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Lee Simmons on Sue Cohen’s practice as an artist/curator and her focus on bringing art into the public sphere.

Originally from Barbados, Alberta Whittle graduated from Edinburgh College of Art in 2002 with a Tapestry degree.

Declan Long on two new Dublin-based galleries, and the relationship between artist-led spaces in Ireland and the UK.

TactileBOSCH is a studio group committed to experimentation, presentation and collaboration.

Rodney Court is a proposed conversion of a Manchester tower block into live/work space for artists.

Gasworks is part of an international network of independent studios around the globe.

CRATE successfully accessed economic development and regeneration funds to buy a building.

I thought I was the audience and then I looked at you began by accident.

More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.

East Street Arts (ESA) is a model example of what the purchase and refit of studios involves.

I have always been inquisitive about technology.

This profile looks at the activities of Littoral, an arts trust promoting new creative partnerships, critical art practices and cultural strategies in response to issues about social, environmental and economic change.

Mark Leahy looks at Ivan Smith’s intentions for his Fellowship in Sculpture at University of Derby, funded by the Henry Moore Foundation, and its role in his career development.

Sorcha Dallas profiles Transmission, the Glasgow-based artist-run gallery, that was established in 1983 by graduates of Glasgow School of Art.

Angharad Pearce Jones explores the sprawling career of Tessa Fitzjohn, providing an insight into her successful work/life balance.

Roddy Lumsden talks to artist Joshua Sofaer about the differences between performance and live art, audiences, and finding funding.

The Contemporary Art Society (CAS) supports the museum collection of contemporary art. Hugh Adams investigates the society’s aims and activities and offers advice on making an approach to CAS.

My creative output ranges from figurative sculpture to furniture design, and I enjoy being more than just one kind of artist.