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In 2017, Wysing Arts Centre restructured its residency programme to be more responsive to artists’ situations and to support a more diverse pool of practices. Drawing on a conversation that took place between Wysing’s director Donna Lynas and resident artist Tessa Norton at the ‘Pivotal Moments’ conference, Lydia Ashman explores how and why the programme has changed.

The Mothership is an independent residency programme run by artist Anna Best from a purpose built studio nestled in Dorset woodland. Lydia Ashman speaks to Best and former resident artist Dominque Golden about how the flexibility of The Mothership is particularly supportive of artists with families.

Founded in 2010, Grand Union is a studio provider and project space that supports artistic and curatorial development in Digbeth, Birmingham. This profile includes a video, recorded at Assembly Birmingham, in which director Cheryl Jones introduces the organisation and shares its current strategy for securing a permanent home.

Stryx is a studio, project and exhibition space which forms part of the flourishing artist-led ecology in Digbeth, Birmingham. This profile includes two videos, recorded at Assembly Birmingham, of founder and co-director Karolina Korupczynska introducing the organisation and discussing the challenges of delivering a sustainable project on limited resources.

The Coventry Biennial of Contemporary Art is an artist-led platform that aims to bring critically engaged, high quality contemporary visual art to the city and surrounding area. This profile includes two videos, recorded at Assembly Birmingham, in which founder and artistic director Ryan Hughes introduces the organisation and describes its ambitious journey.

Studio provider and project space Paradise Works was founded in April 2017. Straddling the Salford-Manchester border, the organisation hosts 30 artists and presents an artist-focused programme of exhibitions, residencies and events. This profile includes a video, recorded at a-n’s Assembly Salford, of founder Lucy Harvey introducing the organisation and discussing its aspirations to be a sustainable presence within the artist-led ecology.

Islington Mill in Salford is an evolving creative space, arts hub and community that provides studios, hosts residencies, and includes a peer-led art school and artist-run B&B. This profile includes two videos, recorded at Assembly Salford, of Islington Mill founder Bill Campbell introducing the organisation and discussing future plans.

Based in a former school in Nottingham, Primary supports artistic production through its studio provision, residencies and a public programme. This profile includes two videos, recorded at Assembly Salford, where director Niki Russell introduces the organisation and shares its lengthy journey to securing a space.

S1 Artspace in Sheffield is a member-led studio provider and exhibition space, running since 1995. This profile includes a video, recorded at Assembly Salford, of S1’s Stephen Escritt outlining the organisation’s plans for a major expansion at the Grade II* listed brutalist Park Hill estate.

Initiated in 2010 by two fine art graduates, The NewBridge Project in Newcastle upon Tyne provides studios, a gallery, project spaces and a member-led professional development programme. This profile includes two videos, recorded at Assembly Salford, of former director Charlotte Gregory introducing the organisation and discussing how during a period of expansion the project has stayed loyal to its member-led ethos

Founded in 1972, Acme Studios has grown to provide around 600 studios for London-based artists. This profile includes two videos, recorded at Assembly Salford, featuring Acme’s Head of Projects & Communications Jack Fortescue introducing the organisation and outlining its unwavering commitment to securing long-term, affordable artist studios.

Based in Birmingham’s growing cultural quarter Digbeth, Recent Activity seeks to contribute to the area’s artist-led scene without replicating the activity of its more established spaces. Art researchers Doggerland speak to one of the organisation’s founders Andrew Gillespie about working within manageable parameters to offer “something a bit different” to the area.

From found photography to a research-based practice, Richard Taylor talks to 2012 University of Wales Cardiff Fine Art graduate Laura Reeves.

Launched in 2009, The Manchester Contemporary is an art fair that looks to encourage and develop a market for critically engaged contemporary art in North West England. We talk to Paulette Terry Brien of The International 3 who, alongside Laurence Lane, has been Curatorial Coordinator for the last three editions of the fair.

We picked a good time to catch up with Rosemary Marchant, right before her degree show in Brighton. After the install we then followed up with her plans for practice and research post-graduation… so here’s the before and the after!

We catch up with a 2011 graduate, one year on from her degree show, to unveil alternative means of productivity with Scotland and Venice, well placed volunteering and research through internship.

Peter Martin, Sheffield-based artist, and curator of the graduate show ‘Repercussions’ at The Old Market Gallery in Rotherham, talks to Richard Taylor about pulling together exhibitors from across the UK and producing a show representative of both physical and virtual research into 2011 degree shows.

Becky Hunter is a freelance art writer whose blogs demistify, with honesty and intelligence, the processes of making art, writing about art, and finding a place in the wider world of art. Here she talks to Andrew Bryant about criticality and affect, the prickly subject of money, and why we need idealists.

Janey Muir graduated from her MFA at Duncan of Jordanstone College of Art and Design in September 2010. A year on, Richard Taylor steps in to conversation at a pivotal moment in her work’s development, through a new Project blog on Artists talking.

Jac Mantle writes critically about art. In 2010 she reviewed the Glasgow School of Art degree show, she has contributed to a-n Reviews and writes for The Skinny in Scotland. Richard Taylor catches up with her to find our more about her reviewing process and ways to follow suit.
 

Graphic design supplied an impetus, as skateboarding provided public space for experimentation. Soon to be in his final year at Birmingham City University, Ryan Hughes continues to transform public sites with the durable object alongside textual intervention.

Richard Taylor talks to Charlotte A Morgan about writing as a research process and striking the balance in adapting opportunities to her interdisciplinary practice.

Alice Ladenburg graduated in 2008 with a BA (Hons) in Drawing and Painting from Edinburgh College of Art. Continuing to live in Scotland’s capital, she works four days a week in the commercial art world at Ingleby Gallery, taking part […]

Curator Matt Roberts talks to Jane Watt about how and why he set up the London-based organisation Matt Roberts Arts and the importance of providing support and a platform for emerging and mid-career artists, curators and arts professionals.