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Looking for art books for Christmas? Here are ten ideas to start with, including a tour of the world’s brutalist gems, a collection of inspiring and insightful artists’ quotes, and the memoir of an art world celebrity.

This year’s Compass Festival of live art features 18 events, many of which have walking at their heart as performers and participants infiltrate and interact with the city around them. Lydia Ashman finds out more from the festival’s director and some of the artists taking part.

Artists Lucy Parker, Rachel Pimm and Katie Schwab present newly commissioned work in a show marking the 10th anniversary of Jerwood Visual Arts’ national programme supporting visual arts practice.

Inspired by ’60s radicalism yet rooted in the contemporary climate of austerity and the commercialisation of art school education, the second Antiuniversity Now! festival offers an alternative to mainstream models of learning through four days of free events, activities and lectures across the UK. Lydia Ashman reports.

In the Shadow of the Pyramids – a searing study of the impact of the Egyptian revolution on everyday people – has been shortlisted for the £30,000 Deutsche Börse Photography Foundation Prize 2016. Tim Clark catches up with Laura El-Tantawy on the occasion of her exhibition at The Photographers’ Gallery, London.

The newly opened £1.5 million wing of the Attenborough Arts Centre creates the largest contemporary art gallery in Leicester, with a current show by Lucy and Jorge Orta that reflects the art and science theme of the centre’s curatorial programme. Fisun Guner reports.

As the Creative Time Summit NYC takes place this weekend at the Boys and Girls High School in Brooklyn, Nato Thompson speaks to Pippa Koszerek about the summit, his new book Seeing Power and how art can impact social change.

British Art Show 8 opens in Leeds on Friday 9 October and the city – currently bidding to be European Capital of Culture 2023 – is responding with a raft of additional activity. Leeds-based writers and artists Amelia Crouch and Lara Eggleton report on what the city’s homegrown and artist-led organisations are up to as Leeds City Council throws its support behind a showcase of the city’s buoyant visual arts scene.

As the degree shows season draws to a close, we republish the last of three interviews with art professionals from the 50-page a-n Degree Shows Guide 2015. Here, Louise Hutchinson, director of S1 Artspace in Sheffield, talks about how to present work and the tyranny of the student business card.

In the lead up to its centenary celebrations, the Ben Uri Gallery – which presents work of Jewish interest or by Jewish artists – has curated No Set Rules, an exhibition of works on paper from its own collection and that of Philip Schlee. Dany Louise visits the small space and discovers more about its history and ambitions.

The Turner Prize nominated painter Lynette Yiadom-Boakye is the latest artist to select work from the V-A-C Collection, Moscow, as part of a series of shows at the Whitechapel Gallery. She talks about her choices – works inspired by nature and including paintings, photographs and a film.

This year’s engage International Conference takes place in Leeds in November, and is set to explore how innovation and risk taking in gallery education can often run parallel with a need to disrupt, subvert and ‘unsettle’. We speak to conference programmer Michael Prior to find out more.

MODEL is a new artist-run gallery in Liverpool that aims to provide a flexible and experimental platform for artist-led activity in the city. Laura Robertson pays a visit and speaks to its three founders.

This year’s Liverpool Biennial is the first that director Sally Tallant can really call her own, having arrived in Liverpool only a few months before the 2012 festival. Now with a new, earlier July start date and a refreshed approach, Laura Robertson finds out what has changed at the UK’s biennial of contemporary art.

The artist and filmmaker Derek Jarman died on 19 February 1994. To mark 20 years since his death from an AIDS-related illness, a series of events and screenings are happening throughout the year, including two recently opened exhibitions in London. We talk to the shows’ curators and explore the riches on display.

Working internationally is key to the development of many artists’ practice, but without gallery representation the hurdles are considerable. With the 55th Venice Biennale soon to open, we speak to three artists – including one showing in Venice – about the challenges of working abroad without a gallery, and also get the views of an independent curator.

The venerable London Art Fair is playing host to some interesting interventions in its Art Projects strand, enabling unrepresented artists to get a piece of the art fair action. We look at some of the methodologies being employed and test the temperature of the art market in 2013.

Unlike many international art biennials, Liverpool Biennial has deep roots in its host city’s contemporary art scene. As the festival reaches an intriguing point in its 13-year history, with a new director and considerably reduced budget, we assess its importance to the city’s visual arts infrastructure.