You searched for artist-led - Page 13 of 18 - a-n The Artists Information Company

Swimsuit Erase
Resource Archive Feature

Approaching Berlin

Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.

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A One Night Stay
Resource Archive News archive

CAN.05

Rosemary Shirley’s report on Contemporary Art Norwich.

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Life Pulse
Resource Archive News archive

Wellbeing examined

An artist-led collaboration by Neil Bromwich, Zoë Walker and Michael Pinsky began an international tour on 26 July at Southampton’s John Hansard Gallery. An evolving, expandable and travelling artwork, ‘Panacea’ is designed to function as a universal formula to cure […]

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Mountains
Resource Archive Feature

Shifting practice

Shifting practice is the second in the a-n Collections series, published to coincide with our 25-year anniversary. Guest edited by John Beagles and Paul Stone, it takes the artist-led initiative as its starting point.

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I.F.F.E.
Resource Archive News archive

New Forest Pavilion

ArtSway at the Venice Biennale, Palazzo Zenobio, 8-12 June

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Resource Archive News archive

re:gen

Janine Goldsworthy and Suzanne Hutton, both members of a-n’s Communications Projects Team, recently completed re:gen, a residencey and exhibiton project held in Sunniside, Sunderland. Featuring the work of six artists who all graduated within the past two years, the project […]

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Resource Archive News archive

Home and away

Out-and-about in recent weeks have been Susan Jones and Richard Padwick, participating in the 2005 N-Ten conference in Chicago of US non-profitmaking organisations through a presentation on the pros and cons of developing and publishing www.a-n.co.uk. The invitation came from […]

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Untitled
Resource Archive Feature

More than a stopping place

Laura Hewitt on Hotel Mariakapel, an artists’ initiative where the ideas of intimacy, dialogue and collaboration are fundamental concerns.

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Resource Guide

Good practice in paying artists

Aimed at public sector arts employers, commissioners, consultants and arts trainers, Good practice in paying artists addresses the context for fees and payments for artists’ residencies, workshops and community commissions. 

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Resource Archive News archive

Cover story

The decision as to which image to use on the cover of a-n magazine each month is never an easy one. We’re well aware of the impact on an artist of having an image distributed directly to 32,000 readers and […]

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Resource Archive News archive

Quo vadis

We’ve a whole new set of essays available on www.a-n.co.uk as a result of November’s NAN event Quo vadis. They are freely available to all as part of a-n’s ongoing support for artists’ networking activities. Specially commissioned by Chris Brown […]

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Resource Archive Feature

DCMS Art Market Inquiry 2005

In February, contributions were invited by a Parliamentary Select Committee from key visual arts organisations to an inquiry into DCMS’s support of the art market, in particular into “ways of supporting and encouraging living artists and the production of new work”. 

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Exterior view of Rodney Court
Resource Profile

Rodney Court project

Rodney Court is a proposed conversion of a Manchester tower block into live/work space for artists.

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'Crystal Peaks' exhibition
Resource Archive

S1 Artspace

S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.

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Crash Worship
Resource Profile

tactileBOSCH

TactileBOSCH is a studio group committed to experimentation, presentation and collaboration.

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Resource Archive News archive

Professional development news

APD (Artists Professional Development) network has received a £10,000 grant from Arts Council England to identify mechanisms to secure its future as the visual arts professional development umbrella. The offer arose after APD commissioned an independent strategic review from arts […]

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6 Bilton Square, Margate
Resource Profile

CRATE

CRATE successfully accessed economic development and regeneration funds to buy a building.

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One of the studios
Resource Introduction

Group studios

Paul Glinkowski looks at the UK studio landscape, highlighting successful new studio models. He also offers advice to artists wanting to set-up their own group.

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