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Occupation Studios
Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.
Page 2844 – a-n The Artists Information Company
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Out of the Blue
Out of the Blue has thrived through establishing a diversity of activities and income streams.
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Dorset Art Weeks (DAW)
DAW adapted a successful model of an open studios event for a rural location.
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Furtherafield
Temporary studios can be a useful option for creating project-specific work.
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Are you International?
Hilary Thorn on a discussion event held at Static Gallery, as part of the NAN Artists’ research trip to Liverpool Biennial, which looked at the verbal languages through which art is explored.
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FusionARTS
How a partnership with their local university helped FusionARTS secure studio premises.
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Simon Leahy-Clark
I arrived in Osaka, Japan with a certain amount of excitement and trepidation.
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Gasworks studios
Gasworks is part of an international network of independent studios around the globe.
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Nottingham Studios Consortium
Nottingham Studios Consortium is an example of the ‘strength in numbers’ approach in making the case for studio provision.
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Tales of two cities: South Africa
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
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Bow Arts Trust
How education work has contributed to this studio’s success.
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CRATE
CRATE successfully accessed economic development and regeneration funds to buy a building.
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News archive
a-n out-and-about
a-n’s events and activities programme is on the increase for 2005, providing even more opportunities for critical discussion and professional networking for artists and their collaborators. An underlying principle for us when generating external projects is to work in partnership […]
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New research
Thanks to a partnership with Arts Council England, we’ve extended the portfolio of material freely available on www.a-n.co.uk around artists’ fees and payments. Now included is in-depth research by University of Newcastle in artists’ fees and payments and the attitudes […]
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News archive
Going, going, Grainne…
a-n’s new year began with a fond farewell to our Editorial Production Manager, Grainne Sweeney. After working with a-n for three years she’s decided to focus more of her time on other activities: “I’ll be spending more time with my […]
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Discussion
Editorial – 2005 February
Maintaining a critical context is a core ingredient in sustaining an artist’s practice, as asserted in Dominic Thomas’ article published this month. He regrets the current culture of “avoidance of the core subject” in which professional development programmes are seemingly […]
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Kevin Reid
Five years ago I had no choice but to shake my inbred cynicism, learn social skills and become a hairy artisan.
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Introduction
Group studios
Paul Glinkowski looks at the UK studio landscape, highlighting successful new studio models. He also offers advice to artists wanting to set-up their own group.
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Tabatha Andrews
ROOM, Bristol
12 January – 13 February
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Truth and Beauty
Q Arts, Derby
15 January –26 February
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Archive
Feature
Quo vadis: Introduction
Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.
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Mathieu Beausejour: Three Internationales
Triangle Gallery, SPACE Studios, London
15 January – 15 February
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Arty: Greatest Hits
Published by Transition Editions
Edited by Paul Murphy
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A nation turns its lonely eyes to you
Market Gallery, Glasgow
9 January – 5 February
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Changing States:
Contemporary Art and Ideas in and Era of Globalisation
Published by inIVA