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FUNDRAISING WORKSHOP

with Anthony Bennett and Mark Waugh of A Foundation.

[These are some nuggets of wisdom received during the above session. More helpful, personally, was the one-to-one session I had with Anthony, but that’s very specific to me, so I’m not going to relay all of that here. The points below are paraphrasing, not quotations and may not make perfect sense – I was there, I know what I’m talking about and in what context. Any questions, expansions needed, just ask.]

It is small kindnesses that make the art world go round, but be careful that giving these does not turn into an exploitation, i.e. it is good to be generous, but capitulating too readily doesn’t do you any good.

Make sure the expectations of both parties (funder/commissioner and you) are laid out and understood, then bad feeling is less likely to arise.

Funding is like a business contract – read the small print, know what’s expected.

If you are business-like, know your budget, timescale, materials, transport etc and what the project will demand, people will be more likely to believe in your ability to deliver.

There is the potential to use funding to fit your project e.g. if you are doing something with new technology and NASA have grants, but don’t get into the situation where grants and opportunities shape your work. You need to retain a core truth about your work for others to want to invest in and understand what you do.

You can recycle some parts of applications, but each one is different and must be considered carefully, Think about the foreground/background of each one, put information about what is the most important in the foreground.

CLARITY in applications. What you are offering, what your interests are, what the outcome will be, what you will gain from it. Make these things clear.

COMMUNICATION – If you do receive funding/support in kind, keep your people happy be keeping in touch with press, developments, images etc. Provide a bit of return of their investment and follow this up – how you have developed since for example.

Public engagement can take many forms, so think creatively about how people will best engage with the work rather than trying to fulfil ACE guidelines anywhichway.

Be honest with yourself. Make sure the project is genuinely useful to you before investing your (and others) time in funding applications.

Funding and assembling projects requires a holistic approach. It’s not a case of making your work and sticking the event or public interaction on afterwards, it can all be important and useful.


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I realised yesterday that I am shattered. This week is for writing the YSP book (only about 2,500 words – so not as horrendous as it sounds!) and cataloguing. I am glad to be able to work with tea and kitty and in pyjamas.

Going in tomorrow to photograph the installation I made for the A Foundation show, the image here is one piece of it, without its friends. The opening gave me a lot to think about, especially as it was clear my work needed explaining to some people. I don’t know if I care about that, I don’t think it’s that important in some ways – I think that might be a product of being constantly given lots of explanation and expecting that. The work has a narrative, but a gray one – it’s not entirely clear yet even to me, as it is all work in progress. I still hope to do the performance I was building up to, which is actually a drawing (just with the aid of a costume and my body). I think I have to do that in private, it was all a bit much thinking about doing that at the opening last week. Same goes for the Liverpool Art Prize exhibition… not sure I am up to it yet?

Anyway, I’m sure it will become a bit clearer in hindsight, in the meantime I have a big structure to plan for the LAP show. Might need to use village contacts for a bit of advice there – pub later then! Last weekend I managed to burst a tyre and twist the metal underneath the car on something on the road… so that has been an expensive lesson (and a shock). It means I am village-bound for a while anyway, not a bad thing. Financially a bit of a disaster, but these things always happen as you think you’re getting sorted don’t they?

Better news – my twin sister is currently in hospital and a baby is imminent! So, most likely all these worries will seem silly when I go and visit later :D One very small, soft, comedy bear suit at the ready…..


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Morning (croak). Still a bit boozy after the opening and dinner last night – my lovely husband came to pick me up so I could finally have a few drinks with everyone, which was nice!

I enjoyed the opening and chatted to lots of people (probably a bit manically!). Mainly I really really enjoyed making my work, putting things together and really thinking about it all. The residency has been incredibly valuable for that and the main outcome for me has been research and development time rather than producing lots. The work I showed was a sketch really, things in progress. I don’t think it went down that well generally, maybe a bit too cryptic.. but anyway, it doesn’t really matter – at least I know where I’m going with it!!

Today we’re having a walk round the show. with a couple of curators I think, so that will be a good end to it.

We had a good fundraising workshop on Wednesday, so I shall get my notes at some point and add the best pointers here…


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