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Marketplace
Patricia Fleming discusses the relationship with the art market for artists and curators in Wales and Scotland.
You searched for curatorial practice - Page 4 of 6 - a-n The Artists Information Company
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Editorial – 2007 September
This month’s a-n Collection: Trade-off explores the markets for art in the UK drawing on intelligence gathered at the recent series of NAN Roadshows1.
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Zoo selection
Zoo Art Fair has announced its list of exhibitors for the 2007 event, running 12-15 October.
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Diversity debated
Cultural diversity is a term that has pervaded our language and thinking across all sectors of life and institutions, and its latest manifestation of citizenship is perhaps the most coercive strategy being employed by government.
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Biennials
Paris – San Francisco-based Hou Hanrou will curate the 10th International Istanbul Biennial.
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A new space of operation
I’ve been working in and around transdisciplinary practice for the last twenty years now, and have found it to be a fertile and stimulating ground both for those working consistently within it or just passing through, I’ve just noticed that only recently has it started to become fashionable.
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ACE’s Turning point strategy under the spotlight
Artists comment on the Arts Council’s Turning Point Strategy.
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Negotiating an exhibition
In the world outside the arts, when someone offers something – a house for sale, a job, work from a tradesperson, a proposal of marriage even – this is generally the opening gambit in a negotiation process by which what […]
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Impact of networking: About NAN
NAN: Networking Artists’ Networks
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Impact of networking: The NAN way
Jane Watt outlines the core strengths of NAN and looks to the future.
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Prizes and awards
Art prizes are much valued by artists, not only because they provide some much-needed cash that can go towards new work but also for their profile-raising value that supports artists’ career development.
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Connect
As a textile artist based in Nottingham, I am currently one of nine artists and craft makers in the East Midlands engaged in Connect @The Usher Gallery.
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Biennials and ‘Biennials’
At a recent symposium on the British Art Show1 the discussion took a somewhat unexpected turn.
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Enriched mix
Artist David Macintosh takes a personal look at collaborative working.
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Then and now
The trains of thought that permeate through the writing we commission each month provide indicators for the future. Highlighting what is on the edge of becoming significant within artists’ practices, is a characteristic of a-n’s work, providing a very different […]
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Vox box
A series of Vox box style reflections by some of the artists who have experienced NAN.
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Art & Technology
Dan Miller reports from the NAN Scotland event in Stirling, January 2006
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Import/Export: Speakers
Biographies of Import/Export speakers.
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Close proximity: Introduction
Jonathan Swain introduces a new series of articles resulting from Close proximity, a two-day NAN event that took place at New Greenham Arts in Berkshire, 21-22 May 2005.
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The hole of France: Part 1
Stephanie Délcroix on the processes of public commissioning in France.
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Approaching Berlin
Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.
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Editorial – 2005 April
When invited in March to give evidence in person at the Culture, Media and Sport Committee’s Inquiry into the Market for Art, we used the opportunity to emphasise key areas for attention that would benefit many artists, taking into account […]
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Old and new masters
Bruce Haines profiles Johannes Phokela’s ongoing partnership with Gasworks in London.
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More than a stopping place
Laura Hewitt on Hotel Mariakapel, an artists’ initiative where the ideas of intimacy, dialogue and collaboration are fundamental concerns.
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S1 Artspace
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
