Today, the top nine squares display a transient wall drawing installation. Materials: layered layout paper, marker pen ink, masking tape and projected light. The idea here was to fill a ten by ten grid with a sentence describing the enquiry (with the punctuation and spaces ignored). There was also so play between positive and negative space. A number of outcomes were recorded. I gave this series the title: IWASLOOKIN…

For all seven days, the bottom three squares show a repeat of a digital extrusion. Today this is titled: M O N –  TAPE.

So, another dozen Instagram posts for this installation.

The original installation can (as I write) be viewed via:

INSTAGRAM.REVAD.COM

But, everything is transient


0 Comments

Today, the top nine squares show one of many transient states of a transient wall drawing. Materials are: layered layout paper, marker pen ink, masking tape, and projected light. Each wall drawing stage has been recorded using a fixed position Raspberry Pi network connected camera. The idea has been recorded as a long series of potential outcomes, some processed and others not. This single state outcome is titled: NUCLE (WHITE CIRCLE).

For all seven days, the bottom three squares show a repeat of a digital extrusion. Today this is titled: S U N –  TAPE.

So, another dozen Instagram posts for this installation.

The original installation can (as I write) be viewed via:

INSTAGRAM.REVAD.COM

But, everything is transient


0 Comments

The top nine squares of the grid show a reworking of my 2012 Stringing Words series. For this outcome, I flipped the idea. In the original series, I started with a word and strung the letters across the frame to generate a shape. In this series, I started with a shape (or shapes) and collected the letters used to make them. I then mixed in some geometric projected light and tweaked the final photograph to create my idea of the installation space.

This has the ‘catchy’ title:  AGAGA & ZTZTZ & LIGHT CIRCLE & EQUALISATION – STRINGING WORDS

For all seven days, the bottom three squares show a repeat of a digital extrusion. Today this is titled S A T –  TAPE.

So, another dozen Instagram posts for this installation.

The original installation can (as I write) be viewed via:

INSTAGRAM.REVAD.COM

But, everything is transient


0 Comments

Today, the top nine squares show an outcome made by applying a gradient map filter to a photograph of a transient layered layout paper, marker-pen ink and projected light wall installation. This outcome is titled: WHITE to BLACK – NUCLE. This manifestation of an idea is intended for a large format die sublimation print on aluminium. It remains, as yet, unprinted.

For all seven days, the bottom three squares show a repeat of a digital extrusion. Today this is titled  F R I –  TAPE.

So, another dozen Instagram posts for this installation.

The original installation can (as I write) be viewed via:

INSTAGRAM.REVAD.COM

But, everything is transient.


0 Comments

The top nine squares of the grid show a reworking of my 2012 Stringing Words series. For this outcome, I flipped the idea. In the original series, I started with a word and strung the letters across the frame to generate a shape. In this series, I started with a shape (or shapes) and collected the letters used to make them. I then mixed in some geometric projected light and tweaked the final photograph to create my idea of the installation space.

This has the ‘catchy’ title:  EVEVE & VEVEV & LIGHT CIRCLE & EQUALISATION – STRINGING WORDS

For all seven days, the bottom three squares show a repeat of a digital extrusion. Today this is titled  T H U –  TAPE.

So, another dozen Instagram posts for this installation.

The original installation can (as I write) be viewed via:

INSTAGRAM.REVAD.COM

But, everything is transient.


0 Comments