The plan is use the doors as barriers, rather than as aids to movement. Having sufficient numbers of them in the exhibition space is pretty crucial for the plan to work. I need a maze like affair; with anthropomorphised doors […]
These blogs are probably going to read a bit disjointed. I re-entered my second post this morning, and was rewarded with a complete deletion of my entire file on the a-n site. “Is good for meditation” said Wang-Du, a Tibetan […]
Easter vacation but the studios are still open for unattended working. Have been working on more monoprints; I'm still playing around with groups of images for the final show. I'm building up a directory of shapes and images that will […]
Our degree show at the university starts on the 22nd of May. We will then take the exhibition to the Truman Brewery in Brick lane, London, where it will be open from the 3rd – 7th July, as part of […]
A frustrating day today. I was all motivated to work some more on my large painting only to find that it was still soaking wet. Too wet to risk painting back into it. It looks as though it will probably […]
In November 2007, David was awarded the annual Go Make! bursary. This years brief involved a response to a quote by the writer Ossie Stuart, who puts forward the suggestion that "…there is a temptation to represent the experience of […]
With reference to the production of inter-disciplinary visual arts, Charlotte Frost indicates the types of activities involved, art forms which respond well to this style of collaboration and some of the difficulties experienced by production agencies in working in this […]
Ellie Collins, 'Gallery shot', Photograph of framed works on paper. Photo: Marc Renshaw.
Lynne Wixon, 'Coast to Coast - 'Ennerdale to Rosthwaite'', Oil on canvas, 2008. One of ten canvases from Lynne Wixon's Coast to Coast exhibition
Andrew Cooper , Kim Fielding.
Charlotte Frost on some of the production activities of the Newcastle- and London-based Forma, drawing out different strands of its programme including curation, representation, initiation, distribution and public art.
This article by Furtherfield.org founders and Directors Ruth Catlow and Marc Garrett was originally published in Coding Cultures: A Handbook, commissioned by Francesca da Rimini and d/lux/MediaArts in 2007. Catlow and Garrett discuss the origin and mission of Furtherfield.org and how its participatory platforms are art production tools.
Southbank Centre, London
25 January – 9 March 2008
Exit Here, Nottingham
11 – 20 March 2008
Headline data from the Taking Part survey 2005-06
Headline data from the Taking Part survey 2005-06
Headline data from the Taking Part survey 2005-06
Headline data from the Taking Part survey 2005-06
Headline data from the Taking Part survey 2005-06
Including 2008-09 statistics, this analysis of Taking Part survey data on arts attendance in England is produced in partnership with Tak Wing Chan and John Goldthorpe from the University of Oxford.