by the end of October most of the visitors have gone home and the countryside is waiting for winter. 

Seven le Chéile artists stayed together here over a 10-day period, soaking up the atmosphere, working and talking.  As with our visit to Nant Gwrtheyrn last year, a great creative "buzz" developed during the stay.  The Cill Rialaig Project runs a fully equipped print studio in the nearby village of Ballinskelligs, and we managed a considerable amount of printmaking there and in our mobile temporary print studio at Cill Rialaig itself.

Thanks very much to Margaret Becker for arranging our stay, and to Noelle Campbell-Sharpe, the founder of the project.

# 52 [19 October 2010]

A quiet session in the Regional Print Centre due to illhealth & other commitments among would-be participants - but we got some work done! 

Please note that a parcel of unfinished work from the Nant Gwrtheyrn sessions is now available at the RPC.  Le Chéile artists are welcome to help themselves to any pieces which take their fancy, and use them as an inspiration for further development.

A.C.