Zeitgeist Arts Projects has announced artists selected for the second Open Exhibition, opening later this month as part of the Deptford X International Art Festival.
London-based studio provider Acme celebrates its 40th anniversary with an archive exhibition at the Whitechapel Gallery, looking at its first decade. Co-founder and Chief Executive, Jonathan Harvey, discusses how a group of recent graduates formed a charitable housing association, launched Acme Gallery and became the self-supporting organisation it is today.
A new artist-led studio and gallery space housed in three shipping containers on the Somerset coast has just announced a residency opportunity for an emerging artist. We find out more from printmaker Susan Lowe, one of the project’s organisers.
In the run up to Edinburgh Art Festival, Gordon Dalton speaks to some of the artists participating in this year’s tenth-anniversary edition, as well as Director Sorcha Carey about the impact of the publicly-sited commissions.
Two recent events in Manchester square up to a debate that’s not going away – the relationship between artists and money. Bob Dickinson reports.
Programmed in relation to the current Ellen Gallagher exhibition at Tate Modern, the Afrofuturism’s Others seminar provided an enticing introduction to this cultural aesthetic. Artist and curator Sonya Dyer reports.
a-n is teaming up with Castlefield Gallery in Manchester for an event that will launch a new guide to sharing content online and explore strategies for hosting artists’ video.
Working internationally is key to the development of many artists’ practice, but without gallery representation the hurdles are considerable. With the 55th Venice Biennale soon to open, we speak to three artists – including one showing in Venice – about the challenges of working abroad without a gallery, and also get the views of an independent curator.
As the degree show season gets into full swing, Professor Tom Davies from Staffordshire University responds to a-n’s recent report on approaches to professional practice in visual and applied arts courses.
Now in its final year, Art Fund Collect sees curators competing for funds to purchase a piece from COLLECT – the international art fair for contemporary objects. Crafts Council Director Rosy Greenlees and Yvonne Hardman, one of last year’s winners, talk about the impact of the scheme.
The What Next? conference in London on 29 April brought together some 650 arts professionals as part of a new movement to reassert the value of the arts in society. Kwong Lee, Director of Castlefield Gallery, Manchester, shares his thoughts on the day.
In a time of austerity, it’s become more important than ever for the visual arts to articulate their value to society. But, asks Claire Doherty, Director of arts producers Situations, what forms of evidence should be produced and whose criteria are we to use?
The Deutsche Börse Photography Prize 2013 has opened at The Photographers’ Gallery in London and offers the most expanded view of what photography is, or can be, since its inception.
The sixth edition of the Liverpool Art Prize opens on Thursday in the city’s historic Albert Dock. We talk to Kevin Hunt, one of the shortlisted artists, and Robyn Woolston, winner of the 2012 Prize and one of this year’s judges, about the significance of the new venue.
Lincoln is developing a strong, artist-led art scene that is responding to the particularities of the area while presenting the work of local and international artists. We report from this historic East Midlands city.
Drawing Room’s Drawing Biennial 2013 presents over 200 A4 works by an international line-up of artists.
As the economy continues to falter and budgets are cut, public funding for the arts is increasingly justified in terms of economic and social benefits. But, argues Shaun Glanville, this is futile and wrong-headed – a new approach is needed.
Arts producing agency Forma is celebrating a decade of working with leading artists by reappraising previous projects and announcing a raft of new ones. We speak to founder David Metcalfe and artists Matt Stokes and Graham Dolphin about the past, the future and the role of the producer.
As an exhibition of works on paper opens in Southwark Park to celebrate three decades of the Bermondsey Artists’ Group, we talk to two members about the organisation’s thirty year commitment to art, community and learning.
Guardian Culture Professionals recently hosted a live chat on the subject of selling art. Art world figures were joined by artists, collectors and creative entrepreneurs to discuss the role of gallerist as negotiator, the Internet versus face-to-face sales and ways to make it easier to start a collection.
A new report from public art think tank ixia highlights a significant fall in the size and value of the sector in England.
Modern Edinburgh Film School brings together practitioners in visual art, poetry, performance and film to explore alternative approaches to the screen. Project founder Alex Hetherington talks about community, social sculpture and his search for a sense of ‘elsewhere-ness’ in a very traditional city.
ART13 – London’s latest art fair has just launched and is jostling for attention in a crowded market.
While Michael Gove’s recent scrapping of the English Baccalaureate Certificate is welcome, Q-art Director Sarah Rowles suggests that there’s much more work to be done when it comes to the wider issue of art education.
With its new home in the old Tetley brewery and a recent six figure grant from ACE, these are exciting times for Project Space Leeds. We pay a site visit and speak to co-directors Pippa Hale and Kerry Harker about their plans for a new contemporary arts hub.
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