What are artists’ associate programmes and what do they offer within the broad landscape of artists’ professional development? What should artists consider before applying? Based on extensive research into sixty arts organisations across England, Scotland and Wales, this guide by Dany Louise offers artists help in thinking through the various options available to them.
a-n The Artists Information Company » Resources
Provides a framework for artists’ fees and charges for work such as commissions, residencies, community projects and gallery education, that reflects artists’ career stage, experience level and overheads.
Commissioned as part of Paying Artists research portfolio, Sarah Thelwall’s report explores how public sector galleries can think differently about budgets for artists’ fees.
Susan Jones’ analysis and commentary of Artists’ work in 2013 uses data drawn from a-n.co.uk/jobs to track current trends in artists’ employment.
An overview of the current Age Discrimination law in Great Britain under the Equality Act 2010, followed by a set of action points for arts employers, and guidance for individuals who might want to challenge a decision or a practice.
Featuring more than 60 forthcoming shows across the UK, plus perspectives on this vital and exciting time from artists, curators, academics and graduating students. Available as a flip-page version on digital publishing platform issuu.
Draws together some examples of how artists’ fees for exhibiting are arrived at in other countries and the conditions and contexts that underpin their application.
Provides a historical context of the Payment to Artists for Exhibition of Work scheme implemented by the (then) Arts Council of Great Britain in 1979.
Provocation urging all those working with arts and culture to rethink their contribution to a vision of sustainable development that benefits the whole of society.
The art of living dangerously in pdf format
A short paper that briefly reviews some of the existing literature – research, resources and approaches to artists’ terms and conditions in exhibition practice – which have been referenced or provided useful context and comparison for the Paying Artists Study.
Dany Louise collates material that is being widely shared across social media and peer networks to provide fascinating insights around the broad topic of payment of and working conditions for freelance arts professionals, complementing the more traditional Literature review that has been produced by DHA.
A summary of the key learning from four Artists Labs run between August 2012 and January 2013 by the Navigator pathfinder as part of ArtWorks.
As part of its programme, Artworks Navigator developed this bibliography to identify and present a range of available resources for artists working in participatory settings.
Sample artist’s day rates to guide your budgeting processes and ensure you are paying or getting paid a fair rate of pay.
Susan Jones introduces a collation of key documents and evidence that informed a-n’s publication of fees and payments guidance and good practice documents. This report aims to widen understanding of the history and prior good practice thinking and attitudes around payment to artists.
Second phase of research study commissioned by a-n and AIR looking at artists experiences of exhibiting in publicly-funded venues. Overview of main findings from interviews with artists and publicly-funded venues that deepens understanding of data Phase 1 findings and explores perceptions and issues from both sides of the experience.
Research study commissioned by a-n and AIR looking at artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
An artwork by Kevin Hunt created as part of Signpost that aims to draw attention to some of the most superb activity being facilitated by emerging independent artists and curators right now in the UK.
Stepping out as a new artist - Downloadable PDF version [size 8.1 MB]. Requires PDF reader.
Andrew Bryant addresses some typical concerns about starting a blog and shows how a-n bloggers are developing ideas, striking up conversations, and being creative with the processes involved.
Andrew Bryant examines the many positive benefits of keeping an artist’s blog.
An analysis and commentary on artists’ work and opportunities in 2012.
How do artists fare when they show work in publicly-funded galleries in the UK? Research in 2013 led by AIR – Artists Interaction and Representation as the first stage in the Paying artists research and campaign presents some thought-provoking data […]
Video artist Anton Hecht – whose Youtube channel has over a million views – shares strategies on how to get views and feedback for video work published online.