Artists and Pinterest
Jack Hutchinson gets to grips with the latest digital networking tool and asks: how and why should artists be using it?
Jack Hutchinson gets to grips with the latest digital networking tool and asks: how and why should artists be using it?
Flow is a tidemill, a floating building on the River Tyne that generates its own power using a tidal water wheel and houses a range of musical machinery that responds to the river. It is one of the twelve Artists taking the lead’ commissions to celebrate the London 2012 Olympic and Paralympic Games. ~Flow is the brainchild of the artist group Owl Project and producer Ed Carter: To bring their fantastical idea to life required the skills and expertise of a diverse range of professionals, including Nicky Kirk, a chartered architect; Amble Boat Company; and David Willcox, a waterwheel designer. Here David, Ed and Owl Project talk about their experience.
Shisha, the Manchester-based agency for contemporary South Asian crafts and visual arts has closed.
Thirty-eight artists have been selected from more than 600 hundred applications for the 5th Oriel Davies Open exhibition (Oriel Davies Gallery, Newtown, until 27 June). “Works presented use diverse materials and visual techniques to push boundaries – such as challenging […]
A good proposal is like a conversation. To begin a really good relationship, you’ve got to find out as much as you can about who you’re talking to and what they’re interested in. This is the basis of making a successful pitch.
Two recent reports highlight the need for leading galleries and museums to better support contemporary artists and their practice.
The social media revolution has had a significant impact on the ways artists work. Here we focus on a selection of projects that artists have developed through online collaboration, sourced via our Twitter and Facebook followings.
Access to professional development is vital to artists’ careers, so here’s something we think will help.
From subsidised studio and accommodation to one-on-one mentoring sessions, here we spotlight a selection of residencies that provide support to artists across the UK and beyond.
An abridged version of Dany Louise’s follow-up report on small visual arts organisations cut by Arts Council England, six months after her ‘Ladders for development’ enquiry. She asks: how have these organisations fared and what do their futures hold? Read the full version of this report with updates on all surveyed organisations: www.a-n.co.uk/realising_the_value
Exhibition, residency and bursary opportunities for artists across the UK and beyond.
A survey of commissioning projects and public art consultancies around the UK.
In response to Claire White’s letter in the November issue, I want to agree with her analysis of artists and how many find themselves as part of community projects and development.
Highlighting just some of the festivals, events and exhibitions taking place across the North of England this season.
Digital capabilities have revolutionised artists’ working practices, from transforming the kind of works they make to how they interact with each other and audiences.
It’s sixteen years since the Disability Discrimination Act came into force; so are disabled artists more in the mainstream now, or have the goal posts just moved sideways asks Emma Geliot.
James Rigler, Chatsworth Table, ceramic, marble, wood, steel, gold leaf, rope, 2011. Courtesy: Chatsworth House
News and updates on AIR’s strategies and activities designed to support professional artists within their practice and working lives.
Current professional development support schemes for visual artists in the UK.
In 2010 artist Jo Berry embarked on a period of research within the School of Biomedical Sciences at Nottingham University Medical School, alongside Tim Self and Dr Nicholas Holliday. Here they recount the experience of an artist working in a ‘live’ scientific research environment, and the ways that the two disciplines of art and science can benefit each other to a wider audience.
New developments in the gallery sector.
Emily Speed reports from Abandon Normal Devices (AND) – ‘a call to arms inviting anarchists of the imagination to propose striking perspectives on normality’.
Artists are increasingly working with organisations and other artists in collaborative situations where issues of Intellectual Property may be less clear. We asked solicitor Nicholas Sharp for his advice in response to an artist’s recent query.
A selection of post-graduate study routes on offer across the UK.
Organisations around the UK facing cuts or closure.