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Three years after graduating from Glasgow School of Art photographer Elizabeth Wewiora discusses her career path so far and takes us along for the ride.

Artists talking Online editor Andrew Bryant talks to Nicola Dale about collaboration, blogging and a dislike of loose ends.

Serial collaborators and Artists talking bloggers Alice Bradshaw and Bob Milner  co-curate the Project Space at Westgate Studios, Wakefield. Here in the first of two interviews, Alice interviews Bob about DIY practice, collaboration and public funding. Next month, Bob interviews Alice.

Blogger Ann Shaw talks to Andrew Bryant about working in the virtual realm, her career development from journalist to artist, and current concerns.

Here we have unveiled our list of the top ten Artists talking blogs.

Jac Mantle writes critically about art. In 2010 she reviewed the Glasgow School of Art degree show, she has contributed to a-n Reviews and writes for The Skinny in Scotland. Richard Taylor catches up with her to find our more about her reviewing process and ways to follow suit.
 

Lauren Healey interviews the artists shortlisted for the Liverpool Art Prize about making work, support structures for their practice, and their reasons for basing themselves in the North West.

Richard Taylor focuses on how James Clarkson’s migration to Artists talking from Degrees unedited simulates other moves in his practice, his studio and in his unique insight on objects re-placed into the contemporary art context.

The embellishment of international study resounds with the affect of writing and the scripture of applied materials to define a multidisciplinary art practice: but how do you pull yourself away from the developed peer structure of art school?

2010 Fine Art Photography graduate Joanna Waclawski talks about studying at Glasgow School of Art (GSA), and reflects on how re-sitting a year amplified her perspective on photography as a medium.

Richard Taylor talks to an artist with added arts professional experience about the role of the studio in research-led practice and the importance of cultural discourse.

Mir Jansen, Programme Manager of the professional development programme at Yorkshire Artspace in Sheffield talks to Jane Watt about how the studio organisation continues to support artists, the parallels between an artists and an organisations profile development, and her top five tips on making funding applications.

Richard Taylor in conversation with Carolyn Shepherd, final year degree student at Wirral Metropolitan.

Abigail Branagan has been advising artists and makers for over a decade. She is a freelance business advisor as well as Business Development Manager at Cockpit Arts in London. She talks to Jane Watt about what makes a good advice session and how makers are weathering the economic storm.

After falling in love with clay at the age of 12 Katie finally went to art school in her mid 20s bursting with a hunger for experimentation, and graduated with a degree in ceramics from Camberwell College of Art in […]

Michael Aitken studied Fine Art at the John Moores University in Liverpool graduating with first class honours in 2005. As well as developing his own practice he works concurrently at Tate Liverpool, Cumbria University as a visiting lecturer and as […]

Jack Hutchinson is an artist, writer and critic. He studied MA: Drawing at Wimbledon School of Art (2006-07), receiving a Professional Preparation Master’s Award from the Arts and Humanities Research Council. Following graduation he has contributed regularly to a-n Magazine […]

Pamela Wells and Alicja Rogalska report back from Supermarket – an artist-run international art fair in Stockholm. They talk about why their own artist association Laundry attended the event, meet representatives from a vibrant artist-run culture in Sweden and beyond, and offer a sample of some of the organisations who attended.

Lucinda Holmes has recently re-located to China and become involved with an emerging arts centre called [the studio] that is working towards developing an artists community in Shanghai. In this article she records her impressions of the galleries she has encountered in the city, and discusses how experiencing a different culture has effected her work as an artist.

Cockpit Arts’ chief executive Vanessa Swann and business development manager Ellen O’Hara speak to Jane Watt about Cockpit’s unique incubator scheme for designer-makers in London.

Paul Stone talks to Sheena Macrae about her three-month residency at Gertrude in Melbourne, Australia and its huge impact on her practice.

Paul Stone talks to John Walter about his time at the British School at Rome.

Penny Jones explores the career of Andrew Tanner who has spent ten years as a designer maker developing many successful ranges of batch-produced ceramics.