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At IAA Europe’s recent annual two-day general meeting in Berlin, a key workshop discussed the issue of social security and the mobility of visual artists within Europe. Pippa Koszerek reports that, despite Brexit, such discussions remain important to UK artists.

At a recent festival in Belgium about Europe-wide cultural solidarity, artist and AIR Council member Joseph Young talked about a-n/AIR’s Paying Artists campaign. He reports on a debate characterised by politically outspoken artists and networking over mojitos in the Che Guevara tent.

Inspired the writings of Italo Calvino, the ‘Six Memos’ exhibition in Liverpool brings together 20 artists from 12 European cities in the CreArt network. As Brexit draws nearer, Martin Hamblen reflects on its cruel asymmetry.

Organised by Keep It Complex, the recent Make It Work event in London brought artists and other cultural workers together to talk about how individuals and groups can empower themselves to get things done in Brexit Britain. Julie McCalden reports.

Helen Cammock on a year of professional highs and huge personal loss that has also been a time for reflection and thought about her life and artistic practice.

Hosted by Eastside Projects in Birmingham, over two days the recent Artist Run Multiverse Summit brought together artists from a wide range of projects and organisations to consider the past, present and future of the artist-run sphere. Lydia Ashman reports.

For the final Assembly event in the current series, a-n was in Cardiff for a day of discussion and debate around how to survive as a creative practitioner. Trevor H. Smith reports.

At the conference ‘Pivotal Moments: Professional Development Models for Mid-Career Artists’, staged by London Creative Network (LCN) in association with a-n, participants including artists Keith Piper and Erica Scourti, and Wysing director Donna Lynas discussed career development and the importance of institutional support for artists. Lydia Ashman reports.

To mark the end of her time as the 2017-18 Clore Visual Artist Fellow, an initiative supported by a-n, Nicola Naismith presents an A-Z of what the year-long experience has taught her about leadership and being an independent artist.

Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.

With reference to Edmund Clark’s current Ikon Gallery exhibition ‘In Place of Hate’ – the result of three years as artist in residence at the therapeutic prison HMP Grendon – a recent symposium in Birmingham explored the role of art and its use as a rehabilitative tool. After a day of talks and presentations, Carrie Foulkes finds her belief in socially-engaged practice reaffirmed.

a-n Research editor Dany Louise highlights content that focuses on education in schools and universities in our growing, free-to-view index of visual arts cultural policy and strategy documents.

Do the pressures of being an artist, with the precariousness of funding, the demands of unrealistic deadlines and the need to be seen to succeed and deliver consistently, make talking about depression and mental health tantamount to career suicide? Artist and writer Alistair Gentry, who has suffered with depression since a teenager, thinks the answer is ‘Yes’ – but that the issue is too important to keep quiet about.

Writing for a-n News in August 2016, Hull-based artist Paul Collinson called on the City of Culture legacy team to “set foot outside their fortress and talk to those who will be left behind to carry on the good work”. Now, after the city’s high-profile year of cultural activity, he looks back over the year and asks, “Where next?”

The recent ‘What Should White Culture Do? Art, Politics, Race’ brought academics and artists together for a day-long symposium at the Royal College of Art. Sonya Dyer contends that, judging by the approach of some of those talking at the event, the answer to the question is, ‘Much more than this’.

For the latest in our series providing a snapshot of visual arts scenes across the UK, Amelia Crouch reports from Bradford.

The debate around gentrification and the role that artists play in this contested area is increasingly being discussed and debated by artists themselves. But, asks Anna Francis in a piece originally published by The Conversation, is it right to accuse artists who work with regeneration projects of being part of the problem?

The UK has the most highly developed arts infrastructure in the world. But, asks 2016-17 Clore Visual Artist Fellow Maurice Carlin in the first of two short provocations, imagine if it all disappeared overnight. Would it make a difference to your career? Would you still make art? And what do we want this infrastructure to do?

What will Brexit mean for artists’ copyright and what should artists be thinking about and doing as the process of disentanglement from the EU begins? Abby Yolda, head of communications at the Design and Artists Copyright Society (DACS), outlines the organisation’s view.

a-n’s Executive Director Jeanie Scott reflects on an incredibly busy year for the organisation that has seen the publication of the Paying Artists Exhibition Payment Guidance, wide-ranging support for artists through a-n bursaries, and membership reach a record high. And, despite an increasingly messy global situation, says there’s much to look forward to in 2017.

Artist Catherine Bertola is concerned that HMRC’s new ‘Making Tax Digital’ proposals, which the government claims will make tax administration more efficient and easier for taxpayers, will result in additional administrative pressure for many artists and self-employed freelancers with low and erratic incomes.