V is for Ramon Valera, A-Z of Filipino Cultural Exports
1908 – 1997/ ‘The contribution of Ramon Valera, whose family hails from Abra, lies in the tradition of excellence of his works, and his commitment to his profession, performing his magical seminal innovations on the Philippine terno.
Valera is said to have given the country its visual icon to the world via the terno. In the early 40s, Valera produced a single piece of clothing from a four-piece ensemble consisting of a blouse, skirt, overskirt, and long scarf. He unified the components of the baro’t saya into a single dress with exaggerated bell sleeves, cinched at the waist, grazing the ankle, and zipped up at the back. Using zipper in place of hooks was already a radical change for the country’s elite then. Dropping the panuelo–the long folded scarf hanging down the chest, thus serving as the Filipina’s gesture of modesty–from the entire ensemble became a bigger shock for the women then. Valera constructed the terno’s butterfly sleeves, giving them a solid, built-in but hidden support. To the world, the butterfly sleeves became the terno’s defining feature.
Even today, Filipino fashion designers study Valera’s ternos: its construction, beadworks, applique, etc. Valera helped mold generations of artists, and helped fashion to become no less than a nation’s sense of aesthetics. But more important than these, he helped form a sense of the Filipino nation by his pursuit of excellence’.
Ramon Valera was awarded the title of National Artists of the Philippines in 2006. Text taken from National Commission for Culture and the Arts. Image – Imelda in her early days, modelling Valera’s designs.
#OFW more than a country of good looking, half-wit, opportunistic terrorists
