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Payne Shurvell, London
27 January - 3 March 2012
3,116,480 characters 1,189 chapters 783,137 words 31,102 verses 66 books Such is the content of the King James Bible, first printed some 400 years ago, and now the key work in Daniel Rapley’s first solo exhibition since Read on…
Reviewed by: Anna McNay »
Posted: 2012-02-02
Opera Gallery, London
26 January - 15 February 2012
Often described as the French Francis Bacon, Philippe Pasqua’s canvases can hardly be called as a pretty sight. The terms ‘abject’ and ‘disturbing’ have been used far more commonly, and yet there is something Read on…
Reviewed by: Anna McNay »
Posted: 2012-02-01
Vilma Gold, London
12 January - 19 February 2012
For his most recent show at Vilma Gold, Brian Griffiths has put together The Invisible Show. For this exhibition Griffiths sourced half a dozen identical metal structures, prefabricated and second-hand, as is common in Read on…
Reviewed by: Maria Eugenia Rojas Cuahonte »
Posted: 2012-02-01
Kaleidoscope Gallery, Sevenoaks
19 January - 10 March 2012
'Beta Version 2.0 looks at the contemporary art exhibition as a temporary collection, with work that addresses the transience or otherwise of current practice, and explores the relationship between collection and curation, in Read on…
Reviewed by: David Minton »
Posted: 2012-02-01
Allenheads Contemporary Arts, Allenheads, Northumberland
28 January - 25 February 2012
From the industrial revolution to dereliction and the subsequent rebuilding of the community, the remote village of Allenheads (high in the Northumbrian Pennines) has frequently been at the vanguard of social, technological and industrial Read on…
Reviewed by: Iris Priest »
Posted: 2012-01-31
Galley Eight, London
24 - 28 January 2012
On a rainy January day I went to Duke Street to see Natalia Dolgova’s exhibition Icons of Faith and Fate at Gallery 8 and meet the artist. Siberian born Dolgova has launched an innovative collection of works which celebrate Read on…
Reviewed by: Antonia Phillips »
Posted: 2012-01-31
Guest Projects, London
27 - 29 January 2012
What is Circa 1960? Upon entering Guest Projects space you are confronted with Mark Selby's No Need to Shout, a top heavy structure with a large red PVC trumpet shape (reminiscent of Kapoor's Marsyus) leaning towards you. The main structure Read on…
Reviewed by: Martin Lang »
Posted: 2012-01-29
Multiple sites, Plymouth
2 September - 2 December 2011
Come to Ours was a multi-site project conceived and delivered by an independent group of artists and curators based in the port city of Plymouth, Devon. The project ran alongside British Art Show 7’s (BAS7) residence in the city, Plymouth Read on…
Reviewed by: Sovay Berriman »
Posted: 2012-01-25
I.B.Tauris, London
1 - 31 January 2012
Julia Kristeva is undoubtedly one of the most influential thinkers of the last 50 years. Her texts have been significant to many fields including those of literary criticism, sociology and feminism as well as artistic practice and so have helped Read on…
Reviewed by: Beth Savage »
Posted: 2012-01-18
Ikon gallery, birmingham
1 September - 30 November 2011
Optimistic Stories 2009, The work I have chosen to look at is a series or 123 drawings created in sepia, black and white ink and wash on paper displayed in a clinical and regimented manner, this part of the work really interests me because the Read on…
Reviewed by: rebecca chetter »
Posted: 2012-01-16
The Showroom, London
13 January 2012
Artquest is a London based agency which aims to "encourage critical engagement and provide practical support to visual artists at any stage in their careers" and it has been doing so for ten years now. It was conceived in 2001 as a project of Read on…
Reviewed by: Martin Lang »
Posted: 2012-01-14
New Art Exchange, Nottingham
14 January - 31 March 2012
The problem with so much digitally generated art is that its technological ‘cleverness’ can dominate and eclipse the poetic potential and artistry of the artist. By this I mean the means of production should always be a contributory Read on…
Reviewed by: Tom Hackett »
Posted: 2012-01-14
Gasworks, London
7 October - 11 December 2011
“Our schools are factories in which the raw materials are to be snapped & fashioned into products to meet the demands of life” Ellwood Cubberly, Public School Administrator, 1916 (taken from Allan Sekula’s School is a Read on…
Reviewed by: Maria Eugenia Rojas Cuahonte »
Posted: 2012-01-12
Camden Arts Centre, London
7 October 2011 - 8 January 2012
My interest in the relationship between sound and visual imagery was stimulated after viewing an exhibition at Camden Arts Centre in London. A World of Glass is an immersive video installation by Swedish artist Nathalie Djurberg and the musician Read on…
Reviewed by: Ruth Catriona Williamson »
Posted: 2012-01-10
Baltic Centre for Contemporary Art, Gateshead
11 November 2011 - 12 February 2012
Bani Abidi’s Pakistani roots are inextricable from the art that she creates. The sensibilities of the nation in which she was born have always inspired her practice and her first UK solo show, Section Yellow, currently at Baltic Centre for Read on…
Reviewed by: Rebecca Travis »
Posted: 2012-01-10
So Far The Future Gallery, Holborn
20 October - 19 November 2011
The gallery curates collaborative text-based projects in the heart of Holborn, generally concerned with the visual relationship between the visual arts and text; through the use of typography and language as a vehicle of creation. The current Read on…
Reviewed by: Joanna Trippett »
Posted: 2012-01-09
New Art Exchange, Nottingham
16 September - 26 November 2011
Review by Charlotte A Morgan. Nigerian born artist Leo Asemota’s The Ens Project is a body of work informed by three key historical and critical influences; the industrial revolution and British Empire under Victorian rule, the practice of Read on…
Reviewed by: Critical Writing Collective (C.A.Morgan) »
Posted: 2012-01-05
Baltic Centre for Contemporary Art, Gateshead
21 October 2011 - 8 January 2012
I always take an interest in art’s biggest bauble, the Turner Prize, and usually have my favourite entrants, but for once, in 2011, I was actually excited about a nominee. It was through the prize I learned about the work of George Shaw, Read on…
Reviewed by: Kenn Taylor »
Posted: 2012-01-05
Sadie Coles, London
16 November - 21 December 2011
Hilary Lloyd's Striped Man rewards a patient gaze. Five large-scale projections – arranged in a diptych on one basement wall and in a U-shaped trio on another – evolve slowly to reveal greyscale photographs of a suited figure. Cropped, Read on…
Reviewed by: Michaela Nettell »
Posted: 2012-01-03
CCA Andratx (Majorca), Andratx
29 September 2011 - 4 March 2012
Having lived in Spain I already knew that Madrid and Barcelona had a lot to offer in terms of contemporary art. Three years ago I visited family in Palma de Mallorca and was surprised to find a whole host of contemporary galleries showing Read on…
Reviewed by: Martin Lang »
Posted: 2011-12-31
Whitechapel Gallery, London
16 December 2011 - 26 February 2012
'BB-Archive' Extended text by Jessica Harrington For the past few years, Shiraz Bayjooʼs work has been exploring collective identities and the symbols, flags and emblems that groups use to represent themselves. This ongoing exploration has Read on…
Reviewed by: Shiraz Bayjoo »
Posted: 2011-12-31
Shoreditch Town Hall Basement, London
12 - 24 October 2011
“My biggest fear is losing my mind” – Polish-born Ania Dabrowska delivers a delectable insight into the thoughts and feelings of participants intending to donate their brains to science. Using a plethora of media Read on…
Reviewed by: Lauren Halford »
Posted: 2011-12-28
South London Gallery, London
9 December 2011 - 12 February 2012
Dara Birnbaum’s current exhibition at the South London Gallery centres on her most recent work, Arabesque. However, the work is not shown alongside Birnbaum’s other current projects, but juxtaposed against her earliest video and Read on…
Reviewed by: Travis Riley »
Posted: 2011-12-26
Sumarria Lunn Gallery, London
12 October - 4 November 2011
Grzymala’s installation commandeers the small gallery. The only material used, tape, reaches across the space, while making the drawing ephemeral, as it slowly peels off the walls. My first impression is that the piece is kinetic - not Read on…
Reviewed by: Helen Rowland »
Posted: 2011-12-24
Griffin Rayne Gallery, Redchurch Street, London
6 - 11 December 2011
As those familiar with East London’s ‘art scene’ will know, the proliferation of temporary art spaces in Shoreditch, Hackney and beyond has become rife in recent years. Varying widely in scope and curatorial quality, Read on…
Reviewed by: Emma Cummins »
Posted: 2011-12-23
Hayward Gallery, London
28 September 2011 - 8 January 2012
A miniature bedroom inside a packing crate; a disembodied eye within a conch shell; a huge super-saturated landscape where warthogs snaffle apples and earthworms decorate naked bodies. This is the unsettling and kaleidoscopic world of Pipilotti Read on…
Reviewed by: Anneka French »
Posted: 2011-12-22
The Town Mill Gallery, Lyme Regis
26 November 2011 - 3 January 2012
Winding my way around the narrow streets of Lyme Regis in Dorset on a dark November evening my mind fills with fantasies and dreams of such a seaside town entwined with reading the first passage of Dylan Thomas's novel Under Milk Wood; A moonless Read on…
Reviewed by: Judith Jones »
Posted: 2011-12-21
Flowers Kingsland Road, London
25 November 2011 - 7 January 2012
Michael Wolf Flowers Kingsland Road London 25 November - 7 January Flowers presented the first UK show of the Hong-Kong based German born photographer Michael Wolf. Wolf stands out in Flower's dynamic programming of photographers (Nadav Read on…
Reviewed by: Gillian Mciver »
Posted: 2011-12-21
Manchester Art Gallery, Manchester
19 November 2011 - 15 May 2012
The Icelandic ash cloud of 2010 brought many parts of the world to a halt, and showed international societies just how fragile our technological networks really are. Despite unbelievably advanced machinery and the ease of travel in our modern world, Read on…
Reviewed by: Liz Buckley »
Posted: 2011-12-21
Tate Liverpool, Liverpool
4 November 2011 - 28 January 2012
Since their original publication in 1865, Alice in Wonderland and Through the Looking Glass have had an unprecedented influence on the visual arts. Charles Dodgson, working under the pseudonym, Lewis Carroll, created a kind of dream world that can Read on…
Reviewed by: Liz Buckley »
Posted: 2011-12-20