During lockdown Invert/Extent began putting together a book of artist writings and conversations considering what artists were doing, ideas that were percolating, or where their heads were at in the current situation. Many of these were featured online at Transmissions and included submissions from artists such as (Uta Barth, Assume Vivid Astro Focus, Liam Gillick, Ang Bartram, Bracha Ettinger, David Blackmore).

For this, I also produced the e-zine/booklet Notebook 1: Certainty in Uncertainty, creating a folio of limited edition prints for the press and gathered together images in process, snippets of artist writings or notes and recent things I have been working on during this time. I have also included an extended interview where I discuss my newest book To Build a House that Never Ceased: Writings, Interviews, and Letters on Art from Sweat Drenched Press UK.

Certainty in Uncertainty

The notion of a portent is intriguing in that it attempts to make a perceived truth in some way visible—one might say it points like a finger. As an artist, that is often what I find myself attempting, to make a truth visible and to bring it into proximity, so that it might be perceived before sticking my finger in your eye (oops, sorry I never said it always works, but there must always be some risk involved). Holding up a thing for you and saying silently this is important, it means something, and if you look in just a certain manner, you might see something previously imperceptible about yourself or this place where we are. Perhaps this and this are the same and this and that are not, but it is always more interesting to show what is the same (for me at least). Remembering a song: I might like you better if we slept together.

I had a bit of a rough day, stacked upon a rough year—come on, you had it too. No? I have been thinking about inevitability and the idea of certainty in uncertain times. During lockdown I began exploring an idea of the portent image, or an image’s ability to carry or point. Not in the sense of some woo-woo metaphysical escape, but when the world feels this untethered there often appears a lurching toward an illusion of certainty (for ill or good) in those moments. Fake news. Instead, might these images and events operate as markers from which to navigate or course-correct in real time?

To read more or download a copy of this publication please sign up here and I will email you a copy of Notebook 1: Certainty in Uncertainty.

Thanks,

Jared


0 Comments

In Our Own Words is an ongoing feature where artists and writers are asked to speak about their new work, ideas or projects in their own words. It is also part of Invert/Extant Transmissions for the Artist Writings series. If you would like to be kept up to date on this or other projects, please sign up for our newsletter.

Gla4 works and plays in many media including drawing, painting, words, fibers, installation, performance, digital and print media, and breath. They have made several art-text/poetry books, including Ochre, winner of the 2015 BOAAT Press Chapbook Competition. They are currently completing a full-length art-text-ural book and work/playing on colorful hung compositions.

read more


0 Comments

In Our Own Words is an ongoing feature where artists and writers are asked to speak about their new work, ideas or projects in their own words. It is also part of Invert/Extant Transmissions for the Artist Writings series. If you would like to be kept up to date on this or other projects, please sign up for our newsletter.

This week Lesley Hicks speaks about her methodical drawings from traffic webcams in Iceland during lockdown:

“The experience of being imaginatively elsewhere, aided and encouraged by the webcam screen landscape, is replaced, through this process, by the being here in the studio, returned back to the here and now by the physical act of making.”

read more


0 Comments