Leo Fitzmaurice
Lauren Healey talks to Northern Art Prize 2011 winner Leo Fitzmaurice about objectness, appropriation and his time-intensive research process.
Lauren Healey talks to Northern Art Prize 2011 winner Leo Fitzmaurice about objectness, appropriation and his time-intensive research process.
Lauren Healey talks to Neville Gabie about his extensive experience of residencies in settings from building sites to Antarctica, embedding himself in communities and the importance of establishing the right kind of relationships.
Artists talking blogger Kate Murdoch had a previous career in Social Services before becoming an artist. But rather than take the ‘safe’ path through art education she decided to go it alone. In this interview she talks to Andrew Bryant, editor of Artists talking, about this and other issues.
Pippa Koszerek, a Campaigns Researcher at a-n, lets us in to her early career developments with Hull Time Based Arts.
Jack Hutchinson speaks to volunteers at Surface Gallery, an independent, artist-led gallery and studio complex in Nottingham. Its expansive programme involves exhibitions, talks and residencies.
Richard Taylor, online editor of a-n’s Students community and Degrees unedited, maps his journey over four years and shares insights from one invigilator’s chair to the next.
Lauren Healey interviews the artists shortlisted for the Liverpool Art Prize about making work, support structures for their practice, and their reasons for basing themselves in the North West.
Established in 2007 the annual Northern Art Prize offers four short-listed artists a prominent exhibition at Leeds Art Gallery and opportunity to win a £16,500 award.
Midwest was an artist’s development programme that ran from 2003 to 2008 in the West Midlands. Here we share pdf reports on Midwest’s activity that provide valuable insights into possibilities within artist-led culture.
Project coordinator Ed Adam and consultant Sovay Berriman tell Jane Watt how Alias (Artists-led Initiative Advisory service) has developed over the last ten years. They discuss the dilemmas that artist-led organisations face and offer their survival tips.
Curator Matt Roberts talks to Jane Watt about how and why he set up the London-based organisation Matt Roberts Arts and the importance of providing support and a platform for emerging and mid-career artists, curators and arts professionals.
The Centre of Attention (Pierre Coinde and Gary O’Dwyer) reveal their approach to ‘participatory curating’.
In October 2010 Safle ceased trading following the withdrawal of funding from the Arts Council of Wales. Back in April 2009, Jane Watt spoke to Safle’s Project Managers and Executive Director about how they were supporting artists to develop and make work in the public realm. At the time Safle was one of the UK’s largest independent public art consultancies.
Pamela Wells and Alicja Rogalska report back from Supermarket – an artist-run international art fair in Stockholm. They talk about why their own artist association Laundry attended the event, meet representatives from a vibrant artist-run culture in Sweden and beyond, and offer a sample of some of the organisations who attended.
Cockpit Arts’ chief executive Vanessa Swann and business development manager Ellen O’Hara speak to Jane Watt about Cockpit’s unique incubator scheme for designer-makers in London.
Kate Stoddart profiles Adam Paxon, who makes one-off sculptural jewellery in plastic, covering his career development and impact of winning prizes like Jerwood Applied Arts Prize in 2007.
Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.
Peter Freeman makes light sculptures and installations that articulate public spaces. Kate Stoddart explores his practice.
Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.
Sonya Dyer explores Karen Mirza and Brad Butler’s collaborative practice as artist filmmakers.
S Mark Gubb on Birmingham-based Colony, a space inspired by the artist-led initiatives of the 60s and 70s.
S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.
S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.
S Mark Gubb talks to Glasgow’s Mary, Mary about their transformation from artist-led project space to commercial gallery.
S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.