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By: Catherine Cartwright
this blog appears focused, but it is in fact strictly meadering
Primarily my work explores freedom and containment, and the tensions between them.
I mean, freedom and containment within and of ourselves, and also in its more literal senses.
I'm a printmaker, artist educator and my background is in gallery education.
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Her supporters wait patiently to see if she'll be released today
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# 39 [13 November 2010]
Today, 13th November 2010, Aung San Sui Kyi is released from house arrest. She is a beacon of hope for the people living in Burma, and a beacon of moral strength shining around the world. I'm sure its why I've been in a good mood all day.
In London yesterday, by the Royal Festival Hall, I was captivated by the large portrait statue of Nelson Mandela. Imprisoned for 27 years his mental strength continues to reverberate across our peoples. Now 92 (or thereabouts) his close friends have called for people to lay off him (I think I could word that better) as he has 4000 approaches every day (for signature, blessing, attendance). Did I read that right? Possibly it was 4000 a week. Anyway I'm digressing. What's fascinating is the power of individuals such as Nelson Mandela and Aung San Sui Kyi to reverberate postivity across the borders and inspire so much hope to so many.
So I've been looking at the press photos of Aung San Sui Kyi's release today. I'm looking to see if I can actually see 'freedom'.
Perhaps that's a silly thing to do, but I think I know why I'm doing it. How can we visualise freedom?
The images are from http://www.kansascity.com/2010/11/13/2427846/myanm...
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Catherine Cartwright, 'House Ghost', digital print.
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Catherine Cartwright, 'Houses Falling'.
# 38 [12 November 2010]
Train journeys are ideal for playing. With i-stop motion, with digital photos in photoshop. I had a happy 3 hours this afternoon from Paddington to Exeter. I was excited the find the 'print as flip book' option in i-stop motion. Now that gives me ideas.
Back to the point of this post.
I'm working through ideas for a book arts project I'm involved in. Artists are being called on to create 3 books in response to the bombing of Al Mutanabbi street in Bagdad March 2007. Al Mutanabbi street is the cultural and literary hub of Baghdad, and of Iraq and has been so since the 9th C or so. A San Francisco bookstore owner Beau Beausoleil started the Al-Mutanabbi Street Coalition, a growing group of local writers, artists, poets, and printers, who create awareness about the bombing of Al-Mutanabbi Street through print. http://www.facebook.com/group.php?gid=85909663901#!/group.php?gid=85909663901&v=wall
These are digitally created using photographs I took originally to create an animation called 'The house that Jack built' that I haven't the patience for right now. Using cut offs of lino I was interested to use them in printmaking also.
Possibly I'll now use these images in traditional print, possibly photoetch. Possibly I'll leave them as they are.
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Comments on this post
Thanks Jane for your lovely comments. There seems to be two ways of art acting, I mean in terms of activism. Internally - almost as meditation or mantra as those who practise this believe in its far-reaching vibrational powers, and Externally - inciting debate, raising awareness, calling for change. And I'm sure there are artists who work across both. They are 'macro' and 'micro' to me.
posted on 2010-11-13 by Catherine Cartwright
oooh, Catherine I really like these latest images. And I agree with you there must be a way to raise awareness without causing depression, but I don't know what it is either. For me, I think a retreat into our human psychology and impulses is where I found the best way forward. It may not be as direct but I hope it is as forceful.
posted on 2010-11-13 by Jane Boyer
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Prasanta Biwas, ''Local Coal Collector' Jharia coalfield'.
# 37 [15 October 2010]
tell me I'm not going crazy
Like the internet can do so well, I've been journeying tonight. Generally I avoid TV but tonight among The Antique's Roadshow and Mastermind I watched 'Unreported World' on C4. Here goes the route that I took online once I turned off the TV:
1. unreported world website
2. 2009 programme on burning coalfields in Bihar (India). Tells us how coal fields 360 km sq burn uncontrollably and that two years ago this area was forest and farmland. Now villagers live among the mines, children and adults work in the mines, and the government run coal mining organisation is planning a removal of 500,000 people from the area so they can get on with the businness of enriching India's economy.
http://www.channel4.com/programmes/unreported-worl...
http://www.channel4.com/programmes/unreported-worl...
3. comments on related blog ask for ways to help/ charities that may operate in this area
4. searching for this brings me to 'Guernica' online politics and art magazine.
http://www.guernicamag.com/art/1035/wasteland/
and a film made by Bombay Flying Club 'Their recently-launched Wasteland project is a series of web documentaries about industrial pollution, and the story from Jharia is the first chapter of this ongoing project.'
5. another search brings me to "Snowdon Group" a consultancy to mining and exploration services, and their 2010 photography competition including photographs of the ill/poverty stricken miners of the burning coalfields in Bihar (Jharia region).
Am I really reading that this competition is "Celebrating the Mining Industry"? How exactly can the poor working practices that abuse the most basic of human rights depicted here be part of a celebration of mining??
They really need to think about their wording.
http://www.snowdengroup.com/SnowdenContent.asp?CID...
Tonight I've also been consumed by the truely celebratory stories in Chile.
mining... freedom from containment - the fascination for us public is how the 33 men kept their sanity (freedom of mind) through their imprisonment
mining... fire and ashes - free burning coal fields
mining... containment in poverty - villagers unable to move away from collasping land and scavenging for coal pieces
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Hi Jane, thanks for this. I am puzzled how making art about human rights abuses can make any difference, but I figure in the meantime (while I puzzle it over) that raising awareness and promoting conversation is good enough. There's a tension between not wanting to depress people (and myself) but not wanting to hide away either. I believe in our international community and it is very hurtful to see and know that abuses continue. I think there is a route to raising awareness that isn't depressing; something about the tragic and the comic being very close - but I'm not there yet! thanks for listening, Catherine p.s. I am hoping that someone may read that info about the Snowdon Group Photography "Celebrating Mining' competition and correct me with simple reasoning so I can put my rose tinted glasses back on.
posted on 2010-10-17 by Catherine Cartwright
Hello Catherine, I admire the courage you have to confront these issues. I once was more engaged with human rights issues but I found it so painful to comprehend people's suffering I had to move away because I could do nothing. Even now talking about it gives me pain. Anyway, good on you! I like the work you're doing.
posted on 2010-10-16 by Jane Boyer
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two colour lino print with stamp
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stamp 'webiink' on other side of print
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# 36 [11 October 2010]
The Littlest Print Exchange
This is the smallest print I've made - and the largest edition. It was a good discipline for me to get 50 small prints close to the same. Satisfying though. A fellow printmaker thought they looked like biscuits baking.
I'll get 50, or its is 49? prints in return. It'll be like all my christmases together!
This work 'Fire under the Ashes' is inspired by a blog posting on the Tehran bureau website. It was a captivating piece, made all the more so by the responses and comments from other readers. This is my response.
Fire under the Ashes is a Persian saying. I felt its a pertinent way to describe..
rebirth to change
tension of peace waiting
the tension between freedom and containment which is what my practise overall explores.
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Catherine Cartwright, 'The home of Aung San Sui Kyi', monotype drawing, August 2010.
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Catherine Cartwright, August 2010. this is the negative left behind from the monotypeit was intriguing, and I really liked the image, but I had to clean up the work surface as there's plenty of other studio members that use the space too!
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# 35 [18 September 2010]
I'm continuing research into women as activists.
Here's a monotype drawing, and a couple of photographs of the monotype negative left on the glass surface (now cleaned away, so just the photo remains).
It shows the home of Aung San Sui Kyi. Her home and prison for more than 11 years out of the last 20 years (though this statistic does seem to change between 11 and 16 years).
I'm in awe of the mental freedom she must need to maintain while in captivity.
It highlights how the only freedom we need can be found with us already.
Aung San Sui Kyi is one of thousands around the world imprisoned for their belief in human rights.
Her are some web links I've seen for ASSK, but I'm sure you can find masses more.
http://www.burmacampaign.org.uk/index.php/burma/ab...
http://news.bbc.co.uk/1/hi/world/asia-pacific/1950...
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Catherine Cartwright.
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Catherine Cartwright.
# 34 [1 August 2010]
As part of the Politics in Print commission I am continuing research into women as activists. A prelimerary search on google throws up so much to explore.
My hope is that the print work I produce allows me to learn about different human rights issues around the world and make me less ignorant, plus hopefully pass on some messages to others who look at the work or are the recipient of me talking to them..
I'm showing here a couple of monotype drawings taken from images in a recent Amnesty International magazine. The article is about women demonstrating in the Congo for a greater part (or at the very least any part at all) in the peace negiotations going on there. Women are excluded from this, yet are the majority victim of any war, especially as sexual violence and rape used as a weapon. These women specifically are demonstrating about the violence and assaults on women from local military stationed near their villages.
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# 33 [7 June 2010]
more dancing from the boys
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ah thanks Rob, that's good encouragement. These are my first tester pieces like this. They're on toy wooden blocks, so yep pretty small scale. I used a pyrography burner. Its a pretty 'old school' type of mark making, for burning pictures onto wooden spoons and the like. The idea was to print these blocks as I've been wanting to see how the pyrography prints (either intaglio or in relief). But so far I've decided to keep them how they are for the time being.
posted on 2010-06-08 by Catherine Cartwright
liking these videos. Love the 2nd one the most. Actually jelous, and wished I had made them. I want to draw with a magnifing glass to burn wood now. I have a primary school memory of being left on the school field doing this, while everyone else was inside doing maths. I like these figures, the video has ambiguity of scale which works well, I see them as life size, when they probably made from 4x4 or somthing small?
posted on 2010-06-07 by Rob Turner
# 32 [4 June 2010]
blockx boys
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# 31 [2 June 2010]
in a couple of weeks, we'll be having an open day at the incubator spaces
16th June 11-6pm Exeter Phoenix
a week or so after that it'll be the end of the time in that space, and new beginnings elsewhere!
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ah thanks Rob, its really nice to get comments. I am really inspired by the kids and their madness. I'll continue on that theme then..! I did print the wood panneling with the lawn roller. I needed a strong Australian farmer who was visiting my parents to help me lift the roller onto the panel (it was slightly raised). As always with printing it didn't come out how I imagined! rather like stripy deck chair material. But beautiful woodgrain too. I am looking to combine it with the printed wolves of earlier so we'll see how that works out.
posted on 2010-06-04 by Catherine Cartwright
hello Catherine, I have three children and have never been able to articulate through art (or any other way really) how powerful an experience that is. That is why you are so brave doing this. I like the imagery that comes out. And printing with a lawn roller...man, I wanted to see the results of that!
posted on 2010-06-03 by Rob Turner
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photoetching, 2 June 2010.
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drypoint, 2 June 2010.
# 30 [2 June 2010]
been in the studio today, and created a small drypoint and a small photoetching inspired by my small running boys
I'm enjoying this theme very much. I like exploring the movement, the shapes of the figures, their placement in the space.
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