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Additionally; a depressing fact I scrawled down at SotA (I think from David Edgar) about the hugely over-budget Olympic opening cermony. The excess cost could have provided funding twice over for all the organisations that were cut from RFO funding last year.

What would you rather have? Extra fireworks or some real long-term investment in the arts. Priorities ALL WRONG.

Lastly, I sat next to a poet during the middle part of the day. He wondered if the logo had been designed to indicate the State of the Arts – peeling and crusty with old layers of paint.


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State of the Arts

I attended the conference and pre-conf artists briefing this week on one of the bursaries for artists. I have been wanting to write up my thoughts for a few days, but a mix of no time to write or digest has delayed me somewhat!

So, firstly, I was incredibly pleased to get a bursary, and I was incredibly pleased that the Arts Council spent £15k on artists having a presence at the event. The theme ‘Artists Shaping the World’ was a good one – putting artists at the centre of the discussion. Other good things included the pre-conference events, Robert Wilson’s talk in particular – that was astonishing and has left a huge mark on me.

It was all very fancy though (or perhaps I am usually extremely basic) – first off I tried to check into the Premier Inn rather than the Holiday Inn. This might serve as a good metaphor for the expectations of artists/arts organisers: I expected a basic room with no breakfast, but found myself in a plush room with mini-bar and room service facilities and a cooked beakfast included. Lovely for a change, but a bit worrying when you stop to think about expenditure and where funding goes.

It was good to have a chance to meet other bursary holders before the event, but once we had dispursed, I actually found it quite hard to find those people again.

Going back to the theme, although the intention was to put artists in the centre, the event was still very much a top-down exercise and the feeling between most bursary holders was that next time artists should programme the event entirely and set the agenda for discussion. Improving on last year’s 2 artists in attendance (!) the 50 artists bursaries as well as numerous artists speakers went a long way to redressing the balance. But it can go further. I’m not saying that it should all be artists either – the mix of organisers and funders with artists is important and those crossover conversations (AS EQUALS) should be happening more often anyway.

I don’t know if I felt like a token gesture being there as an artist, especially as I am aware I often feel intimidated or self conscious in this kind of situation. However, I do know that I didn’t feel able to contribute in my breakout groups. I got close to it in the afternoon, probably because Neville Gabie was one of the speakers, but other artists were there and spoke well so I didn’t. Often artists were bringing up issues like the fact that artists may be the only unpaid person at a meeting. This is great (and true), but any surprise around that fact shows just how little many arts organisers may consider things from the artists point of view. I was expecting to be discussing ways to change that and not just pointing out things that exist across the sector. Maybe it will get on to that by next year?

Ultimately, I felt the conference was about politics and institutional perspective, not actually about art per se. Ed Vaizey’s presence and slimy avoidance of difficult questions is the best example of how the conference was geared towards a polite and PR-smooth event. Kirsty Wark was a great host and she did try to give him a hard time, but he answered with long, dull answers that meant absolutely nothing. There was not enough challenging discussion and I felt like people were tip toeing around. Sally Lai (of Manchester’s Chinese Art Centre) was a tonic. Short, succinct points about small artist led spaces and how vital they are to the ecology of the arts. As she pointed out, they invest and take risks in artists early-career and feed into the larger art world. If that stops, it’s going to be an incredibly dull place. I felt that points like Sally was making should have been the starting point for discussions, not just brief moments that caused the audience to applaud – that alone is evidence that people feel strongly about these issues.

Others on SotA:

Alice Bradshaw: www.a-n.co.uk/p/2018190

Claire Smith: www.a-n.co.uk/p/1650059

Dany Louise: http://www.newstatesman.com/blogs/cultural-capital/2012/02/arts-council-ace-conference


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OPEN AIR

I’ve just got back from the AIR forum and wanted to say a little bit about it before I go home in the morning and get sucked into the next thing and forget – State of The Arts on Monday…

First, it was a great day and although I didn’t meet all the virtual friends I hoped, it was really good to have some face to face contact with people.

After presenting at a conference yesterday, it was incredible to feel the change in the environment today – rather than an intimidating academic environment, it felt like hierarchy was irrelevant and that people were really listening to each other on an equal footing.

The speakers were all amazing – some truly inspiring stuff happening – not all art, some hacking, some social, some local government, some lobbying. I’m pretty sure the talks were recorded so I shan’t try and do them justice here.

What I really took from all the presentation was action over whining (the description of policy as largely based on deferment seemed apt) and just starting – doing something – ANYTHING. It was also clear that small actions can build to make a big difference, especially using the Internet. The projects we were shown were also about using what you have and what you know you can do and just beginning there.

Following the presentations, we split into groups. It became clear at this point that several people were a bit confused about the purpose of the day – they knew it was supposed to be effecting change, but they didn’t know how they, as an AIR member, fit into that. A couple of people mentioned that the amazingness of the speakers actually made them feel more helpless, because they could never imagine instigating such radical projects. I feel a bit similar in that way – but I also feel confident that I will do other things in my own way; not everyone can be radical by definition right?

For me, as an AIR Council member, I saw the event as a chance to get AIR members together and hear from them what they felt strongly about and wanted to change or implement. All these views collected will play a large part in informing what the AIR council do to represent the members.

SO much came out during our discussion group and I discovered during the plenary that several themes appeared across all discussions. It was also, importantly, a very engaged and thoughtful crowd – artists who are seeing the bigger picture rather than being egocentric about what they want to improve. Some points were (from memory, not notes, so I may have to add to this):

Improving or changing art education and how art is taught in schools in order to help people value art.

Artists getting paid for the work that they do, as any other profession does. One sign from the presentation of projects in Holland stated clearly ‘ARTISTS DO NOT ENJOY BEING POOR’ True.

An artistic economy i.e. artists trading skills, resources, space. Looking at what we have available and doing something with that rather than needing to ask for external help.

Working locally – having spaces where artists can engage in dialogue/exchange. Perhaps a similar kind of event as today, but on a local scale.

Local was also contentious as the often derogatory use of ‘local artists’ was making many frustrated.

Working across the two tiers of the arts is important – so looking to get artists on the boards (and paid for being so) of large decision making bodies and organisations e.g. Turning Point steering committees. Also helping to facilitate and support smaller grass-roots or community projects that need funding. Basically AIR needs to influence the big stuff and facilitate the small stuff.

We can’t all do the same or give the same amount of time, but with a membership as big as 17,000, it seems like there’s a lot of action and influence waiting to happen.


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In case you haven;t seen this doing the rounds on twitter et al – Glasgow City Council is planning to impose a tax on all exhibition activity: “from April 1 – yes, April Fool’s Day – exhibitions and public shows will require a licence, even if they are completely free. Even a temporary licence for a non-commercial event will cost £124. If the work is for sale, the cheapest licence will be nearly £600. “

http://www.heraldscotland.com/comment/herald-view/…

You can sign a petition aginst this here:

http://www.change.org/petitions/glasgow-city-counc…


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