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a-n Magazine

May 2001

Michael Zimmer's private performances and non-sculpturural objects. Berlin artists collaborate with businesses, advice for lens-based artists, and what's on in South Africa's 'little New York'. Funeral rites at Turnpike Gallery and the Roundhouse, while a challenging contemporary art market flourishes outside London.

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Commentaries

Action plan

A Year of the Artist residency gave me the opportunity to work in Gateshead Civic Centre for 1.5 days per week over a period of a year. During the last few months I have been involved in a range of projects, working with planners and architects,… Subscribers read on…

Commentary, a-n Magazine May 2001

 
Breaking the Mould

Two years ago I applied for, and was offered, a public sculpture commission by the national environmental regeneration charity, Groundwork. The brief was to create one piece of art to be reproduced in twenty-one locations, as part of the… Subscribers read on…

Commentary, a-n Magazine May 2001

Coombe

My interest in funerals began when I was asked to make a coffin for a newborn child who had died and was to be cremated. Prior to this, carrying a coffin, lowering it into the earth and the scattering of ashes was the closest I had come to any… Subscribers read on…

Commentary, a-n Magazine May 2001

Past and present

In the March 2000 issue of [a-n] MAGAZINE, Lee Valley Regional Park Authority advertised for a digital artist, working in sound and image, to participate in the development of a new park on the old Royal Ordnance Site in Essex. Simon Honey, an artist in east London, was one of over 100 applicants. Subscribers read on…

Commentary, a-n Magazine May 2001

Time

My current projects are very diverse, allowing me to operate within dramatically different scales, concepts, sites and media. My career has involved solo shows at home and abroad, and commissions from art foundations, museums and corporate bodies to… Subscribers read on…

Commentary, a-n Magazine May 2001

Translucent exposures

I love the rich ambiguity that arises in written language and this enjoyment extends into the visual language of my photographic artwork. My current touring exhibition, 'Translucent Exposures', consists entirely of photograms. The fascination of… Subscribers read on…

Commentary, a-n Magazine May 2001

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