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Pivotal moments for ‘mid-career’ artists: “We’re reaching a bit of a crisis moment – who are we doing this all for?”

At the conference ‘Pivotal Moments: Professional Development Models for Mid-Career Artists’, staged by London Creative Network (LCN) in association with a-n, participants including artists Keith Piper and Erica Scourti, and Wysing director Donna Lynas discussed career development and the importance of institutional support for artists. Lydia Ashman reports.

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Artists and mental health: a conversation that needs to get louder

When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.

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Seven things that Jamboree 2018 taught us, including the difference between ‘Mince’ and ‘Sausage’ artists

Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.

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Hull and the 2017 City of Culture legacy: where do local artists go from here?

Writing for a-n News in August 2016, Hull-based artist Paul Collinson called on the City of Culture legacy team to “set foot outside their fortress and talk to those who will be left behind to carry on the good work”. Now, after the city’s high-profile year of cultural activity, he looks back over the year and asks, “Where next?”

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Making rent, making work: the strapped for cash art

One half of the London-based performance company There There with Dana Olărescu, Bojana Janković argues that the economic pressures more and more artists face are ultimately shaping the kind of work that gets made, especially by emerging artists, with profound and long-term consequences.

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2016 in view: “Out of the messiness came solidarity and collaboration”

a-n’s Executive Director Jeanie Scott reflects on an incredibly busy year for the organisation that has seen the publication of the Paying Artists Exhibition Payment Guidance, wide-ranging support for artists through a-n bursaries, and membership reach a record high. And, despite an increasingly messy global situation, says there’s much to look forward to in 2017.

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a-n members EU referendum survey: “The impact of Brexit has been immediate”

Following the result of the EU referendum in June, a-n’s member survey was a chance to get a sense of how Brexit might affect visual artists. Dany Louise highlights some of the survey findings including examples of how the decision to leave the EU is already affecting members who regularly work, exhibit or apply for opportunities in Europe.

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Sainsbury’s ‘opportunity’: ludicrous, misguided and all too common

A recent advert by Sainsbury’s in Camden asked for an artist to ‘volunteer their skills’ to refurbish the branch’s staff canteen, with the resulting social media storm prompting press articles and an apology from the supermarket. a-n Executive Director Jeanie Scott considers what the incident says about the barriers and misconceptions artists face.

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Vote Art: ideaologically conservative and preaching to converted?

Vote Art has seen artists such as Jeremy Deller and Bob and Roberta Smith using art to encourage people to vote through a series of billboards across the country. On the eve of tomorrow’s general election, Laura Harris argues that the project demonstrates worrying tendencies in both contemporary art and parliamentary politics.

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Cardiff Contemporary: big ambitions need long-term commitments

Good things are happening in Cardiff’s visual arts scene, with an energy and momentum that can be seen in the current Cardiff Contemporary festival. But, argues former Artes Mundi director Ben Borthwick, there is much that needs to be done if the biennial event – and Wales’ contemporary art scene generally – is to really fulfil its potential.

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Joel Simon
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Unlimited: looking for allies to promote great work by disabled artists

Disabled artists organisation Shape and Artsadmin have been awarded £1.5million by Arts Council England to deliver Unlimited, a new three-year programme of commissions. With the launch of its Unlimited Allies scheme, it’s now looking for help and support so that the scheme can deliver a long-term legacy.

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Gagosian, frieze 2013
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Review: Frieze London – a good education in how the art market works

Is Frieze Art Fair useful in any way to artists and is it good for artists and art? Filmmaker, artist and Frieze first-timer Gillian McIver roams the gallery booths and curated projects at the fair’s vast Regent’s Park marquee and finds the experience useful, enlightening and at times troubling.

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Paying artists: funding, frictions and the future

As the first results from AIR’s Paying Artists Survey make clear, artists are finding themselves at the end of the arts food chain as funding cuts bite. Here, a-n’s Director looks at how things stand and suggests a future where practitioners determine the status of their art and of artists.

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Hunt & Darton and Richard Layzell
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NWN: “A network really is about the people”

Following a series of events this weekend, New Work Network (NWN) is to close. Director Orlagh Woods discusses NWN’s achievements over its fifteen year history, its closure and the future for artists working within ‘pioneering practices’.

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