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How a partnership with their local university helped FusionARTS secure studio premises.

How education work has contributed to this studio’s success.

CRATE successfully accessed economic development and regeneration funds to buy a building.

Jane Watt profiles PACE, public art commissioning agent for Royal Aberdeen Children’s Hospital.

East Street Arts (ESA) is a model example of what the purchase and refit of studios involves.

More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.

In summer 2003 I took part in Excavate Overlay, a multi-disciplinary project involving artists, a writer/ anthropologist, archaeologists and members of a rural community in Caithness, Scotland.

“I’m drifting far out in space with Michael Jackson’s face, and all I want to do is get back home.”

Brigid Howarth talks to an art buyer who has been collecting since the age of nineteen.

Working with live performance, video, text and object, my practice is an investigation of liveness, mediation, desire and duration.

Brigid Howarth gives a rare insight into one art buyer’s collection and discovers the favorite haunts for snapping up the next big thing.

Brigid Howarth talks to Deutsch Bank curator Mary Findlay about the sourcing and buying of artworks for the largest corporate art collection in the world.

When I moved to the Essex coast from London in 1999, I began experimenting with digital techniques while I was refurbishing my studio.

Since I left art school in 1990, I have been creating work across art forms and for exhibitions.

Following graduation from the Royal College of Art, I undertook many major public commissions for clients including British Rail, British Gas and Unilever.

Gordon Dalton talks to Danny Rolph about creative process, gallery representation and residencies at Delfina and the British School at Rome.

Richard Cox profiles the Bemis Center for Contemporary Arts, USA, and discusses his involvement as both resident artist and selector.

Brigid Howarth looks at the career of ceramic artist Kate Schuricht who developed her own business after receiving a Crafts Council Setting Up award.

Lucy Wilson explores the development and expansion of Hidden Art, an initiative set-up by Dieneke Ferguson to promote the work of designer-makers in Hackney.

My first exhibition after leaving college was the Serpentine Summer Show (sadly no longer in existence) which catapulted me into the art world.

My art practice is focused on the process of making, and with my involvement in that process.

I have been painting for over fifteen years, and I always feel there is something new around the corner, waiting to be discovered.