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Finding my Practice

By: Jennifer Brooks

This is me looking at how I make artwork and how others make theirs- Where do the ideas come from? Whats the theme that runs through it all? How do I know when  I have my own practice?

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# 6 [5 September 2009]

Just wanting some opinion- should I publish the results of my survey on here?

Obviously with NO contact details or names!

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Hi Jennifer. I've really been enjoying your blog so I'd be interested in reading responses to your survey.

posted on 2009-09-09 by Stuart Low

# 5 [5 September 2009]

Reading through the posts I've published so far, I'm concerned that I may just be a whiney artist!

Jennifer Brooks, 'Untitled (Tubes Sample)', Woven Wool, 10/08. Photo: Jennifer Brooks. One of my images of the little woolen tubes, I wanted to make a whole room with the floor covered in them, but couldn't justify it to myself....

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Jennifer Brooks, 'Untitled (Tubes Sample)', Woven Wool, 10/08. Photo: Jennifer Brooks. One of my images of the little woolen tubes, I wanted to make a whole room with the floor covered in them, but couldn't justify it to myself....

Jennifer Brooks, 'Untitled (Pink Circles)', Pen on Squared Paper, 02/08. Photo: Jennifer Brooks. Another repetition drawing, I loved the time it took to fill the page and the uniformity that the squared paper gave the drawing.

[enlarge]
Jennifer Brooks, 'Untitled (Pink Circles)', Pen on Squared Paper, 02/08. Photo: Jennifer Brooks. Another repetition drawing, I loved the time it took to fill the page and the uniformity that the squared paper gave the drawing.

Jennifer Brooks, 'Untitled (Stickers)', Reinforcement Rings and Tea, 03/08. Photo: Jennifer Brooks. I was also working with these little round stickers. I dyed them with tea to make each one unique but also keep their uniformity.

[enlarge]
Jennifer Brooks, 'Untitled (Stickers)', Reinforcement Rings and Tea, 03/08. Photo: Jennifer Brooks. I was also working with these little round stickers. I dyed them with tea to make each one unique but also keep their uniformity.

# 4 [5 September 2009]

Well its been a while since ive posted and in that time i've thought a lot about my work and the work of others too.

One of the comments on my last post was to look through old sketchbooks, which I have been doing and it was strange to see what emerged. In my older books, where I was working to a strict project brief written by another person, my sketchbooks are clear, articulate and bursting with ideas. Then later on, as the briefs became less and less clear and it was up to me to set the parameters, the books became filled with confusion, as I looked through them I could remember the feelings of panic and depression as I made and made in the hope that at the end of all the making I would understand what I had created.

Is it better then to start with an aim in mind? Perhaps not a definite end point, but a strict time scale and a defined point of research and exploration.

I still envy people with whom I talk about their practice, I know this one guy who seems to constantly create, going off in all these directions. He has his main project that he works on for his degree, then in his spare time he creates all these other things that he 'was just thinking about doing'.

I feel so confused!

In my third year I became obsessed with Eva Hesse, I loved her repetitious drawings and sculptures, the simple shapes repeated but each one unique. I started making drawings and series of woven tubes, just repeating and repeating. But there was nothing more that the simple repetition of the object/shape. Why? What did it do?

I still like that work, and I loved making all of the different things that I did- it was so hypnotic and all consuming, creating things that took concentration, time and plently of aching crampy hands. But I still dont get it.

# 3 [18 August 2009]

Its been ages since I posted and I don't really hve any excuse apart from the fact that it's been a crazy few weeks with work at the moment.

I have started working again, but still feeling adrift with work, I've been making simple collages using magazines, just playing around with ideas, nothing solid.

This isnt a very good post, I'm not really sure what it is that I want to say today, or what it is that I'm supposed to write, maybe its a little forced.

I think I'll try properly again later, but just wanted to update the blog and let everyone know that I'm alive!

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Hi Jennifer, I found your blog through twitter and completed you survey. It can be useful to look at some of your old sketchbools and rekindle your passion. Use your network of artists or student colleagues to talk about your work

posted on 2009-08-31 by Cindy Robinson-Begg

# 2 [20 July 2009]

When I started this blog yesterday I had the vague idea in mind that I would begin exploring my own practice by asking others about theirs. I don't know if that will help me, but whenever I see a prolific talented artist creating seemingly effortlessly, I always wonder jealously 'How do they do that?'

I'd really appreciate it if anyone who reads this could complete the intial survey I have made about artistic practice and ideas.

I'm really hoping to get some good answers out of this that will hopefully explain art making to me as well as to my blog followers!

Survey Linky:

http://www.surveymonkey.com/s.aspx?sm=kLrBOCrt7Wdx...

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I really enjoyed doing your survey some really great questions and quite fitting to where I find myself at the moment. I am a recent graduate and am in the process of filling out form after form for applications to all sorts of residencies and opportunities. One of the things I find the hardest is managing to define my practice and process in a way that allows for the unknown, the mess and chaos and the search to understand. How can you define that?

posted on 2009-08-22 by Rebecca Glover

Is it the case that; teachers, commissioners, fund holders, curators and arts development people etc require artists speak a particular kind of language, take themselves so seriously and require articulate, elequent, concise, analised statements. The work needs to be justified all the time, intellectual, conceptual motives must drive it, some kind of position should be taken in relation to it. Dont misunderstand me I think artists should reflect on what they it is do, it is important. But when I make art any analyitical caperbilities I may have are probably the things I'm not using. It seems to be about instincts and intuition, reaction, balance and somekind of orchestration. These are intangible things and hard to write about and I dont know how to present them as positive things. What is interesting is after 20 years I still dont know how to talk about my art on my terms, I feel I have to describe it on other peoples terms?

posted on 2009-08-08 by Rob Turner

Hello Jennifer, I enjoyed the survey! Your project reminds me of my motivations for LIKE WHEN YOU, a drop-in studio I set up on Vyner Street in June this year. I wanted to find out about the working practices of other artists in the hope of understanding more about my own, which seems to be serially in crisis.. The artists I spoke to were generally unable to define a theme for their work or even a clear way of working. And the happier of these artists said they'd just accepted that their practice wasn't going to settle into anything clear. They seemed to be doggedly carrying on despite the mess, or excitedly carrying on because of it. I'm not sure whether I'm working because of or despite my practice, but it reassures to think either way's ok. (Here's a bit about the project: http://likewhenyou.wordpress.com/)

posted on 2009-08-06 by Tamarin Norwood

Hi Jennifer. Why not post up some of your survey questions here and see what response you get...? : )

posted on 2009-07-25 by Andrew Bryant

# 1 [19 July 2009]

Well I guess I started this blog as lately I have been really wanting to get back into making artwork again. I have read a couple of other blogs on here and its good to know that others share the same doubts about their practice, but I feel almost as if I am starting from scratch.

After graduating a year ago (eek!) I went straight into working on FRED, a big-deal arts festival, but making a piece that wasn't really mine... in that it was a piece thought up by a group of artists I am part of, and I ended up being the one doing the work!

I kinda thought that would lead me straight into full time artists work but instead ended up spending 6 months working nights in a supermarket and life modelling during the days to make ends meet. Tough.

In May I quit and decided that I would work in the creative sector, so I took on the lease to a huge church building, and set about creating The Cecil Street Project arts centre in Carlisle. Its been a hugely stressful, difficult, rewarding, cash poor, fantastic time and our launch party on Friday night was really well attended, and now I feel like what I really want to do is make work again- the difficult job!

Ive not really properly spent time making since my degree, and even then I was constantly plauged by doubts about my practice and my abilities. I guess what I really want to do with this blog is explore my practice, try to kick start it once more and try to find out from others where they get thier ideas and practice from- does it just come naturally?

I don't want to talk about CSP too much as I really need some me time, away from the black hole that is the centre, but wanted to give some background in my first post just incase anyone other than me reads this (or incase I forget!)

 

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The questions of arts value and how funding and other structures may lead to artists creating fast food type art are all things me and a few others are exploring at the moment through a few projects. One is Beautiful things which looks at the value of non art objects and how this changes through artists trearments and the other is Slow Art, where me and any artists who want to jump ( maybe crawl on to fit with the theme) on board are exploring the idea of creating slow art. All this can be seen somewhere here www.bethbarlow.com if anybody is interested in these questions too.

posted on 2009-08-30 by Elizabeth Barlow

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Jennifer Brooks

Jennifer Brooks is an artist based in Carlisle, Cumbria. She graduated from her degree in 2008 and has since then been an artist in FRED and various events around Carlisle. She is also founder, manager and co-director of The Cecil Street Project, a new arts centre in Carlisle city centre.

www.cecilstreet.org.uk