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Ten two zero zero five
ten two zero zero five is a collection of eclectic writings that are embedded within sites of specificity as defined by their subject matter.
They reveal a range of contemporary cultural practices, getting to the root of the form, and what and how that is translated to audiences for viewing, for entertaining, for contemplation and for interaction. They implicitly challenge and reinterpret physical, conceptual, virtual, and structural ‘space’; they touch on the past, bring us into the present, and open up dialogue for the future. In ‘One-to-one, One-to-many and Few-to-few Communication’, William Davies provides a general overview of the history of the communication technologies and distributions systems that have become the framework for how users have redefined open, closed and networked systems. Maria Fusco, in ‘Thinking machines v The Big Swap’, looks at mass production and distribution of the artists’ book, versus the new methodologies created through non-representative contemporary visual arts publishing. Adam Sutherland in ‘I, Wannabe’ charts the empathetic relationship between contemporary art and popular music; live- and event-based art, in Sally O’Reilly’s ‘Performativity’, is associated with durational or temporal specificity with a history that...
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