Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.
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David A Bailey talks about how his socially-informed work has led him to curate projects that set it within a wider (art) historical context.
Gavin Wade talks about his role as a ‘professional curator’ working outside of an institution.
Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.
Frances Lord discusses her practice as a curator, writer, freelance project manager and art consultant with Jane Watt.
Crafts Council Director of Programmes, Claire West talks to Jane Watt about why the Spark Plug Curator Award was initiated, the selection process and some of the exciting new curatorial ideas and works that have emerged.
Paul Stone talks to John Walter about his time at the British School at Rome.
Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.
Penny Jones profiles Clare Twomey, who makes large-scale ceramic installations for galleries and museums often in collaboration with the UK ceramics industry.
Charlotte Frost on some of the production activities of the Newcastle- and London-based Forma, drawing out different strands of its programme including curation, representation, initiation, distribution and public art.
Charlotte Frost delves into the on and offline world of Furtherfield.org, where web surfers are encouraged and enabled to become co-producers in art making/situating via platforms such as VisitorsStudio and projects like DIWO (Do It With Others).
Sonya Dyer explores Karen Mirza and Brad Butler’s collaborative practice as artist filmmakers.
American artist and curator Jen Wu lives and works in London, and is currently an Inspire Curatorial Fellow at the Institute of Contemporary Art, London.
Sara Haq on Judy Freya Sibayan, performance and conceptual artist, curator, publisher and museum.
Sally Lai is currently a Clore Leadership Programme fellow and holds an MA in Curating from Goldsmiths College, University of London. Based in Manchester, the wide range of exhibitions and projects she has been involved with reflect her special interest […]
S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.
S Mark Gubb profiles Moot, a Nottingham-based gallery that aims to act as a catalyst for the local arts community.
S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.
S Mark Gubb on Birmingham-based Colony, a space inspired by the artist-led initiatives of the 60s and 70s.
Sara Haq on Indra Khanna, curator at Autograph, her career progress and independent projects.
Last year I did a residency at the IAAB, an international artists exchange programme in Basel, Switzerland.
Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.
Gasworks is part of an international network of independent studios around the globe.
My practice as an artist is about escape, about losing myself in the process of making art, escaping the world.
Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of the ‘Crossing over’ series.