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Le jeu ne valait pas la chandelle

 

Le jeu ne valait pas la chandelle was the first piece of work created in response to the life and fiction of Amy Dillwyn. The piece considers the death of Llewellyn her fiancé, and arguably the liberation of Amy from the life of marriage. The body is dressed replicating a funeral described in the novel Jill, embracing the stripped-back simple nature of death in contrast to the Victorian obsession of the time. Death also seemed integral to her liberation from the societal restraints upon women, and also recognition of her individuality.


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