Curatorial questions
The Biennial age is the age of the illusion of free flowing global movement of thought and capital, when the success of an artist could be measured in airmiles.
The Biennial age is the age of the illusion of free flowing global movement of thought and capital, when the success of an artist could be measured in airmiles.
The training-led development programmes that were the norm in artists’ professional development delivery some years ago are giving way to new projects that focus around contemporary practice and are driven by ‘real world’ situations. They recognise that being a visual […]
Launched in October, the International Curators’ Forum website supports its aim to provide an open conceptual network around emerging issues of curatorial practice in the context of key events in the international arts calendar.
Shisha, the Manchester-based agency for contemporary South Asian crafts and visual arts has closed.
One of the things that makes digital media so exciting is that they problematise many naturalised systems and spaces of communication.
ArtSway at the Venice Biennale, Palazzo Zenobio, 8-12 June
Commissioned by Creative Partnerships London East and curated by Manick Govinda, Artsadmin, Art for Whose Sake? looked at ways in which contemporary art, performance and live art practices engage young people, within and outside formal systems of learning. Invited speakers […]
A selection of artists’ projects taking place through the summer.
As an increasing number of publicly-funded arts organisations seek out new models and initiatives for support, Artsway is providing a valuable platform to debate and explore what already exists, raising the issue of how longer-term support of artists can be maintained and increased in a period of arts austerity.
A new addition to Manchester’s artist-led activity, The Art Corner gallery’s curatorial team comprises emerging artists and art students.
Organised by Hayward Touring Exhibitions, the British Art Show takes place every five years and tours to four different cities across the UK.
Managed by Art Projects and Solutions, Forming Ideas is a curatorial development programme that aims to broaden and stimulate debate around contemporary craft practice for curators working across England in art galleries, museums and independently.
Over recent years the discussion around the current state of art teaching, and that of art education, has come to the fore.
Auto-Italia South East was formed in April 2007 by three artists: Amanda Dennis, Kate Cooper and Rachel Pimm. It is the name of the project, a larger network of artists, as well as the space they run in a donated building in South London.
Tether is a Nottingham-based artist collective that forms the nucleus for a cluster of associated activity, including studios, exhibitions, off-site projects, a video programme and podcasts, even stretching to a ‘Tether’ festival.
An innovative art project designed to create a new identity for one of Londons most misunderstood areas launched in June on Peckham Square.
The Collecting Live Art symposium that launched independent curatorial initiative Collecting Live Art addressed key issues surrounding the collection, sustainability and legacy of live art.
A look at the winners of recent competitions and prizes.
Paul Hobsons appointment as Director of the Contemporary Art Society marks activation of a new vision designed to build on CASs considerable track-record and forecasts a new role in the national visual arts environment in the run-up to the organisations centenary in 2010.
The Mayfly connotes ephemerality, a point no doubt in the minds of those naming this series of three one-day events.
Zoo Art Fair has announced its list of exhibitors for the 2007 event, running 12-15 October.
Paris San Francisco-based Hou Hanrou will curate the 10th International Istanbul Biennial.
In the world outside the arts, when someone offers something a house for sale, a job, work from a tradesperson, a proposal of marriage even this is generally the opening gambit in a negotiation process by which what […]
Art prizes are much valued by artists, not only because they provide some much-needed cash that can go towards new work but also for their profile-raising value that supports artists career development.
As a textile artist based in Nottingham, I am currently one of nine artists and craft makers in the East Midlands engaged in Connect @The Usher Gallery.