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Space Place
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PACE

Jane Watt profiles PACE, public art commissioning agent for Royal Aberdeen Children’s Hospital.

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Time and relative dimensions in space (detail)
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An academic model

Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of the ‘Crossing over’ series.

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Portrait Garden
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Deutsche Bank Art Collection

Brigid Howarth talks to Deutsch Bank curator Mary Findlay about the sourcing and buying of artworks for the largest corporate art collection in the world.

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Eurhythymy
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Andrew Cooper

Following graduation from the Royal College of Art, I undertook many major public commissions for clients including British Rail, British Gas and Unilever.

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Peek-a-Jobby
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Graham Fagen

Lee Corner interviews Graham Fagen about his commission in Kosovo for the Imperial War Museum.

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Out of Blue
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Risky business

In 2001 Zarina Bhimji wrote in [a-n] MAGAZINE about preparing to make her first film. Out of Blue, created for and premiered at Documenta 11, is currently being shown at Tate Britain. Here, Manick Govinda describes how a series of timely awards gave Bhimji the freedom to develop new work.

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The Forest and The Forester (after Maeterlinck)
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Grizedale Arts

Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment.

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page from sketchbook
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Johanne Mills

Amanda Fielding looks at the activities of Johanne Mills and provides insights into the versatility of the contemporary artist.

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No Escape
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Shelly Goldsmith

Nina Madden talks to Shelly Goldsmith about her career to date, and receiving the Jerwood Applied Arts Prize.

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Arbor with Gate
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Ben Coode-Adams

Brigid Howarth takes an in-depth look at the career path of sculptor and new-media artist Ben Coode-Adams, who makes his living from public and private commissions.

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Sycamore Box with Raw Vessels
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Kate Schuricht

Brigid Howarth looks at the career of ceramic artist Kate Schuricht who developed her own business after receiving a Crafts Council Setting Up award.

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Out of Blue
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Zarina Bhimji

Manick Govinda profiles Zarina Bhimji and uncovers how two awards have played a pivotal role in her recent work.

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Dale Primary School
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Muf

David Redhead profiles Muf, a collaborative practice of art and architecture committed to public realm projects, exploring its manifesto, projects and modes of collaborative working.

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Scavengers
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Joshua Sofaer

Roddy Lumsden talks to artist Joshua Sofaer about the differences between performance and live art, audiences, and finding funding.

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Crying Glasses (an aid to melancholia)
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Hayley Newman

Hayley Newman works performatively, producing live events, film, video and photography. Sally O’Reilly looks at how she investigates modes of documentation and the historical placement of the genre.

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Sod's Lawn
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Tanya Axford

Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.

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Group
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Starter studios

Rebecca Farley profiles the Starter studios programme and looks at how six of the scheme’s previous artists were able to develop their careers.

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Bumpy Bag
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Next move

Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.

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Face corsets
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Paddy Hartley

Since completing an MA in ceramics in 1998, I’ve worked with and in response to a diverse range of people, environments and themes.

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A personal history of corruption
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Joe Magee

I studied at London College of Printing and spent the subsequent decade attempting to master print as a medium.

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Captain Manby's Lifesaving Device and Shoes,
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Sue Ridge

My practice combines studio-based and commissioned work with teaching at Chelsea College of Art & Design.

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epidermis
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Elpida Hadzi-Vasileva

Coming from Macedonia, a country where sixty to seventy percent of the land is forest, the immediacy of nature is a significant element of my working practice.

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