Facts, commentary and analysis on contemporary
visual arts practice
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As a well-respected UK organisation representing the practices and concerns of professional artists, we not only undertake our own research on an on-going basis to inform cultural policy and arts planning, but are often called to give evidence to and advice on specific initiatives and campaigns. This section of the site draws together as downloadable pdf files 'hard facts' drawn from our research, evidence provided to inquiries and consultations, and conference presentations on issues around ar
How did artists' livelihoods and practices fare in 2011, a year in which cuts across the arts, further and higher education and the rest of the public sector began to bite? Artists were quick to tell us firstly that there seemed to be less work around to bid for, and secondly that the volume of unremunerated opportunities was growing. But was this actually the case?
Explores the affect of the economic recession on the livelihoods of artists in terms of access to employment and career opportunities and raises concerns about how artists' practice is likely to fare in this period of arts austerity.
Emily Speed looks at the complex nature of how artists make a living. She profiles four artists whom she worked alongside at the Salzamt, Linz, all based in Austria and Germany: Katharina Gruzei, Jens Sundheim, Clemens Kogler and Maximillian Haidacher.
As a well-respected UK organisation representing the practices and concerns of professional artists, we not only undertake our own research on an on-going basis to inform cultural policy and arts planning, but are often called to give evidence to and advice on specific initiatives and campaigns. This section of the site draws together as downloadable pdf files 'hard facts' drawn from our research, evidence provided to inquiries and consultations, and conference presentations on issues around ar
A review of the changing face of work for visual artists using a-n’s regularly researched and published information on jobs and opportunities. Focusing on the main areas of awards and fellowships, commissions, competitions and prizes, exhibitions and residencies, this Research paper analyses the key findings for 2007.
Anne Douglas and Chris Fremantle of On The Edge Research share insights into the Artist as Leader research programme. The research aims to understand the way artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture. With contributions from Linda Frye Burnham, Reiko Goto, Tim Nunn and Francis McKee.
Sonya Dyer’s publication questions assumptions about non-white artists, curators and administrators that shape the current diversity landscape, and suggests alternative ways forward
Edited by Jeanine Griffin and Steve Dutton, looks at the issue of local versus global with reference to the ever increasing number of biennials and city-wide exhibition projects taking place around the world. Includes essays by John Byrne, Neil Mulholland and Jan Verwoert.
The second of the Research papers series, Debra Savage presents her case study-based research into the working lives of artists. With foreword by Rohini Malik Okon.
View publication pdf, text-only version and companion detailed case studies below.