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It is a long time since I did a print run – I have either made a collection of one-offs for prints in a suitcase for Holocaust Memorial Day 2014, or made digital prints – mainly due to body problems. But it is a particular pleasure to make a whole lot the same. I remember how delighted I was with my first ever print experience at Laurieston Hall of making 100 flower screenprints from a paper stencil – I didn’t know that was thought impossible, so I just did it.
I learnt to make lino prints from Mike Pemsel at a class run by Mid Pennine Arts way back in the 80s, but did some more when I belonged to Artlab, UCLan – sometime in the 2000s.
This week I set up a tiny print space with plastic sheet to protect the other stuff eg the sewing machine. Today it was a challenge to relearn old skills. First of all I forgot my colour mixing principles and squeezed out too much black in proportion to the green, so I have a lot of ink left on the board. Then I had to remind myself to get into a meditative space, as it is the only way to avoid mistakes.
It is a bit bad to blame the tools, but I began to wonder if the roller was slightly warped due to age, as inking up took me ages. But the plate is pretty good – there is only one small area of background that sometimes catches. And it is so hard to keep my fingers clean.

I can’t apply enough pressure to the press with my arms, so I have it on the floor and use my foot on the handle. I am much better pleased with these prints than the test ones I rubbed with a spoon, and I am glad to say that I can’t see the place where I had to glue a piece of the lino back on after a mistaken cut (lack of meditation clearly.)
I made the 20 prints of the whole lotus design that I needed for the dress, (it was another challenge to find enough drying space) then it was time for a break – coffee and burritos were on offer in the Forgebank Cohousing Common House for brunch, so I was very grateful for that.

Back to the studio to make 60 prints of flowers onto maps of Andhra Pradesh, Punjab and Gujurat which used up 3 maps. The ink takes very differently on the map paper – which I should have foreseen. I am not sure that all the flower prints will be usable. Although all the maps are by the same map company, one map seems to have a different finish, which is causing problems. I was getting very hot and stripped off my T shirt and just wore my overalls.

Still lots of ink left, so I made 7 more prints and 21 more flower prints using other parts of the map of India, but I was beginning to make more and more mistakes, so I decided to clean up, using vegetable oil and an old toothbrush, and took the rags straight out to the bin to reduce fire risk.

We had fire awareness training last week at Halton Mill, which is where I have my studio. I was pretty useless and decided I would only start the alarm and then run away if there was a fire, and not try to use the extinguishers.


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I realised that some areas of the dress will have lots of folds and will probably not take glued sections of thicker map paper. In the first lino cut I left the flowers as a simple overall shape, just to mark the position of the glued flower. I decided to cut more detail into the flower areas of the original lino cut, so the print can stand alone in heavily pleated areas.
I also cut some flower shapes in lino so I can print directly onto the maps, as I need the outlines of the petals to make the map pieces look like flowers.
I think I need 10 printed pieces to make the front of the dress, but I will make a few extra.
I wondered how to link the printed sections together and thought of water ripple lines. Were they to be printed too? Hard to do that to match up across glued edges. So I think using the blue areas of the maps will work better, and also indicate migration routes from India to England.


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Wedding last weekend, Inter-communities Volleyball Championship this weekend; it is hard to get art work done in between. Not that I am intending to play volleyball, just cheer from the sidelines. I am just the concierge for the tent hotel, and cooking lunch on Sunday for 40 – 80 people – not sure of the figures yet.

However I had a great day in the Lancashire Archives in Preston on Tuesday, and discovered some early work by Gulab Singh, now Director of G S Consultancy Limited. I will have to ask for permission to use the info, but was so pleased to find extracts from the 1981 census of Preston giving me accurate statistics of minority ethnic groups at that time.

However it can’t be very interesting to read a blog about statistics, so here is some of the art work I have been experimenting with this week. I wonder what style of dress design to create? Am I going to mirror the styles of the times, or am I going to imagine myself as a fabric and clothes designer and create my own style? In a way that is inevitable, and of course I am going to be careful not to make direct copies of Horrockses designs.

The other question is about process; what is going to be the most effective way to create the designs? I have experimented with making a stencil, which will work well for close repeat patterns, and with making a lino cut, which will work better for the larger more spaced-out designs.
So in the pictures library are 2 test pieces;
A stencilled shamrock design with cut out flowers and leaves from a map of Ireland. And a lino cut lotus with flowers cut from a map of India.


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I have let myself be distracted by wedding prep for some friends of mine – helping make banners, flags and wreaths, but I have managed to look at maps and papers. I ordered some maps on line – they turn out to be double sided, which is not so useful for me, and they are also rather boring in colour range. I need to visit my favourite second hand bookshop in Carnforth which has a wonderful collection of old maps, and these have a more interesting colour range.

I have been wondering whether to work with the size of tofu paper I have, which will mean a lot of joins, or to source some larger sheets. If I use larger sheets can I buy them precoloured (in the shades I want to match each map colour) or will I have to buy a larger gelli plate to colour the white sheets? I am just sitting with that question at the moment, as coloured sheets are limited in range and I am not sure of the colour fastness.

I need more information about which countries people came from to Preston. I may have found a personal connection to Ugandan hindus, as the wife of a friend from Leicester has a great uncle in Preston.

The Lancashire Records Office has been very helpful too and sent me a huge list: Handlist 69: Sources for Black and Asian history.


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