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Richard Wentworth
From his favourite café on the busy ’Cally’ Road, London, Richard Wentworth takes Stéphanie Delcroix safely on his journey to the other side of the street.
"Career? I don't use the word career. I am amazed now artists have one." Richard Wentworth appears as unassuming as the seemingly insignificant objects that inhabit his photographs. Although he has enriched our cultural landscape as a leading figure within New British Sculpture and as an observer of the irreverent components of our urban environment, he refuses to think in terms of a CV. "Who wants to be a passport?" "When I was at school, it became obvious that everything I did had something to do with art." After Hornsey School of Art he joined the Royal College of Art looking for a greater complexity. During the summer of Sgt. Pepper, 1967, he worked for Henry Moore. "I was a cog in a wheel. I could see how a certain kind of art could be a certain kind of business. Moore ran quite an enterprise. I learned a lot and one of the pieces I made is in the Tate." After his MA, Wentworth rented a studio, an old church near Southwark Park, for one pound a week. "It was an incredibly important moment, the beginning of a sort of reality. A year of doing all the clichés, painting and decorating houses, all the odd jobs." Soon he was offered a teaching job at Goldsmiths. For over...
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