Bookmarks

Feedback Feedback

Inappropriate material?
Ideas? Technical issues?
» Feedback to a-n

Venues

Tramway

25 Albert Drive, GLASGOW, G41 2PE

www.tramway.org Opens in new window

Reviews

Performance: Kris Verdonck, IN [3 April 2008]

It’s the first day of the National Review of Live Art and the first work I’ve seen and I’m already challenged. NRLA Artist in Residence, Kris Verdonck, has put me in a difficult position. I am led into the darkness of  Read on…

Tramway, Glasgow
6 February 2008

Reviewed by: Rachel Lois Clapham »

CLAIRE 'Flagrante Delicto' [14 December 2007]

For Flagrante Delicto  the artist Claire refuses to use her surname and by this employs a deliberate strategy of anonymity. Claire’s anonymity is re-enforced in various texts accompanying the performance- in booklets, business cards and  Read on…

Tramway, Glasgow
9 February 2007

Reviewed by: Rachel Lois Clapham »

Ginny Reed, 'Until my Pencil Runs Out' [15 March 2007]

‘Until My Pencil Runs Out' is a highly self-reflexive durational performance piece in which the artist Ginny Reed holds a pencil and walks around four walls of a studio whilst drawing a continuous line. The performance ends only when the  Read on…

Tramway
2 February 2007 to 2 February 2007

Reviewed by: Rachel Lois Clapham »

Francesca Steele. ?ulse' A one to one Performance for The National Review of Live Art [25 February 2007]

Written during The National Review of Live Art. I put my name down on the list and got a date with you. As simple as that. You and I one to one from 2.50 to 3pm. At 2.48 I was asked to leave my bags outside, take my scarf off. Evidently there was  Read on…

Tramway.
2 February 2007 to 2 February 2007

Reviewed by: Rachel Lois Clapham »

Maurice Doherty: Eternal Rotation [31 January 2006]

Like the best of Doherty’s work, Eternal Rotation is structured around anticipation. In a previous work, Waiting to Fall, Doherty filled himself with whisky and sleeping pills, donned a white crash helmet and recorded himself attempting to  Read on…

Tramway, Glasgow
13 January – 5 February

Reviewed by: Ross Birrell »