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Jane Watt

Jane Watt is Advisers and tutors online editor and an artist. She was Knowledge bank commissions coordinator between 2008-09.

jane@janewattprojects.com

Jonathan Rabagliati, ‘Notes to Myself (Footnotes to the City)’. [enlarge]  
A very public affair

For the final article in this series Jane Watt asks artists and commissioners about their involvement in current innovative projects. Subscribers read on…

Feature, a-n Magazine May 2004

Mark Wallinger, ‘Ecce Homo’, white marbelised resin, gold leaf, barbed wire, 1999. Courtesy: Anthony Reynolds Gallery. [enlarge]  
In memorium

Jane Watt discusses contemporary approaches to the creation of public monuments. Subscribers read on…

Feature, a-n Magazine March 2004

Leif Stregell, Lauren Sagar, Kate Matthews, David Thomas Crawley, ‘Untitled’, 2002. Photo: Roger Sinneck. Courtesy: Training for Real.Light was used to outline the shape of the new community centre to be built at Hetherlow Towers, Walton, Liverpool [enlarge]  
Creative learning curves

Jane Watt looks into professional development initiatives available to artists working in the public domain, in the fourth of the six-part series 'Navigating Places'. Subscribers read on…

Feature, a-n Magazine January 2004

Samantha Clark, ‘Lie of the Land’, routed birch ply panelling, 2003. Photo: Keith Hunter.In the foyer of the secondary school, Community School of Auchterarder, Perthshire. [enlarge]  
Back to school

Jane Watt profiles collaborations between artists and architects at two newly built schools, in the third of the six-part series 'Navigating Places'.  Subscribers read on…

Feature, a-n Magazine November 2003

Neil Bromwich, Zo?alker, ‘residency workshop’, Art and Architecture at Kielder, June 2003. Photo: Mark Pinder.Kielder and Byrness First School's workshop with artists [enlarge]  
Private musings: public projections


Jane Watt looks at artists and commissioners who are redefining what it means to work in the 'public region', in the second of the six-part series 'Navigating Places'. Subscribers read on…

Feature, a-n Magazine September 2003

Michael Pinsky, 2001. [enlarge]  
Charting a course

The first in a six-part series 'Navigating places', Jane Watt profiles the River Commissions project, a series of temporary works along the River Hull corridor. Subscribers read on…

Feature, a-n Magazine July 2003

Kate Williams, ‘Moulded’. [enlarge]  
Down on the farm

Artist-run Temple Arts Group (TAG) is based in Bethnal Green, east London. The six members – James Dean, Samantha Denny, Helena Koumbouzis, Rebecca Odgers, Kate Williams and myself – are all practising artists from a variety of disciplines… Subscribers read on…

Feature, a-n Magazine April 2003

Graham Fagen, ‘The Forest and The Forester (after Maeterlinck)’, 2002. Courtesy: Graham Fagen.Image from publication of Fagen's artwork The Forest and The Forester (after Maeterlinck), commisioned by Grizedale Arts in 2002. [enlarge]  
Grizedale Arts

Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment. Subscribers read on…

Profile, a-n.co.uk April 2003

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