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Journey to the Podium

By: Elaine Tribley

Journey to the Podium is an opportunity for artists to adopt one of the Essex ambassador athletes and create an artwork that marks their journey to the 2012 games. Organised by Essex County Council Arts Development, the brief is to work with the athletes to develop an art work that captures the essence of their personalities and sport.

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Elaine Tribley, 'Anne', pencil sketch, 2009.

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Elaine Tribley, 'Anne', pencil sketch, 2009.

# 1 [24 September 2009]

3.9.09

Podium presentation day for all eight artists and athletes. Didn't realise how daunting it would be presenting my work and ideas to other artists!

I met my athlete, Anne Wafula-Strike. Anne is a wheelchair racer, 100 metre, 200 metre, 400 metre and 800 metre, she also does long distance to create awareness.

Anne lives and trains in Harlow in Essex, she is currently ranked just outside the top 10 in the world in the 100 metres, 200 metres and 400 metres.  She was just 0.1 of a second out of selection of the Beijing Paralympics in the 100 metres!

She is a full time athlete and an inspirational speaker and was an English teacher in Kenya prior to coming to England.

Now we are talking daunting!  I feel this will be a journey two people are about to take.....

Elaine Tribley, 'Harlow Town', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Harlow Town', graphic pen and watercolour, 2009.

Elaine Tribley, 'Costa', graphic pen, 2009.

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Elaine Tribley, 'Costa', graphic pen, 2009.

# 2 [1 October 2009]

On September 21st I met up with Anne at the Costa coffee shop in Harlow.

I have no experience of either being with or working with someone who uses a wheelchair and felt a little uneasy about my inexperience, but within minutes the chair became completely removed from any considerations. This was down to Anne's amazing approach to life, she's like a breath of fresh air, and as able bodied as the next person.

We chatted about our sons, both born in 2001, about how difficult they have both found the transfer into junior school and how change is so hard when you are young.

Anne explained how pregnancy works for someone with no stomach muscles - her tummy just wobbled from side to side with babies movements. The medical profession wern't happy with Anne's pregancy, they worried about her health and the health of the baby.

Anne contracted polio when she was just two and a half. She was born in Kenya and is one of a large family, two of her eldest siblings died, one of aids. Her mother died when the children where very young and her father took over the task of raising his brood whilst working as a soldier.

She had to travel many miles to attend a special school and she tells me of a time when her father had to put her on the school bus, meet it at the other end and install her in a small clock tower whilst shooting and fighting carried on around her. She stood in her calipers in the tiny space from early in the morning until late afternoon, soaked in her own urine and petrified, able to see through a small gap the horror around her.

We are briefly interupted by another athlete who has popped in for a coffee and stops to chat to Anne. He is a marathon runner and has a visual impairment. They talk about the Great North run and Anne's recent injury.

We talk a little more and I discover Anne was sponsored by a German family who almost ended up adopting her when Anne's father didn't turn up to collect her from school at the end of term one year. He was in the bush working and couldn't get to the school, the school thought he had decided he couldn't cope with all his children and had left her there. 

Anne spent a couple of weeks alone in the school not knowing what was to happen to her. The school contacted the German family who agreed to adopt Anne but before the papers were drawn up Anne's father turned up to take her home. She still keeps in touch with the family and would love to meet them.

We arrange to meet the next week at one of Anne's training grounds and I leave wanting to keep Anne in my pocket as a reminder of what life is all about......

Elaine Tribley, 'County Hall', graphic pen and watercolour, 2009.

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Elaine Tribley, 'County Hall', graphic pen and watercolour, 2009.

Elaine Tribley, 'tea and biscuits', graphic pen and watercolour, 2009.

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Elaine Tribley, 'tea and biscuits', graphic pen and watercolour, 2009.

# 3 [2 October 2009]

September 29th I had tea and biscuits with the chairman of Essex County Council. Three of the artists working on the project were asked to attend to talk about our art practices, our ideas and how we were planning to approach the commission.

I presented a body of work which was installed in the County Hall back in 2006 - whoops..... the chairman remembered it had caused slight controversy.

The work was a selection of texts and portraits, the culmination of a residency at Saffron Walden High School, but one of the texts “Milk was a bad choice” (a line spoken by the legendary ‘Anchorman’) was deemed offensive by councillors when French farmers were planning a visit.

Fortunately she didn’t remember another line which had incensed religious members of staff “The best part of believe is the lie”, this text was removed from the atrium.

Elaine Tribley, 'Marks Hall Athletics Track', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Marks Hall Athletics Track', graphic pen and watercolour, 2009.

Elaine Tribley, 'Marks Hall Notice Board', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Marks Hall Notice Board', graphic pen and watercolour, 2009.

Elaine Tribley, 'Marks Hall Entrance', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Marks Hall Entrance', graphic pen and watercolour, 2009.

# 4 [7 October 2009]

10am, 30th September. I met George Gardiner at Marks Hall Sports College.  George is the Partnership Development Manager for Harlow School Sports Partnership. We talked about how school children could be involved in the project and he is going to chat to the Head of Art about the possibility of working with a group of children who would be in the last year of compulsory education by 2012.

11am, Anne arrives for training. The taxi has her racing chair in the boot and the driver begins to fix the wheels back on, but he hasn’t quite got it right and Anne takes over.

The sports centre has run out of bottles of water (!) So Anne buys a fruit drink, I drink half of it and we empty it out and fill it with water.

The track is at the back of the building, its a harsh open space with little character and a chilly wind and grey skies didn’t help. I asked Anne if it was OK to video her and I ran a tape while we chatted about training and how the chair worked and about getting grumpy when you miss a training session.

Anne completed two laps and then took a break before another two, and another two and some practice starts. 

Inbetween we talked about lungs, heart rates, chair crashes, training schedules, illness, endurance, strength, arm muscles, motivation, comfort, coaches, speed, gloves, equipment and loads of other stuff and I took photographs.

I quite fancied running around the track with Anne but it was just a romantic notion - I would have needed my pushbike to keep up!

Elaine Tribley, 'Anne in the gym', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Anne in the gym', graphic pen and watercolour, 2009.

Elaine Tribley, 'Anne in the gym', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Anne in the gym', graphic pen and watercolour, 2009.

# 5 [11 November 2009]

Yesterday I met Anne at Harlow Sports Centre, she was there to do a work out supported by John, an ex-bodybuilding gym instructor (with awesome arms and terrific personality!).

Anne's focus is on building arm and shoulder strength which is vital during the winter months.

A female member of staff in the gym noticed Anne's eyelashes (I thought there was something different but couldn't quite pinpoint it!) The reason for the stunning new set is a model shoot in Bristol the next day. (Anne's also been frequenting the Eastenders set lately and getting cosy with the cast!)

John kept a close eye on Anne's workout, making sure she worked to her max, and both were undaunted by my constant snapping, climbing into and over various strange apparatus to get the right photograph.

Working our way through the machines I was impressed with the weights Anne was lifting, but John still pushed her for more. Fortunately no-one suggested I had a go....... !

Elaine Tribley, 'Anne working her arms', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Anne working her arms', graphic pen and watercolour, 2009.

# 6 [25 November 2009]

Inspired by Anne I have joined a gym! For the first couple of weeks I stuck to the running machine, but have now ventured into a few classes. At the first pilates I came close to crying and running out - my muscles just wern't having any of that treatment! The first abs class, hmmmmm......  But the ultimate, body combat - what is that about! an hour spent punching and kicking the air, I think you need to go with a hate figure in mind to get full benefit!

I have today decided, though, not to be negative and to embrace the strange exercise classes, having seen a side profile of myself and catching a glimpse of my bingo wings - where did they come from!

So, next week I'm going for the big punch and kick burn, (and buy some long sleeve gym tops!).

Elaine Tribley, 'Marks Hall Athletics Track', graphic pen and watercolour, 2009.

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Elaine Tribley, 'Marks Hall Athletics Track', graphic pen and watercolour, 2009.

# 7 [19 January 2010]

November 2009

Have stored up two or three entries! So...... going back to the end of November 2009 I received an email from George Gardiner, the Partnership Development Manager for Harlow School Sports Partnership. He was contacting the Head of Art at the school affiliated to the sports centre where Anne trains, about the possibility of working with a group of children.

His email: "....... I have informed Mark Hall’s Head of Art that they can no longer be involved in the project due to their lack of even a courteous response to let me know that they were not interested!

I do apologise for this and is there time to get another school involved?"

Anne's keen to work with her son's primary school and has been in touch with them. They're very interested but Christmas is looming with bazaars, plays, assemblies, carol services etc etc, so it doesn't look like we can squeeze anything in before deadlines for the artwork in January 2010. :(

Elaine Tribley, 'Colchester Stadium', graphic pen and watercolour, 2010.

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Elaine Tribley, 'Colchester Stadium', graphic pen and watercolour, 2010.

# 8 [19 January 2010]

December 2009

Essex County Council have confirmed the launch of Journey to the Podium, 3rd March 2010 at Colchester United's new stadium.

There will be two launches one to the Essex Strategic Board Conference in the afternoon this will involve all the great and good linked to Essex 2012 then our launch in the evening. 

The work is being hung in the foyer, the directors suite and conference suites and the stairwells. It will then tour to The Gibberb Gallery in Harlow later in the year (Nov / Dec 2010)

Have to now prepare 75 words about my approach to the commision and 50 words for each piece - oh and a jpg of the finished (or nearly complete) work - ahhhh!!

Elaine Tribley, 'Olympia, Greece', graphic pen and watercolour, 2010.

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Elaine Tribley, 'Olympia, Greece', graphic pen and watercolour, 2010.

Elaine Tribley, 'Olympia, Greece', graphic pen and watercolour, 2010.

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Elaine Tribley, 'Olympia, Greece', graphic pen and watercolour, 2010.

# 9 [19 January 2010]

January 2010

Have two pieces which I think will work although nothing like I envisaged creating! My original idea was to work with the idea of ‘objects of sport’, the possibility of the baton being an artwork, the swimming cap, the trophy, to work in a very abstract way, but as my journey unfolded and I began to get to know Anne it became more important to capture the essence of Anne within simple portraiture.

Am now thinking about titles for the work.

Anne's middle name is 'Olympia' and realised I hadn't asked her why & how. She had sent me some press cuttings when we first met featuring 'Olympia' as a singer (yes, a singer aswell!) and I wondered if she had created this name purely as a stage name but why the olympic link as at that point in her life she had no idea she would be competing at Olympic level as an athlete.

Anne forwarded me an article written by Symeon Tsalicoglou for the Paralympic Village Pulse during the Athens 2004 Paralympic Games:

........“My father named me after the famous Greek mountain, which he wanted to go for all of his life. When I was growing up he would tell me stories of this mountain and of the incredible history that was involved. Now that I am in Greece participating in the Games it means the world to me. I want to bring him to Greece after the Olympic Games  and take him to this mountain which he has dreamed about all his life.”

Elaine Tribley, 'Colchester Stadium', graphic pen and watercolour, 2010.

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Elaine Tribley, 'Colchester Stadium', graphic pen and watercolour, 2010.

# 10 [19 January 2010]

18th January 2010

At last up to date on my up-dates!

We all met at the Colchester United Football Stadium to have a tour of the spaces our work will be displayed in and to show our work to each other, Essex County Council arts development and 2012 legacy team and the Colchester United team.

Everyone has created amazing work and interestingly everyone has gone large! It's all going to make a stonking show, there are two huge charicature esque portraits by Wei Ern Ong mounted onto perspex, a beautiful sculpture cut into stone by Ben Dearnly, a sound piece by Tim Skinner, three large oil paintings by Mark Orbell, a photograph and video work by Marc Burden, a photo-montage by Ron Suffield, an animation by Paul Heard and moi!

I showed two pieces which after experiencing the 'size' of artists works will definitely be re-created on a bigger scale!

But after the meeting I had a long think about the two pieces I aimed to use and have decided I want to go with one which I feel is much stronger and will look stunning larger. I really feel the second piece, although successful on a smaller scale, will lose its quality when increased in size.

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Elaine Tribley

Elaine Tribley explores and utilises her immediate environments, producing work with suggestions of belonging and nostalgia, often with a sense of irony. She is interested in rural and urban landscapes, histories of place, artifice and the chance encounter. Her work spans photography, drawing, sculpture and installation drawing references from minimalism, conceptualism, typography and graphic design.

Elaine is based in Chelmsford with a studio in Colchester and works on public art
commissions, regeneration programmes, educational projects and mentoring schemes, and undertakes residencies. She also works as a curator and designer.