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No matter how pure the creative process in the studio, selling work is essential to the sustainability of many artists.
Whilst commercial galleries play a major role in moving work from studios into homes and collections, public galleries and other curatorial organisations provide opportunities for artists to test propositions and new contexts.
RELATED ARTICLES
Features
Mission men
Los Angeles-based curator Julie Deamer talks to artist Chris Johanson and the gallerist Jack Hanley about their mutual admiration for each other. Read on…
Feature, a-n Magazine June 2004
Showing out
In the second of the 'Crossing over' series, Nina Madden meets Kirsty Ogg, Director of London-based organisation The Showroom. Read on…
Feature, a-n Magazine October 2003
The artist formerly known as curator
A recent forum in Dundee addressed issues surrounding curatorial practice and the relationship between artist and curator. Rob Hunter attended and reports back. Read on…
Feature, a-n Magazine January 2002
The new territory
Jeremy Akerman talks to curator Jeremy Millar and artists Annelies Oberdanner and Tariq Alvi and asks what curators and artists want from each other. Read on…
Feature, a-n Magazine February 2004
Trading places
The rise of independent artist-run spaces across the UK, and a seemingly impenetrable gallery circuit in London, appear poles apart. Gordon Dalton in Edinburgh and Tim Birch in Manchester visit two young, 'commercially-minded' spaces that have picked up on this, and are encouraging an art market in exciting and challenging contemporary work outside London. Read on…
Feature, a-n Magazine May 2001
Vertical take off
Chris Hammonds looks into an evolving gallery that has become a first step for many young and emerging artists to show in London.
Read on…
Feature, a-n Magazine November 2003
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