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Everyday sexism, everyday omission of herstory. ‘nid byd, byd heb wybodaeth’ (1991, Aaron & Rees)

A customer tweeted her frustrations at the everyday sexism and gender stereo types on children’s clothing recently.

“Looking 4 kids’ holiday clothes this morning at Morrisons. Didn’t buy anything. I see you don’t think much of girls”

The slogans and statements on the t-shirts promote that boys have big ideas and that girls have big smiles, that boys are kings, and girls are pretty.

The continuation and perpetuating of female derogatory gender ideals of pretty girls in comparison to clever boys arguably impacts on not only the way boys look and feel towards girls, but also how girls feel about their place in the world. The message of pretty and little girls transcends though to adult, with perfume adverts that show grown women braiding each other’s hair, dressed in white vintage clothing, appearing innocent, playing with other grown up women in a field full of daisies on a rope swing. Or a well-known yogurt advert where the dialog and mannerisms of the actress could easily be played by a 6-year-old child, “opps giggle giggle”.

Everyday sexism along with the omission of female history arguably plays into this male fantasied ideal of women. If the true story of woman can be hidden and a fake misrepresentation of woman told, this arguably undermines women’s career aspirations and future life goals. I feel that herstory has never been so important as it today.

The recent televised program ‘When football banned women’ by Clair Balding, revealed a history that I and my fellow women peers new nothing about. I as a child was a keen footballer, as was my sister who played for Crystal Palace under 16s. I wonder if this untold, uncelebrated history of successful women’s football had been mainstreamed as male history is in football, would our progression into the sport have been supported as more than a hobby to grow out of? If we had female footballer role models, would we look up to them as we did the men? A path walked is easier to follow.

Recently my daughter was involved in a school project where they were writing letters as if they were in the 2nd World War. The letters were to demonstrate their understanding of true accounts of real life during this hard time in British history. However, my daughter was asked to pretend to be a boy solder. I asked her if this was part of the role play, did everyone have different roles with in the war setting? She replied no, just the girls in my class have to be boys because girls didn’t fight in the war. I wondered, is this what we tell our girls? That they had no place in the war, no voice, no representation, no account of their experience during the war. I wondered further, is this the case with all history. Is there a female voice in our past?

I had become interested in Welsh mining history since the research into Elizabeth Andrews. The more I read, the more I become frustrated, but equally the more I felt empowered.

‘nid byd, byd heb wybodaeth’ a quote I found in ‘Our Sisters Land’. (1991, Aaron & Rees)

translated: ‘a world without knowledge is no world.’

I have been reading Struggle or Starve edited by Carol White & Sian Rhiannon Williams. This is a collection of inspiring heroic stories told by women in the time of 1918 – 1939. One of the chapters in the book is dedicated to the stories of little mothers. This is a term I had never heard of, but one that was evident in my own life. My sister was a little mother. Once my mother left, my sister took to her role as best she could at the tender age of 11. My farther worked nights and drank heavily in the day. I remember the Christmas dinner attempt. Chicken/ham slices, chips as roast potatoes, tinned peas and carrots, stuffing, Tesco own gravy and strawberry jam. It did taste just like Christmas dinner.

Reading about these little mothers of our past, taking the place of their own dead mothers, walking in cold footprints with no space to mourn completely overwhelmed me. I wanted to honor them, to remember them, to recognize my sister for her sacrifice but also the past. The chores and responsibility that fell on these tiny backs, at the cost of their own future.

I started sculpting a little mother of my own.  She currently lies partially sculpted on a table, preserved in plastic in the basement. I shall make her strong, as she must have been, I will make her skinny as she would have had little to eat, and I will bow her legs as rickets was common.

 

 

 


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Are we as a society assisting sexism and gender inequality by the omission and exclusion of our female history?

?While watching X Men First Class with the family last night I asked my daughter if she could think of a female character within the film that didn’t remove their clothes in any of the scenes. We both soon discovered that there wasn’t one. My daughter for a moment couldn’t see the problem until we put the same question to the male characters with a very different answer.

Similarly, while shopping for my son for his birthday, I fully prepared to be irritated by the science toys for boys and nail varnish maker equivalent for girls; brain dissection for boys and lip-gloss maker equivalent for girls; explore, adventure, super-hero slogans on boys t-shirts and pretty princess, unicorn equivalent for girls. Sadly, the list goes on.

But it was a Mothercare image published this year of what appeared to be a young girl dressed up in 1950’s clothing pushing cleaning paraphernalia really took my breath away.

(MotherCare 2017)

Recently within my current role I have been promoting the Arts within schools in Carmarthenshire. I actively ask every child what their GCSE choices were. depressingly, I am aware that the Welsh Baccalaureate qualification has made GCSE choices harder for young teens by putting PE, Art, Music, and now vocational subjects in the same choice column. Thus choice is massively restricted.

However, I was astounded by how popular as a subject Hair and Beauty has become for girls in retrospect to other creative and practical subjects. One pupil stated that she chose Hair and Beauty over sport because ‘at least she would get a job out of it.’ I wondered if she knew the story of Lily Parr who played for the most successful women’s team of all time called the Dick Kerr Ladies. ‘Parr played against both male and female teams and she reputedly had a harder shot than any male player’ (national football museum,2017) The team drew large crowds and in December 1920 attracted a crowd of 53,000 at Goodison Park and in the same year played in the first ever recognized women’s international between England and France.

Women’s football grew in popularity until in 1921 when the Football Association banned women from playing on their member grounds. I wonder if she knew of Lily Parr, would she still choose hair and beauty? Are we marketing sport for girls in the same way as the Tour de France where the only representation of a woman is a podium girl congratulating the male victors with a kiss?

During a recent research project when I was a resident artist for The Welsh Arts Review I learned of a woman named Amy Dillwyn. History was written that Dillwyn was ‘doomed to a life of abnegation’ when her fiancé died of smallpox and ‘despaired of leading a worthwhile life’ (Alison Favre, 2009). She is recognized as having single-handedly saved her family’s spelter works business from bankruptcy, and was also a novelist.

History is being rewritten by Professor Kirsti Bohata. She tells a very different story where Amy Dillwyn was in love with another woman for most of her life, a woman she later referred to as her wife. In her novels, Dillwyn championed women as the protagonist heroine in her novels and wrote of their same-sex desires. In society, she wore men-ish clothes and definitely did not want to marry.

I wonder, if Dillwyn’s story was told in accuracy, whether women would feel more empowered today? Would the toy aisle still be so gender separate and derogatory towards girls? Would my own daughter have had such problems with her own gender growing up had the steps taken by women such as Amy Dilwyn had not been covered over by a patriarchal society intent on oppressing its female other?

Iron On The Dress 2017 (in response to Amy Dillwyn’s life and fiction) Mandy Lane

 Are we as a society assisting sexism and gender inequality by the omission and exclusion of our female history?

On a recent project responding to Dyffryn Gardens, I learned about the mining and colliery industry upon which the Gardens were built. When investigating this history, I was bombarded with images of the men down the mines; of small boys blackened with coal dust; of bodies that were crumpled and bludgeoned following the too regular collapse of shafts. Later there are images of the men at the picket lines and young man under the polices truncheon.

After a period of time considering these images, I began to wonder where the women were. Professor Bohata gave me a paper entitled Counting the Cost of Coal: Women’s Lives in the Rhondda, 1881-1911 by Dot Jones.

As a Welsh woman who lived in Wales I had never heard the history I was reading in the paper. I had never heard of Elizabeth Andrews nor the need for pit-head showers. In response to this discovery, the sculpture I created was entitled Elizabeth Andrews’ To-Do Pile 2017.

However, I felt that the pile was never big enough, nor ever could be to do the narrative justice. Eventually, the figure of the baby was removed by the garden staff as it reportedly caused offence to some visitors.

I found this upsetting, my memorial to the unheard female voices of the coal mines silenced again. In contrast, the memorials to the World Wars often depicting male dead soldiers are recognized without complaint or offence. Is this another example of patriarchy othering the female? Hiding the parts of history that it finds unpalatable? The To-do Pile has since been reimagined, now highlighting the reality of infant mortality, birth and birth control for the women of the pits.

I feel that a history told inaccurately is a most neglectful action, with detrimental consequences to any society, culture, gender, or individual. Were a film produced depicting Hitler’s Nazi Germany as the hero to the Allied villains, I wonder whether we would as a society tolerate this inaccuracy. Yet as quickly as iconic women like Amy Dilwyn and Elizabeth Andrews are uncovered after decades buried by patriarchy; that same society removes them from sight, silencing their voices once again. It would appear that gender bias is still hidden in plain sight.

Elizabeth Andrews To Do Pile 2017

 

Current reading list:

 Our Mother’s Land: Chapters in Welsh Women’s History, 1830-1939(Gender studies in Wales)

Angela V John.

Struggle or Starve: Women’s Lives in the South Wales Valley’s Between the Two World Wars.

Peter Mathews.

 Our Sisters’ Land: Changing Identity of women in Wales.

Jane Aaron.

 Out of the Shadows: a History of Women in Twentieth-century Wales.

Deirdre Beddoe.

The Rebecca Rioter.

 Amy Dillwyn


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